SKU: DZ.DZ-4172
ISBN 9782898520891.
SKU: HL.48189410
UPC: 888680880279. 8.25x12.0x0.73 inches.
Cobo Crepuscule Sur La Pampa Guitar 3 Violins & Cello Score/Parts.
SKU: BT.VOLMB838
ISBN 9788863888393. Italian-English.
For this transcription the author used a photographic copy of the autograph manuscript of Sonatas and Partitas for Solo Violin (BWV 1001-1006) by Johann Sebastian Bach, dated 1720 and kept in the Staatbibliothek Preussicher Kulturbesits, Berlin. The adjustments to the original text mainly concern: harmonic enrichments suggested by the implicit polyphony, which is typical of the works for string instruments by Bach: necessary corrections to remedy simple misprints: a clearer and more complete polyphony. For this reason, when two or more voices moves homorhythmically, the related pauses are grouped to avoid graphic overload, according to the current practice.
SKU: PR.UE037178
ISBN 9783702474812. UPC: 803452071921.
The great violinist Yehudi Menuhin commissioned Bartok for a new work, and Bartok responded with the Sonate. When first Menuhin saw the work, he deemed it unplayable! Upon further inspection, the composition began to make sense, and Menuhin would ultimately hail it as the most important composition for violin alone since Bach. Similarly, Dejour - captivated by the Sonate - would have grave doubts about transcribing such a virtuosic masterpiece for violin for his own instrument, the guitar. He, too, came to realize that the Sonate could well transfer to the guitar, with its chord progressions, contrapuntal motion, and more. While still demanding of virtuosity, the Sonate is now available as a masterpiece for guitar.
SKU: HL.49010962
ISBN 9790001097796. UPC: 073999925555. 9.0x12.0x0.07 inches.
Guitar Solo.
SKU: BT.SINF070
ISBN 9788884001429.
In re minore - trascrizione per chitarra trascrizione e diteggiatura per chitarra a cura di Eros Roselli.
SKU: GI.G-017094
English, Spanish, english or Spanish Bilingual.
WLP’s wedding collection offers music of all styles—contemporary songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more. Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violÃn, contenidas en una edición separada. .
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
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