SKU: HL.48182410
Corrente Quattro No 3 And 4.
SKU: HL.48182409
Corrente Quattro No 1 And 2.
SKU: GI.G-9453G
UPC: 785147945376. English. Text Source: Veni Creator Spiritus, attr. Rabanus Maurus, 776–856, tr. Edward Caswall, 1814–1878, alt. Text by Rabanus Maurus.
SKU: GI.G-7607G
English. Text Source: Suscipe, attr. St. Ignatius of Loyola, 1491–1556, Eng. tr. unknown. Text by Ignatius of Loyola.
SKU: GI.G-8701G
English. Text Source: Sequence: Veni Sancte Spiritus, attr. Stephen Langston, ca. 1150–1228, tr. Peter J. Scagnelli after Edward Caswall, 1814–1878, Gospel Verse, Lectionary for Mass; Translation: Peter Scagnelli.
SKU: GI.G-9757G
UPC: 785147975779. English, Spanish, Tagalog. Text Source: Based on “The Prayer of St. Francis,†Attr. Francis of Assisi, 1181–1226, English, Spanish and Tagalog Tr. Unknown, adapt. Tony Alonso.
SKU: GI.G-10669G
Text Source: Veni, Sancte Spiritus, attr. Stephen Langton, ca. 1150-1228, Eng. tr. Lectionary for Mass, Span. tr. Leccionario, French tr. Lectionnaire Text by Stephen Langton.
SKU: GI.G-10564G
UPC: 785147056478. Text Source: Attr. Francis of Assisi, 1181–1226, tr. al esp. y esp. anon. / Span. and Eng. tr. anon.; Translation: Anonymous. Text by St. Francis of Assisi.
SKU: GI.G-7678G
English, Latin. Text Source: Vv. attr. St. Thomas Aquinas, ca. 1225–1274. Text by Chris de Silva.
SKU: GI.G-10106G
UPC: 785147010678. Text Source: Attr. Thomas Aquinas, 1225–1274. Text by Thomas Aquinas.
SKU: GI.G-10569G
Eng. ref.: Alan Hommerding. Text Source: Vss. based on Mary the Dawn, attr. Paul Cross, Span. ref. & tr. of vss.: Christian Leaños & Lourdes C. Montgomery, Eng. ref.: Alan Hommerding; Translation: Alan J. Hommerding. Text by Christian Leaños.
SKU: GI.G-10959G
Text Source: Attr. Francis of Assisi, 1181&ndash,1226, tr. al esp. e ing. anón. / Span. and Engl. tr. anon. Text by St. Francis of Assisi.
SKU: BT.SINF545
ISBN 9788884004697. Italian.
Lo scopo principale di questo testo è di costruire massima velocit ed efficienza attraverso meccaniche della mano sinistra convenzionali e non convenzionali. All’interno di alcuni esercizi sono presenti degli esempi di pennata alternata, pennata ibrida e sweep picking. Questo libro offre trenta esercizi, chiamati anche “licksâ€, ed è diviso in quattro capitoli: Scale maggiori e minori; Scale minori melodiche e minori armoniche; Scale pentatoniche; Scale ed esercizi simmetrici (scale diminuite, aumentate, esatonali, cromatiche ed esercizi cromatici). I principali argomenti trattati in questo metodo sono: Frasi basate su diteggiature a tre e quattro note per corda patterns; licksbasati su gruppi di note dispari (5, 7, 10, 11, etc.); arpeggi; “superimpositions†utilizzando scale pentatoniche e arpeggi ;consigli utili per l’improvvisazione e l’outside playing; consigli su come sviluppare un metodo di studio positivo ed efficace.
SKU: HL.50600698
Italian.
Il metodo Berklee Basic Guitar: Parte 1. Una risorsa essenziale per ogni student di chitarra alle prime armi.
Questo modern metodo di insegnamento e pensato sia per lo studio individuale sia perl’ambito scolastico. La tecnica della chitarra e le capacita di lettura vengono sviluppate negli arrangiamenti d’ensemble a due, tre e Quattro parti, sia di brani musicali tradizionali sia di partiture appena composte.Per ampliare l’apprendimento c’e anche un’introduzione all’esecuzione degli accordi.
Il metodo Berklee Basic Guitar offer il modo di imparare la chitarra. I chitarristi farannorapidi progressi grazie agli elementi essenziali che vengono eposti qui.
SKU: DY.DO-1522
ISBN 9782897963026.
Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
SKU: HL.50600696
INSMTH inches. Italian.
Il Metodo Moderno Per Chitarra di William Leavitt e usato come testo base nei corsi del Berklee College of Music. Dalla sua prima pubblicazione ha guadagnato un nutrito e fedele seguito dio studenti e insegnati. Articolato intre volumni, il metodo accompagna il chitarrista in un percorso di studio che spazia dalle nozioni di base fino alle tecniche piu avanzate attraverso un approccio pratico e completo.
Il secondo volume affronta lo studiodella melodia, delle scale, degli arpeggi e degli accordi lungo l'intera tastiera. Contenuto:
SKU: AP.EL02796
UPC: 038081554990. English.
Many students are attracted to the guitar because of hearing the lead guitar solos by their favorite group or artist. Most of them in their early teens come into the teaching studio for their first lesson expecting to be shown a lead guitar solo off a newly released album. However, this brings up some problems. Most beginning students have not yet developed the skill in their hands to play such a solo, do not read music, or have not had music theory training. Because of this, beginning students entering a studio do not get the full benefit from the music because they are unable to apply the examples presented to them. It's because of these problems this book came about. Guitar Technique stresses from the beginning control of the instrument and basic music theory. After completing this book, a student will have the necessary musical background and skill to pursue any direction of guitar playing he/she chooses with success.
SKU: HL.50499560
305 X 231 inches. Italian.
Mario Gangi's classic method for guitar is now available in an attractively priced single volume. It offers technical solutions to the biggest practical problems facing those studying the guitar.
SKU: UT.DM-56
ISBN 9790215315891. 9 x 12 inches.
Questo secondo volume della collana Ciao Chitarra!!! si articola secondo la stessa struttura del primo sviluppandone gli intenti fondamentali: predisporre lâ??allievo a un atteggiamento attivo, di ricerca e di scoperta nei confronti della chitarra e favorire, insieme allo sviluppo graduale della tecnica e allÃampliamento della conoscenza diretta del repertorio, la progressiva evoluzione della sensibilità musicale. La â??sfidaâ?? è rendere piacevole e interessante non solo il momento in cui si suona ma anche quello in cui si studia, facilitando una vivace e dinamica interazione tra allievo, maestro e libro.Le musiche scelte, che spaziano dal Rinascimento ai nostri giorni, si presentano in forma di brani solistici, duetti ed esercizi di tecnica che attraverso piccoli cambi di posizione della mano sinistra, note tenute, arpeggi, legati e scale di unâ??ottava, conducono lâ??allievo verso la conoscenza delle prime due posizioni sulla tastiera e lo avvicinano alle tecniche chitarristiche di base.La diteggiatura della mano destra è stata volutamente omessa al fine di assecondare la spontanea articolazione delle dita che producono direttamente il suono. Tale articolazione, insieme al sincronismo, al coordinamento e alla ricerca della qualità sonora, andrà comunque sviluppata correttamente attraverso gli arpeggi e le piccole scale presenti nelle ultime pagine del volume.Una grafica particolarmente accurata e le numerose illustrazioni da colorare a piacimento veicolano con incisività informazioni di carattere musicale e storico insieme a indicazioni di carattere pratico - quali lâ??accordatura e il cambio delle corde - spesso trascurate ma invece utili a sviluppare lâ??autonomia dellâ??allievo e a rendere ancora più diretta la sua interazione con la chitarra. Sito Web: www.ciaochitarra.it
SKU: HL.50600707
Questo volume, continuazione della fase 1, e adatto agli studenti principianti di livello intermedio pronti per sviluppare ulteriormente le loro capacita di base. Pensato sia per lo studio individuale sia per lambito scolastico, il metodoBerklee Basic Guitar e ideale per migliorare la propria abilita nel creare un suono unico e personale con la chitarra. Come in precedenza, questo secondo volume continua le lezioni sui soli attraverso luso di arrangiamenti densemble adue o a tre parti di brani tradizionali o contemporanei. I chitarristi faranno rapidi progressi grazie agli strumenti esseziali che vengono forniti.
SKU: M7.PPV-20046848
ISBN 9783955120771.
Kreativität fällt nicht vom Himmel und überzeugend interpretieren will gelernt sein. Hier erfährst du, wie du mehr aus deinem Gitarrenspiel holst und deine Musik lebendiger wird. Dieses Buch bildet den Abschluss der erfolgreichen Reihe Guitar Fitness. Nach allen technischen Übungen geht es nun um Kreativität und individuellen Ausdruck. Anhand von acht attraktiven Stücken aus verschiedenen Stilrichtungen bekommst du gezielt Tipps für den Einsatz von Dynamik und Tempo, Klangfarbe und Akzentuierung. Die Stücke sind abwechslungsreich, eignen sich ideal zum Vorspielen und erweitern dein Repertoire um tolle Bausteine. Die erlernten Interpretationsfähigkeiten lassen sich problemlos auf andere Musikstücke übertragen. Auf der CD zum Heft findest du alle acht Songs. Sie bieten die ideale Orientierung und sind bewusst jeweils in einem Take eingespielt - schließlich geht es hier nicht um Perfektion aus dem Studio, sondern um authentische Musik, deren Funke auf die Zuhörer überspringen soll. Masterpieces ist geeignet für fortgeschrittene Autodidakten sowie für Gitarrenschüler und -lehrer, die diese Stücke gezielt in ihren Unterricht einbauen möchten. Die Stücke bauen nicht aufeinander auf, sodass du sie individuell aussuchen und einüben kannst.
SKU: BT.VOLMB58
ISBN 9788863880564. Spanish.
Designed for beginner guitarists, this book undergoes an exhaustive study of modern acoustic Guitar. A simple approach covering rhythm and interpretation. Playful with music theory and techniques lending to an attractivelearning tool. The individual lessons are grouped according to the material given in progressive chapters, so that each lesson follows on from the previous. All provide the basic techniques and theory necessary for the study ofany Guitar style.
Having studied this book, the beginner guitarist will be able to: read basic music, play all open major/minor chords, play appropriate accompaniments for folk, rock and bluegrass, play two types of themostpopular bridge chords, play a progression of blues chords and be able to improvise. They will have acquired a right hand finger picking technique for basic arpeggio and alternate bass patterns.
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