Composed by Richard Yates. For guitar (acoustic). Squareback saddle stitch. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

48 Early Works & Transcriptions. By Julio S. Sagreras. For Guitar (Classical). Solos. Chanterelle. Classic. Level: Intermediate. Book. Size 9x12. 144 pages. Published by Chanterelle.

Guitar - Intermediate

SKU: MB.30829

Beethoven, Saddle-stitched. Classics. Book. 116 pages. Mel Bay Publications, Inc #30829. Published by Mel Bay Publications, Inc (MB.30829).

ISBN 9781513465753. 8.75x11.75 inches.

This publication presents a lightly modernized, fully corrected, reliable edition of Francisco T?rrega?s more idiomatic transcriptions and arrangements for the classic guitar. T?rrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Fr?d?ric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today?s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.

Guitar - intermediate to advanced

SKU: HL.49019283

Guitar. Composed by Enjott Schneider. Edited by Stefan Barcsay. This edition: Saddle stitching. Sheet music. Guitar. Classical. Softcover. Composed 2010. 16 pages. Duration 12'. Schott Music #GA558. Published by Schott Music (HL.49019283).

ISBN 9790001179652. 9.0x12.0x0.061 inches.

Nocturnes have a long tradition - from the notturni by Mozart and Haydn via the nocturnes of the Romantic era to Chopin who elevated the genre to fascinating character piece: He created ambivalently shining gems in an unreal world of human nature which were as close to the extremely sublime as to a demonic abyss. Enjott Schneider's '3 Nocturnes', the core of each of which is characterized by a Latin motto, stand in this tradition. Cicero's 'Somnus est imago mortus' sees sleep as a resemblance of death. 'Die Zeit eilt weg, die Liebe aber bleibt' [Time passes but love remains] explores the ambivalence between that what is hurrying and that what stays eternally. Ovid's 'Der Tropfen hohlt den Stein nicht durch Kraft, sondern durch stetes Fallen' [The drop hollows the stone, not by force but by constant dripping] has its counterpart in a minimalist motif which has a lasting influence on the listener through its constant sounding.