SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: HF.FH-2980
ISBN 9790203429807. 9 x 12 inches.
1. Menuett (J. S. Bach); 2. Praludium (G. Gershwin); 3. Andante - aus Sonate Nr. 15 (L. v. Beethoven); 4. Ungarischer Tanz Nr. 5 (J. Brahms).
SKU: MB.30667M
ISBN 9781513463971. 8.75 x 11.75 inches.
Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.
A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.
Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.
This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.
SKU: HL.14002843
ISBN 9781844495900. 8.5x11.75x0.122 inches.
Twenty easy pieces for piano, transcribed for guitar by Graciano Tarrago.
SKU: YM.GTL01097129
ISBN 9784636971293.
25 Famous melodies for guitar solo. Players are able to listen the model performance on the smartphone through the QR cords attached to each page. 25Shou Ji Ta Du Zou Ming Qu . Yan Zou Zhe Ke Yi Tong Guo Sao Miao Er Wei Ma Shi Yong Zhi Neng Shou Ji Shi Ting Shi Fan Yan Zou . 1. Liszt: Liebestraum; 2. Debussy: La fille aux cheveux de lin; 3. Dvorak: Largo from A New Wrold Symphony; 4. Satie/Ju te veux; 5. Chopin: Prelude Op.28/7; 6. Haydn: Theme from 2nd movement of Kaiser Quartet; 7. Verdi: Triumphal March from Opera Aida; 8. Ravel: Bolero; 9. Massenet: Meditation from Opera Thais; 10. Borodin: Polovtsian Dances from Opera Prince Igor; 11. Moussorgsky: Promnade from Pictures at an Exhibition; 12. Smetana: Melody from Moldau; 13. Schubert: Melody from Trout Quintet; 14. Bach, J. S.: Prelude from Suite for Cello No.1; 15. Liszt: La campanella; 16. Paganini: Caprice No.24; 17. Tarrega: Adelita; 18. Tarrega: Etude No.1; 19. El Noi de la Mare; 20. Sanz: Canarios; 21. Tarrega: La'cryma Christi; 22. Sol: Waltz from 6 pieces; 23. Siciliano; 24. Londonderry Air; 25. Gershwin: Rapsody in Blue.
SKU: BT.ALB10655
ISBN 9789043145305. Dutch.
Following on from the material in Gitaar Starter 1, this book/CD set covers even more techniques that are vital for the beginning guitarist to learn. It discusses, amongst other topics, playmaking, legato, positionchanges, harmonics and chords.
In addition to the individual exercises, the techniques are mainly used in the playing materials, which contains pieces in many different styles from all around the world.
When thewhole Gitaar Starter series has been worked through, the student will have mastered the most important basics of Guitar playing.
SKU: LM.25154
ISBN 9790230951548.
ANONYME : Deux basses dances du XVIe siecle - The Sick Tune - ATTAIGNANT : Basse dance - Recoupe - Tourdion - ASKUE : A Jig - BACH J.C. : Danse - CUTTIN : The Squirrel's Toy - MOZART L. : Bourree - RAMEAU : Menuet - TELEMAN : Gavotte.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
SKU: DZ.DZ-4018
ISBN 9782897959357.
1. Arioso, J.S. Bach2. Little Serenade, J. Haydn3. Valse poétique no. 1, E. Granados4. Valse, J. Brahms5. Menuet, J.S. Bach6. Waltz in B minor, F. Schubert7. Malagueña, P. de Sarasate8. Sonatine, L.V. Beethoven.
SKU: MB.31129M
ISBN 9781513476896. 8.75X11.75 inches.
The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
SKU: MB.97195M
ISBN 9780786696734. UPC: 786696737. 8.75 x 11.75 inches.
Absolutely the best, most comprehensive new method available for guitar. Introducing the innovative new Zone Concept for learning position playing. Over 150 solos and duets in the keys of C, G, D, and B minor. Musical styles: bossa nova, Latin, fiddle/tunes/ hornpipes/reels, Celtic music, ragtime, baroque, jazz, swing jazz ballads, American folk ballads, rock, early-American hymnody, be-bop, blues, samba, and tango. Concepts presented: basic improvisation, rhythmic variation, velocity studies, sight-reading, passing tone studies , chord progression studies, arpeggio studies, dropped-D tuning, blues, blues turn-arounds, licks/fills/ breaks, bass runs, principles of memorization, chord studies, minor pentatonic scale, principles of successful practice, priciples of successful performance, movable power chords, and rock comping. New Composers featured: J.S. Bach,Carcassi, Moaazni, Giuliani, Carulli, Vivaldi, Handel, Sor, Galilei, Tarrega, Debussy, H.L. Clark, St. Jacome, Corelli, Johann Krieger, Wohlfahrt, Jeremiah Clarke, plus guitar duos on selections from Handels Water Music, Vivaldis Four Seasons, and selected Bach cantatas. Includes access to extensive online audio.
SKU: HL.50510141
ISBN 9790080128916. UPC: 073999708516. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Erzsebet Nagy; Miklos Mosoczi.
This publication is a completely revised edition of our five-volume guitar tutor. In the decades since its first edition, the musical interests of students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty,so that students can spend longer on a varied repertoire at their respective level. We have determined the works in the volume V which demand a more developed technique and musicality to extend the repertoire of those who wish to study further. The transcription of lute works has sometimes made significant compromises necessary. However, in our view, it is a significant gain that students can get to know a Dowland fantasy or an early English Baroque set of variations. This volume comprises 44 concert pieces from the early 17th to the 20th centuries, 18 advanced-level studies by Carcassi, Coste, Giuliani, and Sor, as well as several advanced-level technical exercises. Besides original works by Giuliani, Sor, Tarrega, and others, it features several transcriptions of works by Dowland, Rameau, J. S. Bach, and D. Scarlatti.
SKU: HL.49014429
ISBN 9790220107719. UPC: 841886022904.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
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