Guitar

SKU: GI.G-9008G

Composed by Marty Haugen. This edition: Guitar edition. Holy Family. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9008G. Published by GIA Publications (GI.G-9008G).

English. Text Source: Colossians 3:12–17, adapt. MH. Scripture: Colossians 3:12D17.

Performed by Ted Nugent. DVD. DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Hal Leonard.

Guitar - intermediate

SKU: M7.VOGG-85

Composed by Peter Bursch. Sheet music. Incl. TAB. Voggenreiter #VOGG 85. Published by Voggenreiter (M7.VOGG-85).

ISBN 9783802400858.

Für alte und junge Hippies Mit über 100 Songs, die sich mit Spaß singen und spielen lassen. Von den Beach Boys, Joan Baez, Bob Dylan, Simon & Garfunkel, John Denver, Reinhard Mey, Fugees u. v. a. Dazu die richtigen Griffe, gute Gitarrenbegleitungen, Tabulaturen und alle Texte. Mit Hintergrundwissen und Entstehungsgeschichte zu den Liedern und ihren Interpreten. Alles Wichtige über die Gitarre und andere Folk-Instrumente. Songliste: Alberta, All around my hat, All my trials, Amazing grace, Banana-Boat (Day-O), Banks of the Ohio, Barbara Allen, Bella ciao, Can the circle be unbroken, Catch the wind, Cocaine, Colours, Come all ye fair and tender ladies, Days of '49, Der Deserteur, Der Winter ist vergangen, Die freie Republik, Die Gedanken sind frei, Die Moorsoldaten, Donna, Donna, Drill ye tarriers, drill, East Virginia, El condor pasa, Es dunkelt schon in der Heide, Es geht ein' dunkle Wolk' herein, Es saß ein klein wild Vögelein, Es zogen einst fünf wilde Schwäne, Go down, Moses, Greensleeves, Grizzly bear, Guantanamera, Gypsy Rover, Havah nagila, Heute hier, morgen dort, House of the rising sun, Ich komme schon durch manche Land, (La Marmotte), If I had a hammer, I'll fly away, In 1841 (Paddy works on the railway), Jackaroe, John Barleycorn, Joshua fit the battle of Jericho, Kalinka, Killing me softly, Kinder, Kisses sweeter than wine, Kumbaya, Lady in black, La-le-lu, La Marmotte, (Ich komme schon durch manche Land), Lady in black, Little beggarman, Lord Franklin, Matty Groves, Mein Vater wird gesucht, Mr. Bo Jangles, Nehmt Abschied, Brüder, Oh, freedom, Oh Susanna, Pick a bale of cotton, Plaisir d'amour, Pretty Peggy-O, Puff, the magic dragon, Sag mir, wo die Blumen sind?, St. James Infirmary, Santy Anno, Scarborough Fair, Should auld acquaintance (Auld lang syne), Sloop John B., Sometimes I feel like a motherless child, Stewball, Streets of London, Take me home, country roads, The bonny lass of FYVIE-O, The circle game, The cuckoo, The Foggy Dew, The last thing on my mind, The marvelous toy, There but for fortune, Three drunken maidens, The trees they grow high, This land is your land, Three drunken maidens, Trotz alledem, Turn, turn, turn, Über den Wolken, Un as der Rebbe singt, Waxie's Dargle, Wayfaring stranger, We shall overcome, What shall we do with the drunken sailor?, Where have all the flowers gone?, Whiskey in the jar (Gilgary Mountain), Will ye go, lassie, go (Wild Mountain Thyme).

Guitar solo

SKU: GH.CG-6195

Composed by Torvald Nilsson. Arranged by Torvald Nilsson. Educational. Gehrmans Musikforlag #CG 6195. Published by Gehrmans Musikforlag (GH.CG-6195).

26 melodier for sologitarr arrangerade och bearbetade av Torvald Nilsson. Haftet innehaller flera genrer: folkvisor, svenska diktvisor, vispop och klassisk gitarrmusik.

Guitar

SKU: UT.CH-269

Composed by Mario Gangi. Edited by Carlo Carfagna and Francesco Russo. Saddle stitching. Classical. Ut Orpheus #CH 269. Published by Ut Orpheus (UT.CH-269).

ISBN 9790215324985. 9 x 12 inches.

Adagio/ Minuetto/ Allegro/ Giga

Mario Gangi lavishes his remarkable versatility on this duo, engaging in a masterly fashion in a Baroque-style composition with repeats, progressions, imitations and embellishments which are managed extremely naturally.
The manuscript is basic, without fingering, indications of expression, agogic or dynamic, with the exception of the Giga in which some accented notes and crescendo and decrescendo signs appear that are faithfully reproduced here.
Since this is a Suite in Baroque style, it was not thought suitable to burden it with dynamic and expressive indications, thus leaving a certain amount of freedom to the performers.
The fingering and the (few) indications concerning tone-colour have been added bearing in mind the instrumental concept of the Maestro.
This Suite barocca, together with the Suite spagnola and the Suite italiana, makes up part of a hypothetical tryptich, certainly varied but with stylistic connotations which refer to the musical conception of Mario Gangi.