Performed by Led Zeppelin. For guitar and voice. Format: easy guitar/vocal songbook. With standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and strum patterns. Metal and hard rock. 156 pages. 9x12 inches. Published by Warner Brothers.

Old Time, Wire bound. Sacred. Book and online audio. 184 pages. Mel Bay Publications, Inc #WBM67M. Published by Mel Bay Publications, Inc

Guitar - Advanced

SKU: MB.30762M

Saddle-stitched, Solos. American Music. Book and online audio. 24 pages. Mel Bay Publications, Inc #30762M. Published by Mel Bay Publications, Inc (MB.30762M).

ISBN 9781513465692. 8.75x11.75 inches.

Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio.

By Gregory Coleman. For Guitar. Guitar Method or Supplement. Rock. Book & CD. Published by Alfred Publishing.

Guitar - Intermediate

SKU: MB.31088

Saddle-stitched. Country. Book. Mel Bay Publications, Inc #31088. Published by Mel Bay Publications, Inc (MB.31088).

ISBN 9781513473413. 8.75X11.75 inches.

Whether you already play old-time music, or you are just getting started, this is the book for you.áDan Levenson�s Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in today�s sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Taught by William Bay. For Guitar (All). method. You Can Teach Yourself. All Styles. Level: Beginning. DVD. Size 5.38x7.50. 90 pages. Published by Mel Bay Publications, Inc.

By William Bay. For Guitar (Fingerpicking). method. Young Beginner. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 40 pages. Published by Mel Bay Publications, Inc.

by William Bay. For Guitar (Flatpicking/Plectrum). songbook. Easiest. Folk. Level: Beginning. Book. Size 8.75x11.75. 24 pages. Published by Mel Bay Publications, Inc.

DVD. Performed by Tom Kolb. DVD. DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Hal Leonard.

Guitar

SKU: HL.49046927

Guitar. Guitar. Classical, General Worship, German Edition, Sacred. Softcover Audio Online. 72 pages. Schott Music #ED23507. Published by Schott Music (HL.49046927).

ISBN 9781705169117. UPC: 196288082262.

The poor bunny in the pit is sick and is cared for by the mother and the rabbit doctor. Little bunny wanted to go for a walk, but then it falls into the stream and luckily has an idea that can save it. The Hare and the Hedgehog is a fairy tale by the Brothers Grimm, followed by The Hare and the Deer and The Hare and the Frogs. Easter on the chicken yard, The Easter bunnies and the chickens, Easter bunny Felix and the hens and Easter bunny Hans with the drum are happy stories about Easter and egg dyeing. The Easter Story tells the story of the passion and resurrection of Christ. The mini musicals bring together beautiful stories and traditional melodies. Texts and songs can be adapted to the age of the children. For each song there is a picture card for narrative theater as a PDF and an MP3 playback for download. Classical guitar chords and JelGi(r) numbers are provided. Simple songs can be accompanied by children on guitars, orff instruments and boomwhackers.

Guitar

SKU: BT.MI0424

Composed by Michele Milazzo. Book and DVD. Composed 2020. Play Music Italy #MI0424. Published by Play Music Italy (BT.MI0424).

Con non meno di 25 brani Reggae e Ska per chitarra, questo metodo vi divertir per un bel po’ di tempo! Ma non solo… In effetti, oltre al piacere di suonarli, questi brani, composti da diverse parti di chitarra, vi permetteranno di lavorare su tutte le tecniche utili per creare accompagnamenti adatti a questi stili, in particolare il famoso skank o l’inevitabile gimmick in single note. L’idea di questo metodo è quindi quella di imparare suonando, progredire divertendosi! Sappiate inoltre che questi 25 brani s’ispirano ai più grandi successi degli stili Reggae e Ska, alla maniera dei più grandi artisti e chitarristi di ieri e di oggi: The Skatalites, Bob Marley / TheWailers, UB40, The Neville Brothers, Madness, Jimmy Cliff, The Specials, Alpha Blondy, Burning Spear, Peter Tosh e tanti altri ancora… Sul disco dati allegato al metodo, troverete diversi file audio e video. I video (mp4) presentano tramite l’immagine tutte le parti di chitarra dei 25 brani così come devono essere suonate, sulla loro base musicale, per aiutarvi a tenere il tempo. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti ad ogni parte di chitarra. Potrete in questo modo suonarci sopra la parte mancante o, perché no, approfittarne per sviluppare liberamente le vostre proprie idee in stile Reggae o Ska.