SKU: HL.146362
ISBN 9781495023354. UPC: 888680070212. 9.0x12.0x0.11 inches.
“The ultimate learning tool to go from zero to guitar hero in no time!†–Guitar World magazine Designed for electric or acoustic guitar. Get started quickly and easily – with songs you want to play! This method introduces notes with riffs like “Crazy Train†and “Smoke on the Water,†power chords with classics by AC/DC and the Who, chord-strumming with songs from Neil Young and Nirvana, and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Beatles, Jimi Hendrix, and Led Zeppelin will keep them playing and having fun. Book 1 includes: parts of the guitar, easy-to-follow guitar tablature, notes & riffs starting on the low E string, tempo & time signatures, understanding notes and rests, palm muting, vibrato, power chords, open chords, strumming, slides and slurs, hammer-ons and pull-offs, many music styles, nearly 100 riffs and songs, and more!
SKU: MB.99904M
ISBN 9780786697045. 8.75 x 11.75 inches.
This collection provides fresh repertoire for wedding ceremonies offering a wonderful alternative to the church organ. Selections include Canon in D Pachelbel ; Jesu, Joy of Mans Desiring Bach ; Wedding March Mendelssohn ; and other popular and enjoyable pieces suitable for the occasion. Written in standard notation only with suggested fingerings. Includes access to online audio recording.
SKU: HL.114930
ISBN 9781480312579. UPC: 884088876326. 9.0x12.0x0.17 inches.
The revolutionary Hal Leonard Guitar Tab Method (HL00697411) is now available in a Spanish edition.
SKU: UT.CH-363
ISBN 9790215327375. 9 x 12 inches.
Jhibaro RodrÃguez: Los diamantesEfraÃn Silva: Alirio DÃaz (Danza Zuliana)Francisco Zapata Bello: Cancioncilla. Serenata caracteristica (Homenaje a Alirio DÃaz)I welcome with great enthusiasm the publication of this collection of music by Venezuelan guitarist-composers. I am certain that my father would also have been happy, in that it shows the productiveness and continuity of the Venezuelan school of composition, ever careful as to its own individuality while adhering to the canons of so-called cultured music.My thanks go to Maestro Piero Bonaguri who, with devotion and gratitude towards one of his teachers (whose birth centenary occurs in 2023), has completed this important work aimed at spreading the new Venezuelan musical heritage, and I also thank all the composers who, with great commitment, have wished to honour their fellow citizen: Alirio.(Senio Diaz)I am very happy with the release of this anthology of pieces written in homage to the great guitarist Alirio DÃaz in the contemporary music series that I manage.For many years I attended his summer courses, in Italy and abroad, and meeting Maestro DÃaz, who over time also honoured me with his friendship, was fundamental for my education.I was also particularly pleased and honoured when he invited me to play with him in Venezuela, and then to have played, in the church of the Artists in Rome, on the sad occasion of his funeral.The pieces in this volume, which by happy coincidence comes out near the hundredth anniversary of the birth of the great guitarist, were written by composers who are also guitarists and demonstrate that impressive integration in the repertoire of the cultivated guitar of themes and colours of Venezuelan folk music, which is one of the fundamental artistic contributions of Alirio DÃaz, who wrote that folk music is as important and cultivated as cultivated music itself.(Piero Bonaguri).
SKU: DZ.DZ-3758
ISBN 9782897956752.
The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
SKU: DZ.DZ-3759
ISBN 9782897956769.
SKU: DZ.DZ-4262
ISBN 9782898521799.
In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitarâs plucked-string relatives, the authorsâ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitarâs most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les Åuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces Åuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des Åuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
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