| Dan Levenson's Master Collection of Old-Time Tunes Guitar - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.31088 Saddle-stitched. Country. Book. Mel B...(+)
Guitar - Intermediate SKU: MB.31088 Saddle-stitched. Country. Book. Mel Bay Publications, Inc #31088. Published by Mel Bay Publications, Inc (MB.31088). ISBN 9781513473413. 8.75X11.75 inches. Whether you already play old-time music, or you are just getting started, this is the book for you.áDan Levenson�s Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in today�s sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Extreme Rock Guitar Soloing Guitar - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.30943M Advanced Professional Techniques<...(+)
Guitar - Intermediate SKU: MB.30943M Advanced Professional Techniques. Composed by Pablo Pescatore. Saddle-stitched. Technique. Book and online audio. Mel Bay Publications, Inc #30943M. Published by Mel Bay Publications, Inc (MB.30943M). ISBN 9781513476933. 8.75 x 11.75 inches. In this expansive book, versatile Argentine guitarist and teacher Pablo Pescatore provides a masterclass in the theory behind creative rock soloing. From the ground up, he presents the theoretical building blocks of major, minor, pentatonic, and modal scales followed by triads and seventh chords in all keys, not just the guitar-friendly ones. Then he proceeds to analyze rhythm in all common and uncommon time signatures before delving into 20 exotic scales.Written in standard notation and tablature, the truly unique aspect of this book is the authors insistence on improvising with an acute awareness of rhythmic, melodic, harmonic, and dynamic valuesnot just playing fast and loud in predictable patterns. Demonstrating his ideas in 120 audio examples and a final knock-out blues progression, Pablo encourages readers to write, sing and otherwise incorporate their own variations into their music, dramatically changing the audio landscape of rock guitar soloing. Includes access to online audio. $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Guitar Chords DVD Guitar [DVD] - Easy MJS Music Publications
Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional...(+)
Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional DVD. Published by MJS.
$12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Time for the Future Guitar - Intermediate Mel Bay
Guitar (all) - Intermediate SKU: MB.97884 Polyrhythm in Harmony. C...(+)
Guitar (all) - Intermediate SKU: MB.97884 Polyrhythm in Harmony. Composed by Bret Willmott. Theory and Reference - Other, Theory and Reference, Technique, Theory, Reference and Rhythm, Technique, Theory and Reference, Perfect binding. Jazz. Book. 240 pages. Mel Bay Publications, Inc #97884. Published by Mel Bay Publications, Inc (MB.97884). ISBN 9780786652808. UPC: 796279075428. 8.75 x 11.75 inches. By Bret Willmott. Many polyrhythms and polymeters simultaneous combinations of more than one rhythmic pattern exist in todays music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alfreds Basic Guitar Chord Dictionary Guitar Alfred Publishing
The Most Commonly Used Fingerings, Selected for Easy Reference. Composed by Mort...(+)
The Most Commonly Used Fingerings, Selected for Easy Reference. Composed by Morton Manus. Guitar Method or Supplement. Alfred's Basic Guitar Library. Instructional and Method. Reference book. With chord names, guitar chord diagrams and fingerings. 80 pages. Alfred Music #00-28388. Published by Alfred Music
$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Old Time Country Guitar Backup Basics Guitar Centerstream | | |
| Rhythm Guitar Workout Guitar [Sheet music + Audio access] ADG productions
Composed by Andrew D. Gordon. Saddle stitch. Rock/Guitar Instruction. Book and D...(+)
Composed by Andrew D. Gordon. Saddle stitch. Rock/Guitar Instruction. Book and Downloadable audio. Duration 75 minutes. Published by ADG Productions
$21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come, Taste and See - Guitar edition Guitar GIA Publications
Guitar SKU: GI.G-7062G Composed by Chris De Silva. This edition: Guitar e...(+)
Guitar SKU: GI.G-7062G Composed by Chris De Silva. This edition: Guitar edition. Common Psalm for Ordinary Time, Lent 4 A, Lent 4 C, Ordinary Time 19 B, Ordinary Time 20 B, Ordinary Time 21 B. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #7062G. Published by GIA Publications (GI.G-7062G). English. Text Source: Based on Psalm 34:2–3, 4–5, 6–7. Text by Chris de Silva. Scripture: Psalm 34:2D3, 4D5, 6D7. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM). ISBN 9790365067657. This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Preludios para Tárrega. An Anthology of Contemporary Music for Guitar (Calandín, Montero, Reghezza, Smaili, Spazzoli, Tagliamacco, Ugoletti) Guitar Ut Orpheus
Guitar SKU: UT.CH-227 Edited by Piero Bonaguri. Saddle stitching. Piero B...(+)
Guitar SKU: UT.CH-227 Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227). ISBN 9790215324145. 9 x 12 inches. Emilio Calandin: Piccola sfumatura Claudia Montero: Lagrimas de Buenos Aires Marco Reghezza: Como Preludio Marco Smaili: Preludio Alessandro Spazzoli: Preludio in Do maggiore Roberto Tagliamacco: Prelude sur le nom de Tarrega Paolo Ugoletti: Prelude sur le nom de Tarrega
Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions. These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet). In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires... In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head... I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega. (Piero Bonaguri). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Beginning Rock/Pop Guitar Etudes Guitar Mel Bay
Guitar (rock and blues) - Beginning-Intermediate SKU: MB.30648M Composed ...(+)
Guitar (rock and blues) - Beginning-Intermediate SKU: MB.30648M Composed by Adam Douglass. Saddle-stitched, Technique, Theory and Reference, Pop. Style. Book and online video. 32 pages. Mel Bay Publications, Inc #30648M. Published by Mel Bay Publications, Inc (MB.30648M). ISBN 9780786699490. 8.75 x 11.75 inches. Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentâ??playing music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youâ??re also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Only Chord Book You Will Ever Need Guitar [Sheet music + Audio access] Hal Leonard
Guitar Edition. Edited by Steve Gorenburg. Rock House. Chords, Instruction. Soft...(+)
Guitar Edition. Edited by Steve Gorenburg. Rock House. Chords, Instruction. Softcover Audio Online. With guitar tablature. 160 pages. Hal Leonard #FR00987. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Belwin's 21st Century Guitar Method, Book 1 Guitar - Beginner Belwin
Guitar - Beginner SKU: AP.44446 Book 1. The Most Complete Guita...(+)
Guitar - Beginner SKU: AP.44446 Book 1. The Most Complete Guitar Course Available. Composed by Aaron Stang. This edition: 2nd. Guitar Method or Supplement; Method/Instruction. Belwin's 21st Century Guitar Course. Book and Digital Download; DVD, Software. 48 pages. Belwin Music #00-44446. Published by Belwin Music (AP.44446). ISBN 9781470623814. UPC: 038081501901. English. Belwin's 21st Century Guitar Method is a complete course that puts lessons in the context of popular styles and classic tunes. It introduces new topics at a progressive speed and uses both music notation and tablature (TAB). Correlating supplemental books integrate more advanced concepts and techniques, while keeping the learning process fun. Audio recordings include full instruction---a great resource for students and teachers alike---with demonstration and play-along tracks that will help students optimize their practice time. Detailed video lessons and fun play-along software are also available.
Book 1 Features * Online access to play-along and lesson audio included * Covers rock, pop, folk, blues, and classical styles * Features unique Rock Workshop units that teach improvisation and rock rhythm and lead guitar * Uses standard music notation and tablature to aid with learning new material * Optional teacher accompaniment parts * Duets to play with a teacher or with the included audio recording * Complete lesson videos and fun play-along software available. About 21st Century Guitar Course This hugely popular basic guitar method series includes numerous supplements (theory workbook, ensembles, song books and a supplemental rock method). The available CD includes full instruction plus full demonstration and play-along tracks. Level 1 lays a foundation with note reading and chords and includes teacher duet parts to encourage the student and teacher to perform together. TAB is used to make learning chords, accompaniments, riffs and other stylistic guitar parts easy and fun, standard music notation is used for melodic playing. Level two goes deeper into common guitar genres such and rock and blues and also introduces applied music theory, chord and scale construction and fretboard understanding. Recommended for 8 years old and up. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Belwin's 21st Century Guitar Method, Book 1 Guitar Belwin
(The Most Complete Guitar Course Available). Composed by Aaron Stang. For Guitar...(+)
(The Most Complete Guitar Course Available). Composed by Aaron Stang. For Guitar. This edition: 2nd. Book; Guitar Method or Supplement; Method/Instruction; Other. Belwin's 21st Century Guitar Course. Beginner. 48 pages. Published by Belwin Music
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| JustinGuitar Beginner's Songbook Guitar [Sheet music] - Easy Music Sales
100 Classic Songs Specially Arranged for Beginner Guitarists with Performance...(+)
100 Classic Songs Specially Arranged for Beginner Guitarists with Performance Tips. Music Sales America. Softcover. 224 pages. Music Sales #AM1011538. Published by Music Sales (HL.14043892).
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Achieving Guitar Artistry - Contemporary Baroque Etudes Guitar Classical guitar - Intermediate/advanced Mel Bay
Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute, Baroque,
Contemporary, Technique,
Theory and Reference, Solos.
Achieving Guitar Artistry.
Book. 76 pages. Published by
Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM). ISBN 9790365067619. This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let Us Go Rejoicing - Guitar edition Guitar GIA Publications
Guitar SKU: GI.G-9024G Composed by Jeffrey Honore. This edition: Guitar e...(+)
Guitar SKU: GI.G-9024G Composed by Jeffrey Honore. This edition: Guitar edition. Common Psalm for the Last Weeks in Ordinary Time, Advetn 1 A, Christ the King C. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #9024G. Published by GIA Publications (GI.G-9024G). UPC: 785147902478. English. Text Source: Psalm 122, The Revised Grail Psalms Scripture: Psalm 122. $7.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Essentials Guitar [Poster] Santorella Publications
Guitar Essentials composed by Phil Black. For guitar. This edition: Paperback. R...(+)
Guitar Essentials composed by Phil Black. For guitar. This edition: Paperback. Reference. Educational. Color poster. Text Language: English. 1 pages. Published by Santorella Publications
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXXIII (Dresden nr.52) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6766EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6766EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM). ISBN 9790365067664. This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM). ISBN 9790365067633. This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXVII (Dresden nr.50) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM). ISBN 9790365067602. This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mi Alma Está Sedienta / My Soul Is Thirsting - Guitar edition Guitar GIA Publications
Guitar SKU: GI.G-7246G Composed by Tony Alonso S.J. This edition: Guitar ...(+)
Guitar SKU: GI.G-7246G Composed by Tony Alonso S.J. This edition: Guitar edition. Common Psalm for Ordinary Time, OT 12 C, OT 22 A, OT 32 A, All Souls. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #7246G. Published by GIA Publications (GI.G-7246G). English, Spanish. Text Source: Psalm 63, English, The Grail, Spanish Leccionario Edición Hispanoamericana $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alfred's Guitar Practice Planner Guitar Alfred Publishing
Guitar SKU: AP.45294 Customizable Weekly Organizer for Teachers and St...(+)
Guitar SKU: AP.45294 Customizable Weekly Organizer for Teachers and Students. Guitar Manuscript Paper; Other Resources; Resources. Book and Digital Download. 64 pages. Alfred Music #00-45294. Published by Alfred Music (AP.45294). ISBN 9781470633776. UPC: 038081520247. English. This is the best manuscript book for anyone who wants to write guitar music and needs to know all the tricks to notating in TAB. The book starts with eight essential pages of instruction about how to write all the most common guitar techniques in TAB. Use these pages for reference any time you are writing or transcribing. The book also includes 54 pages of blank manuscript paper with five staves of TAB plus standard music notation. The last page is a fretboard diagram illustrating the notes on the entire neck. A free online video is included to help you clearly understand all the techniques you're learning to write. Whether you are just starting to write out your own musical ideas or transcribing your favorite solos, this is the perfect TAB manuscript book for you! $5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata X (London nr.15) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6767EM. Published by Metropolis Music Publishers (IS.G6767EM). ISBN 9790365067671. This sonata (WeissSW No. 15, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata X comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). The Sonata has six movements: Allemande, Courante, Paisane, Sarabande, Menuet, and it ends with a Gigue. There is a another copy of this Sonata in the Warszawa Biblioteka Uniwersytecka Poland (in its entirety), and a copy in the Sächsisches Landesbibliothek in Dresden (Suite XXVI), which contains three concordant movements: Allemande, Courante, and the Gigue. The Dresden manuscript displays some differences from the London manuscript. This Edition has taken those differences into account in certain details. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XVII (London nr.23) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM). ISBN 9790365067640. This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Guitar Improvisation Guitar Musicians Institute
By Sid Jacobs. Musicians Institute Press Video Series. VHS Video. Size 4.2x7.5 i...(+)
By Sid Jacobs. Musicians Institute Press Video Series. VHS Video. Size 4.2x7.5 inches. Published by Musicians Institute.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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