SKU: M7.GHE-801

ISBN 9783890448015. English.

We proudly present a new critical edition of the collected guitar works by Fernando Sor. Some titles in this edition may be new to some readers, eg the contents of volume 10. This new edition is the biggest new publishing undertaking for the music of Sor since the 1970s. Our editor Erik Stenstadvold is a noted expert on 19th century guitar music and publishes regularly in leading professional journals such as 'Soundboard' and 'Early Music'. His life-long preoccupation with Sor and his music, both as a performer and researcher, has resulted in an unsurpassed edition in terms of scholarly accuracy and practical usefulness. All relevant early sources have been consulted, often several different printed editions and manuscripts of a particular work. In each case the most dependable source has been chosen as copy text, on the basis of historical evidence and textual reliability. Variances and errors in the original scores are corrected and discussed in the comprehensive critical commentaries. All volumes contain detailed introductory notes that place the individual works in their historical context and discuss particular notation problems. Suggestions for the interpretation of ornaments are also provided. In Volume 1 and 2 (Studies), Sor's likely purpose of each individual study is discussed in relation to the technique and fingering principles he describes in his 1830 Méthode. The music scores are produced at 'concert size' with clear and accurate music engraving and high-quality German printing. Original fingering is retained, but in order to make the music more accessible to players in general, editorial fingering has been judiciously added in works with little or no indications in the original editions. Added fingerings are easily distinguishable from the original ones by their different typefaces. The guitar duos come with full-size study scores and separate parts. As an optional extra we offer a 'pocket' size score with all the duos (188 pages, 17 x 24 cms). Each volume has its own thematic index with incipits and the pages include headers to assist navigation. We offer, at a special low price, an optional thematic index volume referenced to the complete edition, which is of practical use (product number GHE 896).

SKU: BT.MUSAM996996

ISBN 9781849380140. English.

The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.

Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!

Over 180 great songs! Perfect for all players and singers!

The bonus CD contains backing tracks to 16 of the songs in the book.

SKU: M7.GHE-803

ISBN 9783890448039. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

SKU: HL.49014832

ISBN 9790220113574. 9.25x12.0x0.011 inches.

SKU: BT.BVP1677

Dutch.

SKU: M7.GHE-701

ISBN 9783890447018. English.

We proudly present this new modern critical edition of Antoine de Lhoyer's Six Exercices Op. 27, originally published in Paris around 1812. These exercises, originally written for 5-string guitar, are remarkably advanced for their time and well worth playing; the rapid arpeggio patterns and daring harmonic shifts in some of them may bring even Villa-Lobos to mind. The Six Exercices Op. 27 were arranged by Giuliani and published some 7 years later under his name as Six Preludes Op. 83. The exercises were originally written for 5-string guitar. We have added alternative readings for using the 6th string, an often employed publishing practice of the period. The music is edited and fingered by Erik Stenstadvold, an authority on the guitar repertoire of the early 19th century. There is also an informative preface, with full biographical details and critical notes.