SKU: MB.99607
ISBN 9780786660810. UPC: 796279076784. 8.75 x 11.75 inches. By Joe Negri; Compiled and edited by Tim Bedner.
The goal of this book is to provide a concept for guitarists that will help them go quickly to the core of the harmonies that must be dealt with in order to improvise over chord changes. Joe Negri shows how you can assimilate harmonies and quickly determine a common denominator that you instantly visualize on the fingerboard. From this `cell harmony you will be able to build or create single-note melodic lines. Joe Negri has taken the fundamentals of music theory and made them applicable and relevant to the improvising guitarist. One of this books secrets is the use of basic triadic shapes as an organizational tool to demystify improvisation. This keep it simple approach allows improvisers to hear and unveil melodic lines that are right under their fingers within simple triadic shapes. These studies are packed with the basic information the student needs in order to use the chord tones as melodic focal points. Written in notation and tablature.
SKU: MB.99870M
ISBN 9780786687176. 8.75 x 11.75 inches.
Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltranes career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltranes bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltranes style in notation and tablature grouped by the harmony over which they can be used. The accompanying play-along online audio provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. Includes access to online audio.
SKU: HL.153739
ISBN 9781495051821. UPC: 853043002247. 5.5x7.5x0.484 inches.
Bill Kelliher is known as the rock-solid foundation of the hardcore punk and thrash metal band Mastodon. In this feature-length documentary, Bill reveals all that he has sacrificed to achieve his dreams - and what he learned from fifteen years on the road. From the lowest of lows, to international success as one of today's biggest metal bands, it's all here. Includes interviews, song tutorials, guitar instruction and technique, and live concert footage. A downloadable tablature PDF is also included. 4 hrs., 34 min. ADVISORY FOR EXPLICIT CONTENT.
SKU: PR.144404140
UPC: 680160030330.
SKU: PR.144404520
UPC: 680160030811. 8.5 x 11 inches.
SKU: GI.G-5550C
ISBN 9781579991524. Scripture: Psalms 19, 23, 24, 25, 27, 33, 34, 40, 51, 63, 78, 84, 89, 90, 91, 95, 96, 98, 100, 104, 113, 117, 118, 119, 121, 122, 126, 138, 139, 141, 145, 146, 147.
Singing Our Faith is a hymnal-songbook for school liturgies and catechetical settings. Designed for children ages 7 - 12, this hymnal contains timeless music that children will remember and treasure for a lifetime. Hymns are organized according to church year and then follow the themes suggested by the National Catechetical Committee. 287 selections of psalms (refrains), hymns, and service music for students. For use in school and catechetical settings, with contents that are “at the core of a healthy adult parish repertoire.†Supplementary resources include a complete set of recordings on CD, keyboard accompaniment book, C Instrument Edition, and a very helpful Leader's Manual. The Leader's Manual includes sections on selecting music, Ten Ways to Get Your Children to Sing, and more. Comprehensive indexes, a signature feature of all GIA hymnals, round out this great resource.
SKU: MB.30945
ISBN 9781513472744. 8.75X11.75 inches.
This collection of 19th and early 20th century airs and ballads is a celebration of American music that is ideal for guitar recitals and encores. Written in standard notation only, the pieces are arranged and fingered for ease of sight-reading and specifically designed to exploit the musicality of the classical guitar.The book features arrangements of the antebellum song, ôDarling Nelly Grayö by Benjamin Hanby, popular Civil War-era songs by Stephen Foster and other period songwriters, plus parlor music favorites like Edward MacDowell�s ôTo a Wild Roseö, Ethelbert Nevin�s ôMighty Lak� a Roseö, and ôAura Leeö, a melody by George R. Poulton that would resurface nearly a hundred years later as ôLove Me Tenderö.á.
SKU: LM.27671
ISBN 9790230976718.
Blues Burger - Boogalou Blues - Manhattan - Duck - On a Blue Day - Blues for Chloe - Start it now - Dooley - Pick up the Blues - Sacre petit doigt - Pretty Drummer You Know what I mean ? - Golden Rag - Blue Cha-Cha.
SKU: FG.55011-899-7
ISBN 9790550118997.
Paavo Korpijaakko's (b. 1977) guitar sonata Kimberley was composed in 2006 and dedicated to Petri Kumela. It is Korpijaakko's fist piece for the guitar, and the composers gives credit to the commissioner, who untiringly and long-sufferingly solved the challenges posed by the musical ideas and conjured forth timbral shades. Including a tribute to Debussy, a playful scherzo and some shameless flirting with a flamenco the four movement sonata arrives at a spectacular conclusion.Duration: 21'Korpijaakko studied at the Tampere Conservatory 1997â2007, majoring in composition from 2001 onwards. For most of the time he was a pupil of Jouni Kaipainen, but he was also taught by Juhani Nuorvala and Hannu Pohjannoro. Korpijaakko stresses the importance of harmony, resonant material and harmonic hierarchy, by which he means harmony as a fundamental progressive element of the piece. His aim in handling his motifs is to use his material sparingly. In this respect he specifically wants to be a kindred spirit to Beethoven. Everything that will later appear in the work must be derived from the core thematic and harmonic elements â or whatever one likes to call them. Most important is, however, to create a steady stream of interesting music.
SKU: AP.42082
ISBN 9781470635077. UPC: 038081521558. English.
The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as Book & CD kit. Titles: Nonesuch * Greensleeves * Packington's Pound * Ghiribizzo (Paganini) * Waltz from Sonata No. 9 (Paganini) * Andantino (Carulli) * Calliope (Lesson 61) (Sagreras) * Etude (Carulli) * Etude (Coste) * Arietta, Theme & Variations (Küffner) * Celeste y Blanco (Ayala).
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: UT.CH-387
ISBN 9790215328235. 9 x 12 inches.
Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
