Guitar - Level 4

SKU: LM.26589

Composed by Edgar R. Ferrer. Delia Estrada. Classical. Score. Editions Henry Lemoine #26589. Published by Editions Henry Lemoine (LM.26589).

ISBN 9790230965897.

Etude No. 6 (Mordants) - Etude No. 7 (Barres et liaisons) - Etude No. 8 (Tremolos) - Etude No. 9 (Positions transversales) - Etude No. 10 (Enchainements d'accords).

Guitar - Level 3

SKU: LM.25393

Composed by Yan Vagh Weinmann. Classical. Score. 16 pages. Editions Henry Lemoine #25393. Published by Editions Henry Lemoine (LM.25393).

ISBN 9790230953931.

No. 1 pour les accords - No. 2 pour le tremolo - No. 3 rythmique.

Guitar

SKU: UT.CH-122

Per Maurizio (2009) for Guitar. Composed by Gilberto Cappelli. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 122. Published by Ut Orpheus (UT.CH-122).

ISBN 9790215318410. 9 x 12 inches.

'Per Piero' and 'Per Maurizio' are among the most recent pieces written for solo guitar by Gilberto Cappelli.
The first piece, written in 2006, represents a surprise present for my fiftieth birthday: it was written after a request of a pupil of mine, Alessandra Lucchi, who performed it as a premiere during my birthday party.
The second piece (2009) expresses the composer’s participation for the pain caused by the sudden death of Maurizio Biasini, scientist and guitarist who completed his musical studies at Cesena Conservatory where Gilberto Cappelli was in the Board of Examiners. The piece was premiered at a concert in memory of Maurizio held in the Bonci Theatre in Cesena.
The use of a particular tremolo effect is a typical characteristic of all the guitar works of this composer; a tremolo which is very different from the traditional one. The performer is asked to produce – as much as possible – a long and continuous sound, as if it were a voice or the long sound of string or wind instruments. The tremolo will have to be very dense and homogeneous. In the case of a tremolo on two or three strings it is necessary to start playing two or three sounds simultaneously only once and then continuing alternating them – but always tending to achieve a homogeneity of sound.
(Piero Bonaguri).

By Henze. (Guitar). Schott. DVD (Digital Video Disk). Size 5.5x7.5 inches. Published by Schott.

By Gohar Vardanyan. For classical guitar and lute. Saddle-stitched. Methods. Book. 20 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: UT.CH-321

Composed by Chiara Benati. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 321. Published by Ut Orpheus (UT.CH-321).

ISBN 9790215326293. 9 x 12 inches.

Dediche is a series of short miniature pieces for solo guitar written in 1991 by Chiara Benati, an authoritative exponent of what can be called the School of Bologna, and who has devoted many pages of her catalogue to the guitar (Chiara won a first prize in 1986 at the Competition for Guitar Composition organized by the historic magazine Il Fronimo).
From the point of view of the guitar idiom, it is striking how the compositional research of Chiara Benati (who does not play the guitar) has penetrated deeply into the nature of the instrument. In my job of adding the fingering to the pieces, I started from the precise indications concerning the strings already provided by the Composer, who meticulously imagined the instrumental result created by the play of resonances and the consequent precise distribution of the parts on different strings (let us think of the tremolos superimposed on different strings in the second Dedica and the counterpoint in three parts each written on its own musical stave), with a skilful use of glissandos and other instrumental effects.
From the musical point of view, a similar meticulousness in writing is evident, shown, for example, by indicating the temporal separation between the figures by means of their spatial distance indicated in the score.
The result is an instrumentally and musically rigorous writing which also helps the performer by appealing to his ability to empathize, following the indications written in the score and in the key, with the expressive atmosphere of the work, and through that specific aspect of controlled performance flexibility and sound sensitivity necessary to render it properly.
These delicate miniatures, suffused with mystery and melancholy, and so masterfully written for the guitar, are in my opinion an important addition to the contemporary repertoire of the instrument.
(Piero Bonaguri).

Guitar

SKU: HL.123825

Guitar Book. Guitar Reference, Instruction. Softcover. 304 pages. Published by Hal Leonard (HL.123825).

ISBN 9781480366107. UPC: 884088962371. 9x12 inches.

200 stompbox reviews from the pages of Guitar World magazine! The ultimate buyer's guide for fans of distortion pedals, wah pedals, tuners, overdrive pedals, switching systems, flangers, fuzz pedals, tremolos and more! This awesome collection features the Electro-Harmonix English Muffin • Dunlop Cry Baby SW-95 Slash wah • DigiTech Scott Ian Black-13 Artist Series pedal • Coffin Case Bat Fuzz Pedal • Way Huge Aqua Puss MkII analog delay pedal • MXR Super Badass Distortion • and many more!

Guitar

SKU: BT.VOLMB161

Composed by Greg Horne. Book with CD. Volonte e Co #VOLMB161. Published by Volonte e Co (BT.VOLMB161).

ISBN 9788863881585. French.

The last volume of this superb series dedicated to the acoustic Guitar begins with exercises enabling development in style and precision. Techniques such percussive riffing, right hand damping, slaps, tapping, slap harmoniesand tremolos are studied. You will broaden your knowledge of Celtic music, blues, improvisation, alternative scales and also learn to play worldwide music styles such as reggae, African music, Brazilian, norteno music and a mix ofeverything.

These methods are very important for intermediate and advanced guitarists and equally include a study of more that 10 alternative scales and teach how to analyse, contrast and voice movement. Everyguitarist,average to professional will find material to improve their acoustic Guitar playing.

(The Art and Technique of the Classical Guitar ) Written by Christopher Parkening, David Brandon, Jack Marshall. For guitar. Format: method book. With standard guitar notation, instructional photos, instructional text and introductory text. Instructional. Series: Hal Leonard Guitar Method. 136 pages. 8.5x11 inches.

Composed by Steve Marsh. Guitar: Classical and Lute,Style,Classical,Techniqu e, Theory and Reference. Book. 104 pages. Published by Mel Bay Publications, Inc

By Greg Horne. For Guitar. Guitar Method or Supplement. Acoustic. Book & CD. 288 pages. Published by Alfred Music Publishing

A Classical Guitarist's Technique Handbook. Composed by Scott Tennant. This edition: 2nd. Book; Classical Guitar Method or Supplement; DVD; Digital Download; Method/Instruction; Software. Pumping Nylon Series. 144 pages. Published by Alfred Music

For Guitar. Artist/Personality; DVD; Guitar DVD; Method/Instruction. Guitar World. Rock. Intermediate. Published by Alfred Music Publishing

Guitar - Advanced

SKU: DY.DO-1551

Composed by Yorgos Nousis. Score. Les Editions Doberman-Yppan #DO 1551. Published by Les Editions Doberman-Yppan (DY.DO-1551).

ISBN 9782897963316.

PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.
The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.
Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.
The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme.
The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity.
Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.

PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).
Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.
La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.
La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème.
La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité.
Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.