| Les compositeurs meconnus de la guitare Guitar Lemoine, Henry
Guitar - Level 3 SKU: LM.25105 Composed by Frederic Vitiello. Classical. ...(+)
Guitar - Level 3 SKU: LM.25105 Composed by Frederic Vitiello. Classical. Score. 25 pages. Editions Henry Lemoine #25105. Published by Editions Henry Lemoine (LM.25105). ISBN 9790230951050. ALBERTI : Allemande - Le Cordelier - BEDARD : Valse n. 1 - Valse n. 2 - Valse n. 3 - CASTELLACCI : Anglaise - Deux valses - CASTRI : Contredanse - Monferine et variation - GUICHARD : Danse - Fanfare - LEMERCIER : Valse - PASTOU : Recreation n. 1 - Recreation n. 2 - Recreation n. 3 - PHILLIS : Valse - Largo - PORRO : Va t'en voir - Menuet italien - VILLERS Fils : Air gracieux - Allemande - Gigue - Romance n. 1 - Romance n. 2. $23.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 Anonymes Anglais (coll. Guitare No.105) (guitar Solo) Guitar Leduc, Alphonse
Guitar SKU: HL.48183374 Composed by Anon. Leduc. Classical. Softcover. Al...(+)
Guitar SKU: HL.48183374 Composed by Anon. Leduc. Classical. Softcover. Alphonse Leduc #AL25447. Published by Alphonse Leduc (HL.48183374). UPC: 888680869274. 9.0x12.0x0.016 inches. Anon.: 3 Anonymes anglais (coll. Guitare No.105) (Guitar solo). $9.80 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| La Guitare classique - Volume A Guitar Classical guitar [Sheet music + CD] - Easy Combre
Composed by Jean-Maurice Mourat. Classical. Score and CD. 49 pages. Editions Com...(+)
Composed by Jean-Maurice Mourat. Classical. Score and CD. 49 pages. Editions Combre #C04604. Published by Editions Combre (LM.C04604).
$40.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Die neue Gitarrenschule Band 2 Guitar - Intermediate Ricordi
Guitar - intermediate SKU: BT.SY-2953 Revidierte Neuausgabe von Michae...(+)
Guitar - intermediate SKU: BT.SY-2953 Revidierte Neuausgabe von Michael Koch. Method. Book, CD and Audio Online. Composed 2018. 132 pages. Ricordi #SY 2953. Published by Ricordi (BT.SY-2953). German. DIE NEUE GITARRENSCHULE by Heinz Teuchert is one of the most successful methods for classical guitar in German. Since it was first published in 1983, the guitar technique has evolved in many respects so that the need of a revised edition has become more and more evident. Prof. Michael Koch has taken up this mission and now presents the revised method in two volumes: the texts, parts of the playing material, and the appearance of the books have been modernized while preserving Teuchertââ¬â¢s methodical approach and the underlying structure of the method. One of its strengths is the diversity in terms of playing techniques and musical styles not only solo playing but also fingerpicking styles, flamenco techniques, and song accompaniment are taught. The BOOK CD AUDIO ONLINE packs also feature demonstration and play-along recordings of many pieces included in the books.
DIE NEUE GITARRENSCHULE von Heinz Teuchert gilt als Standardwerk unter den deutschsprachigen Lehrbüchern für klassische Gitarre. Seit ihrer Erstveröffentlichung im Jahr 1983 hat sich die Gitarren-Spieltechnik beträchtlich weiterentwickelt, sodass die Notwendigkeit einer ÃÅberarbeitung des Schulwerks immer deutlicher zutage trat. Prof. Michael Koch hat sich dieser Aufgabe angenommen und die revidierte Neuausgabe in zwei Bänden vorgelegt: Die Texte, Teile des Spielmaterials sowie das Erscheinungsbild wurden modernisiert, während Teucherts methodischer Ansatz und die grundlegende Struktur des Schulwerks beibehalten wurden. DIE NEUE GITARRENSCHULE zeichnet sich insbesondere durch ihre Vielseitigkeit aus, was die behandelten Spieltechniken und musikalischen Stilrichtungen angeht: Neben dem Solospiel werden auch das Fingerpicking, der Flamenco und die Liedbegleitung mit Akkorden vermittelt. Demo- und Mitspielaufnahmen vieler der enthaltenen Stücke stehen sowohl auf der beigefügten CD als auch online im MP3-Format zur Verfügung. AUS DEM INHALT (Band 2): Einführung in die fis-Stimmung Weiterführung des Lagenwechsels Barrégriffe Flamenco-Anschlag Die Bindetechnik Fortschreitende Solostücke und Duos Technische Kurzübungen
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Repertoire Du Guitariste - Volume 1 Guitar Classical guitar [Sheet music] - Easy Lemoine, Henry
By Yvon Rivoal. For guitar. Rivoal Yvon. Classical. Grade 2. Score. 48 pages. Pu...(+)
By Yvon Rivoal. For guitar. Rivoal Yvon. Classical. Grade 2. Score. 48 pages. Published by Editions Henry Lemoine
$28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Easy Guitar Pieces - Volume 2 Guitar Schott
Guitar SKU: HL.49005383 Kleine Solostucke alter Meister, progressiv ge...(+)
Guitar SKU: HL.49005383 Kleine Solostucke alter Meister, progressiv geordnet. Edited by Walter Gö and tze. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 24 pages. Schott Music #ED 5066. Published by Schott Music (HL.49005383). ISBN 9790001057943. UPC: 073999878332. 9.0x12.0x0.074 inches. $18.99 - See more - Buy online | | |
| Renaissance Anglaise Guitar Classical guitar [Score] - Intermediate Lemoine, Henry
By John Dowland (1563-1626). For guitar. Caceres Oscar. Classical. Grade 3. Scor...(+)
By John Dowland (1563-1626). For guitar. Caceres Oscar. Classical. Grade 3. Score. 31 pages. Published by Editions Henry Lemoine
$26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Divertissement op. 8 Band 8 Guitar Classical guitar Chanterelle
Sur 3 Romances Anglaises Favorites. Composed by Marco Aurelio De Ferranti. W...(+)
Sur 3 Romances Anglaises
Favorites. Composed by Marco
Aurelio De Ferranti. With
Standard notation. 12 pages.
Chanterelle #ZECH 908.
Published by Chanterelle
$13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Élégie Guitar Classical guitar - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Luthistes Anglais - Volume 2 Guitar Classical guitar [Sheet music] - Intermediate Lemoine, Henry
By Oscar Caceres. For guitar. Caceres Oscar. Classical. Grade 3. Score. 62 pages...(+)
By Oscar Caceres. For guitar. Caceres Oscar. Classical. Grade 3. Score. 62 pages. Published by Editions Henry Lemoine
$30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Methode De Guitare (1ere Annee) Texte Francais Et Anglais Guitar Leduc, Alphonse
Composed by Daniel Lavialle. Leduc. Classical. Softcover. 60 pages. Alphonse L...(+)
Composed by Daniel Lavialle.
Leduc. Classical. Softcover.
60 pages. Alphonse Leduc
#AL29503. Published by
Alphonse Leduc
$39.70 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Luthistes Anglais - Volume 1 Guitar Classical guitar [Sheet music] - Intermediate Lemoine, Henry
By Oscar Caceres. For guitar. Caceres Oscar. Classical. Grade 3. Score. 44 pages...(+)
By Oscar Caceres. For guitar. Caceres Oscar. Classical. Grade 3. Score. 44 pages. Published by Editions Henry Lemoine
$26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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