SKU: HL.48183667
Johann Sebastian Bach: Prelude BWV999 & Fugue BWV1000 (Guitar solo).
SKU: HL.48182396
Francois Campion: Prelude et Fugue in D (coll. Guitare No.23) (Guitar solo).
SKU: HL.48182383
Georg Friedrich Handel: Prelude et Fuguette (coll. Guitare No.5) (Guitar solo).
SKU: BT.SY-2761
Sommaire : Fugue en la mineur, bwv 1000 - Prélude en ré mineur, bwv 999 - Prélude, fugue et allegro, bwv 998 - Suite pour luth n° 1 en mi mineur, bwv 996 - Suite pour luth n° 2 en la mineur, bwv 997 - Suite pour luth n° 3 en la mineur (original en sol mineur),bwv 995 - Suite pour luth n° 4 en mi majeur, bwv 1006a.
SKU: IS.G6766EM
ISBN 9790365067664.
This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: SU.97030050
Instrumentation: Guitar Duration: 4'30 Composed: 2018 Published by: Subito Music Publishing.
SKU: HL.50562451
6.75x10.5 inches.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version