SKU: HL.153739
ISBN 9781495051821. UPC: 853043002247. 5.5x7.5x0.484 inches.
Bill Kelliher is known as the rock-solid foundation of the hardcore punk and thrash metal band Mastodon. In this feature-length documentary, Bill reveals all that he has sacrificed to achieve his dreams - and what he learned from fifteen years on the road. From the lowest of lows, to international success as one of today's biggest metal bands, it's all here. Includes interviews, song tutorials, guitar instruction and technique, and live concert footage. A downloadable tablature PDF is also included. 4 hrs., 34 min. ADVISORY FOR EXPLICIT CONTENT.
SKU: AP.18457
ISBN 9788863880502. UPC: 038081171852. Spanish.
About Basix! Series
Basix is all you need to take off with your instrument. Alfred has worked hard to help you start learning today with this easy-to-use, comprehensive series. You won't get frustrated by moving too fast or bored by moving too slow! Included are photographs of many great performers to fire your imagination and help you stay focused on becoming a star yourself! To top it off, you can put what you learn to work when you play along with the companion CD. Set your sights high by beginning with Basix -- the series that will get you there!
SKU: HL.14047453
ISBN 9788850725205. English-Italian.
This book is made up of the fundamentals for beginner flatpicking guitar. I have been experimenting teaching in different ways for over 20 years, and in this book you will find the program I now use with my students who are looking to get into this style. Throughout the years, I have greatly changed the contents of this book to suit who I can only guess will be the readers. I have spent a lot of time arranging the tunes so as to match the skill level of the drills, exercises, and theory. I havetried hard to include all of the fundamental elements that you will need to begin flatpicking.
SKU: HL.14047451
ISBN 9788850725182. English.
A big advantage with open tunings is that you'll be able to play chords and melodies more easily, letting the strings ring and getting richer sounds that would be really hard to get with a standard tuning. This is true at the beginning, but later onthings will become more challenging and rewarding even for seasoned professionals. Using different tunings from time to time you'll often find new ideas when you compose your music, either studying new positions or merely by chance, because you'll be forced to think outside your usual frame of mind. Some players employ a particular open tuning as their own standard tuning, like Pierre Bensusan with his DADGAD, giving hismusic a distinctive sound. This book will try to bring you into different sonic landscapes, hopefully leading you to quickly learn new tunes and having fun in the process.
SKU: HL.137903
ISBN 9781495001512. UPC: 888680029395. 8.5x11.0x0.651 inches. Rikki Rooksby.
Chord Master is a chord dictionary with a difference. Rather than just show chord shapes - which are all there in the Chord Matrix - a large portion of the book explains how to use chords, with information about the theory behind them, and attempts to answer the questions guitarists often have about chord shapes. Also, it presents usable groups of chords for beginners in relation to a variety of song styles. This new, revised edition emphasises the practical and is even more useful to beginners, with expanded exercises and more audio. The multimedia component has roughly doubled the number of tracks and is 30 minutes longer. Some audio examples have a backing track arranged to stress melodic and rhythmic elements so that when the reader puts the chords alongside, the effect is marked, sometimes allowing for re-harmonizing the same music with a different chord progression, or a chord progression played in more than one area of the guitar. The notation of the chord progressions is partly redesigned, making it easier to read. This will also make this part of the book more attractive to the casual browser. More chord types have been added to Chord Master's Matrix (dictionary) section, with new material about balanced chords (which remove ineffective or unnecessary doublings of notes) and about effective chord voicing. The section about chords from famous songs is expanded with more examples of unusual chords, including ones that players are often curious about - one of the most famous examples is the first chord of A Hard Day's Night..
SKU: BT.VOLMB52
ISBN 9788863880502. Spanish.
Licks in standard notation and Tabs. Contains more that 100 licks/riffs in blues, rock, country and hard rock styles for live and studio performance. Essential finger patterns and scales for guitarists. Audio includes given examples and solos.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: BT.CAZJSBCELL01
For more than a century guitarists have been irresistibly drawn to Bach’s remarkable cello suites. Here, for the first time, are the first four in the easiest and most resonant guitar keys. Suites I–IV must betransposed to work on the guitar, whereas Suite V is always played in A minor, in Bach’s own lute version, and the equally demanding Suite VI can only be played in its original key of D.By adding as little aspossible, these arrangements preserve the integrity of the originals, in which melody, bass and harmony are woven effortlessly into a single fabric. They also, crucially, offer the guitarist Bach at a lower level of difficultythanhis music for lute or unaccompanied violin.Another unique feature is the inclusion of optional ‘improvised’ divisions – suggestions for the additional ornamentation of passages to reflect typical18th-century performance practice.This is an essential addition to any guitarist's library with selected movements featured in the 2009 ABRSM guitar syllabus (Grades 5-8).“This publication beatsthe others hands down; no contest. I can’t see me needing any other edition of these four suites. They are that good. Buy with confidence.”Classical Guitar
SKU: HL.49046978
UPC: 842819103219. 9.0x12.0x0.158 inches.
Five years after the first, I set out to write a second sonata for the guitar I loved. And not only in order to be able to keep the overall title of the cycle (which is hereby closed), with its clear relation to Richard III, but also because of my attachment to Shakespeare's characters, or at least some of them, whose musical portrait I also want to make in of the second sonata, which was formed in a completely different way, felt compelled to do so. Aguecheek (Bleichenwang) is one of my favorite characters when I was a student in Braunschweig. Perhaps it was not only Shakespeare, but also the director and the Bleichenwang of a production in the theater there, around 1943, that caused me not to miss a performance of it. - Hans-Werner Henze Includes preface by editor in English, German, French.
SKU: HL.286931
0.244 inches.
For more than a century guitarists have been irresistibly drawn to Bach's remarkable cello suites. Here, for the first time, are thefirst four in the easiest and most resonant guitar keys. Suites I-IV must be transposed to work on the guitar, whereas Suite V is always played in A minor, in Bach's own lute version, and the equally demanding Suite VI can only be played in its original key of D. By adding as little as possible, these arrangements preserve the integrity of the originals, in which melody, bass and harmony are woven effortlessly into a single fabric. They also, crucially, offer the guitarist Bach at a lower level of difficulty than his music for lute or unaccompanied violin. Another unique feature is the inclusion of optional 'improvised' divisions - suggestions for the additional ornamentation of passages to reflect typical 18th-century performance practice. This is an essential addition to any guitarist's library with selected movements featured in the 2009 ABRSM guitar syllabus (Grades 5-8). This publication beats the others hands down; no contest. I can't see me needing any other edition of these four suites. They are that good. Buy with confidence. Classical Guitar.
SKU: M7.PPV-20046438
ISBN 9783941531444.
So spielt ihr den Woodstock-Rock! In den Sechzigern herrschte in der englischen Musiklandschaft ein buntes Treiben: Eric Clapton, Keith Richards, Pete Townshend, Jeff Beck oder Peter Green waren allesamt bluesbegeisterte Rockgitarristen und mischten die Szene auf. Richtig Schwung in die Szene kam aber erst, als Animals-Bassist und Musikmanager Chase Chandler den Amerikaner Jimi Hendrix nach London brachte. Unter den Musikern setzte ein regelrechter Wettbewerb ein: Wer machte die wildeste Show? Wer hatte die besten Riffs und spielte die schnellsten Licks? Wer setzte die abgefahrensten psychedelischen Effekte ein? Effekte wie Pedal-Fuzz und Wah nutzen Der Uptempo-Song Purple Lady kracht richtig los mit typischen Effekten wie Wah-wah und Fuzz. In Flying Wings findet ihr die Zutaten für eine grandiose Ballade mit den typischen verziert gespielten Akkorden und einem melodischen Heldensolo. Mit diesen und anderen Songs steigst du ein in die wabernden Sounds der 60s und verwandelst deine Gitarre in ein Feuerwerk aus Crazy Licks, fuzzigen Riffs und kreischenden Lead-Sounds.
SKU: HL.350746
ISBN 9781574243901. UPC: 840126935639. 8.75x11.25x0.73 inches. Vic DaPra & David Plues.
The Gibson Les Paul Standard 1958-1960 is one of the greatest designs to emerge from Gibson. At first, it was little appreciated and quickly discontinued. However, the UK blues explosion of the 1960s changed everything and these guitars would begin to shape the music for generations to come. The USA quickly picked up this new direction and players such as Mike Bloomfield and Duane Allman then used the Bursts to great effect. Demand for the guitar began in earnest in the 1970s and they now fetch astronomical prices. The Gibson Custom Shop is working diligently on many aspects of their historic Les Pauls bringing them as close to the originals as possible. Not only did the players make this the most collectable guitar in the vintage market but collectors and weekend players played a huge role in its cimb to the top. Visually, it is probably one of the most beautiful solid body guitars ever made. Burst Believer V Serial Number Guide is a thank you to all the fantastic supporters of the Burst Believers series. Features gorgeous full-color photos throughout of guitars and some of their famous owners, including Joe Walsh, Keith Richards, Peter Frampton, Gordon Kennedy, Vince Gill, and many more.
SKU: MB.30989
ISBN 9781513466705. 8.75x11.75 inches.
In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists.  Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. .
SKU: CA.1601300
ISBN 9790007031541. Language: all languages.
Music for four- and five-course Mandora, transcribed for guitar from the French tabulature.
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