Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music. 1048 pages. MDS (Music Distribution Services) #GHE 900. Published by MDS (Music Distribution Services)

Pour 'Le Tombeau de Claude Debussy'. Composed by Manuel de Falla. Edited by Stefano Grondona. Arranged by Miguel Llobet. This edition: Saddle- wire stitching. Sheet music with CD. 48 pages. MDS (Music Distribution Services) #GHE 908-50. Published by MDS (Music Distribution Services)

Chamber Music Guitar

SKU: PR.GHE0900

Volume 1-15. Composed by Miguel Llobet. Edited by Stefano Grondona. Collection - Score. Theodore Presser Company #GHE0900. Published by Theodore Presser Company (PR.GHE0900).

Guitar

SKU: HL.14001449

Composed by Isaac Albeniz. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #UMG20389. Published by Music Sales (HL.14001449).

8.25x11.75x0.032 inches.

'Rumores de la caleta' (Malaguena) by Albeniz, No.6 from Recuerdos de Viaje', transcribed for 2 guitars by Miguel Llobet.

Chamber Music Guitar

SKU: PR.GHE0907

Evocacions. Composed by Miguel Llobet. Edited by Stefano Grondona. Collection. Theodore Presser Company #GHE0907. Published by Theodore Presser Company (PR.GHE0907).

Guitar

SKU: UT.CH-227

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227).

ISBN 9790215324145. 9 x 12 inches.

Emilio Calandin: Piccola sfumatura
Claudia Montero: Lagrimas de Buenos Aires
Marco Reghezza: Como Preludio
Marco Smaili: Preludio
Alessandro Spazzoli: Preludio in Do maggiore
Roberto Tagliamacco: Prelude sur le nom de Tarrega
Paolo Ugoletti: Prelude sur le nom de Tarrega

Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.
These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).
In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...
In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...
I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.
(Piero Bonaguri).

Chamber Music Guitar

SKU: PR.GHE0905

Sin palabras. Composed by Miguel Llobet. Edited by Stefano Grondona. Collection. Theodore Presser Company #GHE0905. Published by Theodore Presser Company (PR.GHE0905).