SKU: HL.7013626
UPC: 840126915235. 9.0x12.0x0.124 inches.
Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me.
SKU: PR.114410840
UPC: 680160015689.
See the biography of Michael Karmon on the back cover.WHEN THE SHEEP WON'T COME: A SLEEPLESS NOCTURNE FOR GUITAR was composed for Joseph Hagedorn, winner of the 1990 GFA solo competition, and premiered by him in November 1999. My original idea was to write a serene and moody nocturne in several movements. However, as I began researching and listening to new guitar pieces, I came across Toru Takemitsu's All in Twilight, and it immediately made a profound impression. At the time I found it beautiful, moving, and inspiring, but I also felt I didn't have anything to add to what Takemitsu already did, and that I needed to find a new concept for my piece. So, I decided to view night as a potentially restless time, rather than a serene time, and portray states of mind one might go through during a sleepless night. The names of the movements evoke, at least in my mind, the moods I am to depict, and the piece becomes progressively more convoluted as it goes on. By the end, the music is a surreal and weary shadow of the opening.
SKU: HL.50600660
8.25x12.0x0.05 inches.
â??I already wrote the Concerto for Guitar, Tympani and Strings for the outstanding Polish guitarist Lukasz Kuropaczewski. The 'Triptych' for guitar solo is my second work for this interpreter. The individual titles of the 'Triptych' movements â?? Fantasia, Aria and Impromptu furioso â?? refer to the characters of the individual movements. I completed 'Triptych' for guitar solo in December 2014. The piece is permeated by double contrasts: in terms of harmony, the guitar's own mood and sound world are contrasted with my harmonic thinking. In terms of technique, on the other hand, performance gestures of the Flamenco tradition are contrasted with those of the practice of classical guitar playing. The dialogue between different harmonic and historical levels can thus be discovered through a complex, clearly demarcated discourse. The performance duration of the work is about 15 minutes.â? (Krzysztof Meyer).
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SKU: HL.14061167
UPC: 007399994945.
SKU: BT.SY-2953
German.
DIE NEUE GITARRENSCHULE by Heinz Teuchert is one of the most successful methods for classical guitar in German. Since it was first published in 1983, the guitar technique has evolved in many respects so that the need of a revised edition has become more and more evident. Prof. Michael Koch has taken up this mission and now presents the revised method in two volumes: the texts, parts of the playing material, and the appearance of the books have been modernized while preserving Teuchertââ¬â¢s methodical approach and the underlying structure of the method. One of its strengths is the diversity in terms of playing techniques and musical styles not only solo playing but also fingerpicking styles, flamenco techniques, and song accompaniment are taught. The BOOK CD AUDIO ONLINE packs also feature demonstration and play-along recordings of many pieces included in the books.DIE NEUE GITARRENSCHULE von Heinz Teuchert gilt als Standardwerk unter den deutschsprachigen Lehrbüchern für klassische Gitarre. Seit ihrer Erstveröffentlichung im Jahr 1983 hat sich die Gitarren-Spieltechnik beträchtlich weiterentwickelt, sodass die Notwendigkeit einer ÃÅberarbeitung des Schulwerks immer deutlicher zutage trat. Prof. Michael Koch hat sich dieser Aufgabe angenommen und die revidierte Neuausgabe in zwei Bänden vorgelegt: Die Texte, Teile des Spielmaterials sowie das Erscheinungsbild wurden modernisiert, während Teucherts methodischer Ansatz und die grundlegende Struktur des Schulwerks beibehalten wurden.
DIE NEUE GITARRENSCHULE zeichnet sich insbesondere durch ihre Vielseitigkeit aus, was die behandelten Spieltechniken und musikalischen Stilrichtungen angeht: Neben dem Solospiel werden auch das Fingerpicking, der Flamenco und die Liedbegleitung mit Akkorden vermittelt. Demo- und Mitspielaufnahmen vieler der enthaltenen Stücke stehen sowohl auf der beigefügten CD als auch online im MP3-Format zur Verfügung.
AUS DEM INHALT (Band 2):
Einführung in die fis-Stimmung Weiterführung des Lagenwechsels Barrégriffe Flamenco-Anschlag Die Bindetechnik Fortschreitende Solostücke und Duos Technische Kurzübungen
SKU: HL.120772
ISBN 9781480350519. UPC: 884088917463. 9.0x12.0x0.687 inches.
55 song highlights from the history of ASCAP, celebrating their representation of some of the best songwriters of all time. Songs include: Ah! Sweet Mystery of Life * Ain't No Mountain High Enough * As Time Goes By * At Last * Before He Cheats * Bleeding Love * Blue Skies * Defying Gravity * Gonna Make You Sweat (Everybody Dance Now) * I Will Survive * Just the Way You Are * Livin' on a Prayer * Moon River * My Funny Valentine * Over the Rainbow * Raindrops Keep Fallin' on My Head * Single Ladies (Put a Ring on It) * Someone to Watch over Me * Tenderly * The Way We Were * We've Only Just Begun * You Are the Sunshine of My Life * and more. Includes an introduction by ASCAP, a foreword by Paul Williams, song notes by decade, plus photos!
SKU: MB.WBM15
ISBN 9780988832732. 8.5 X 11 inches.
The guitar has so many moods and colors. I have always loved the expressive, lyrical pieces written for this unique instrument. This book is a collection of 19 solos of medium difficulty which present a colorful array of moods, harmonies and tonal textures. Each piece gives the guitarist ample opportunity for reflection, interpretation and expression. The solos should be played freely with maximum use of dynamics and tone color. The harmonies are rich and often contemporary. I hope you enjoy playing these compositions as I certainly enjoyed writing them.
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