SKU: AP.45294
ISBN 9781470633776. UPC: 038081520247. English.
This is the best manuscript book for anyone who wants to write guitar music and needs to know all the tricks to notating in TAB. The book starts with eight essential pages of instruction about how to write all the most common guitar techniques in TAB. Use these pages for reference any time you are writing or transcribing. The book also includes 54 pages of blank manuscript paper with five staves of TAB plus standard music notation. The last page is a fretboard diagram illustrating the notes on the entire neck. A free online video is included to help you clearly understand all the techniques you're learning to write. Whether you are just starting to write out your own musical ideas or transcribing your favorite solos, this is the perfect TAB manuscript book for you!
SKU: GI.G-9538G
UPC: 785147953876.
 Revival is a long overdue resource that provides fresh accessible arrangements of classic hymns for contemporary ensembles. Each arrangement is scored for SAB choir, piano, guitar, and optional instrumental parts. For added texture, the final stanza of each hymn includes an alternate harmonization of the accompaniment with a soprano descant. These fourteen arrangements will open a whole new set of treasured hymns to piano and guitar based ensembles. Compatible with the versions founds in GIA’s most recent hymnals, each of these arrangements is intended to support and inspire the sung prayer of the assembly. Every one will find a comfortable home in your repertoire throughout the liturgical year! A special spiral bound edition of Revival is also available. This edition is perfect for accompanists who would also like to use these hymn arrangements as preludes, interludes, or postludes. Collections like Revival are not simply a way for contemporary ensembles to plant deeper roots and tap into more traditional repertoires. It is a way for all of us to hear old hymns with new ears, in a new way. --Fr. Anthony Ruff, OSB, Associate Professor of Theology at St. John's Abbey Quote from Pray Tell Blog. Click here to read full article Tony Alonso’s Revival offers us fourteen wonderfully arranged familiar hymns—musically accessible and a delight to sing. Flexibly crafted for voices, piano and guitar with lovely optional descants, this is an ecumenical gift and bridge-builder between classical and contemporary approaches to hymns in the liturgy. It should be in every parish’s working library. --Don Saliers, Professor of Theology and Worship at the Candler School of Theology In his new collection, Revival, Tony Alonso marks the 500th anniversary of a great divide in the church by bridging the chasm between Catholic and Protestant, contemporary and traditional, Appalachian and European. His arrangements for voices, piano, and guitar—with options for using other instruments as well—allow for improvisation and adaptation while remaining accessible for a wide range of musicians. Although these hymns are designed to be used by contemporary ensembles, they lend themselves to use in a variety of worshiping contexts. Alonso's arrangements will entice you to sing along--Revival is a great gift to the whole church! --Kimberly Bracken Long, Editor of Call to Worship: Liturgy, Music, Preaching, & the Arts Tony Alonso’s, Revival, is an invaluable resource to help find common ground among “contemporary†and “traditional†choirs and ensembles by making hymnody approachable to those who may have shied away from it for stylistic reasons. It is also a great educational tool for organists and pianists who are seeking ways to improve their improvisatory keyboard skills by modeling accompaniment styles and improvisatory patterns that support and enhance the singing of traditional hymns. ​--​Dominic Trumfio, Associate Director of Worship Music at Old St. Patrick's Church, Chicago.
SKU: GI.G-10430G
UPC: 785147043072.
** This is the spiral-bound guitar edition.  The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA’s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This? (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G-10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441).
SKU: GI.G-9330G
UPC: 785147933076. English. Text Source: English Language Liturgical Consultation (ELLC), 1988, alt. Doxology, Evangelical Lutheran Worship
When the revised English translation of the Catholic Mass was introduced in 2010, Tony Alonso’s Mass of Joy and Peace quickly became one of the most widely sung eucharistic settings. In this edition, Tony has adapted the eucharistic acclamations for ecumenical use. The Joy and Peace acclamations will find a home in organ-based worship or celebrations led by piano, guitar, or contemporary ensemble. A setting of great versatility and accessibility, Joy and Peace will help inspire the sung prayer of assemblies across Christian denominations. This is the guitar edition.
SKU: GI.G-9272G
UPC: 785147927273. English, Greek, Latin, Spanish. Text Source: Revised Order of Mass 2010.
For twenty years, Missa Festiva has enjoyed great success throughout Michel Guimont’s native Canada. He has created a new edition for English speakers throughout the world. This sturdy setting is primarily unison, but contains moments of SATB choral writing to highlight key texts. A single trumpet, or brass quartet, may be added for festive liturgies. Playable on piano or organ the edition also includes guitar chords.
SKU: GI.G-7853G
UPC: 785147785378. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.  This is the guitar edition. .
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
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