SKU: HL.50607050
UPC: 196288292401. 9.0x12.0x0.073 inches.
Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Ãditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.
SKU: AP.40671
ISBN 9788863881622. French.
Vous repousserez les limites de votre connaissance en matière de jeu improvisé, avec ce livre ultime et passionnant, qui démarre là où les leçons sur l'improvisation s'étaient achevées dans Guitare Jazz/Niveau Moyen. Les sujets présentés traitent de l'improvisation sur les accords de dominante altérés, de la gamme diminuée, de la gamme unitonique, des cibles sur les accords altérés, des traits en boucle, des modes, des gammes mineures et bien d'autres choses encore! Via des diagrammes aises à lire et des phrases d'exemple, ce livre contient toute l'information essentielle dont peu avoir besoin le guitariste de jazz attiré par l'improvisation.
SKU: BT.VOLMB164
ISBN 9788863881615. French.
This publication simultaneously teaches harmonic sheet music, melodies, rhythms and the bass lines for every piece of music.
In terms of jazz, your Guitar will become the ultimate instrument just from the techniques andconcepts taught. Topics approached include: understanding the interactive assimilation of harmony and melody, bass line development, chordal enrichment, four part harmonies and composition for solo Guitar. All these concepts arean ample example for practice and make up compositions of traditional melodies.
SKU: UT.CH-152
ISBN 9790215320055. 9 x 12 inches.
Le roi écrit une lettre; Un beau dimanche; Complainte de Michelin; Il était une bergère; Me promenant le long du rivage; La passion; Joseph vendu par ses frères; Son son; Je suis le libre berger; Complainte du juif errant; La prise de Mantoue; Baron Letron
SKU: HL.50575639
SKU: FG.55011-326-8
ISBN 9790550113268.
I met for the first time the refined Finnish composer Kai Nieminen in Milan (Italy), although we had been in touch for a while before. It was that very trip which provided the inspiration for this composition dedicated to Bruno Munari, one of the most renowned XXI century Italian artists, who lived and worked in Milan. In particular, the work that inspired this composition, displayed at Museo del Novecento in Milan and characterised by swirling lines enveloping torn-out music scores, suggested the mysterious atmosphere of this piece and the subheading Un telegramma dal paese dei sogni (A telegram from dreamland). The composition can be divided into four sections and displays a wide variety of harmonics, cleverly enhancing the polyphonic resources of the guitar. The very first bars introduce the main themes of the composition: particularly, at bar 7 it is possible to recognize a Bach quote from Das wohltemperierte Clavier (II book, ndeg24) recurring frequently in the piece and appearing also in the painting. Meno mosso (bar 51) opens with a ghostly song accompanied by drum-like effects that recall the primitive sound of the shamanic Finnish drum. Fast sixteenth cascades dotted by harmonic sounds open the fourth and last section at bar 66 (Capriccioso, movendo), alluding to a mysterious telegram sent from another dimension.
SKU: BT.VOLMB165
You will stretch the limits of your knowledge of improvised play, with the ultimate, passionate book which starts with lessons on improvisation compiled in Guitare Jazz/Niveau Moyen. Topics include the improvisation of dominantdiscords, descending scales, whole tone scales, pitch, loops, minor scales and much more.
Via the phrase examples and charts this book contains all the essential information that a jazz guitarist attracted to improvisationmay need.
SKU: DY.DO-1531
ISBN 9782897963118.
The piece Chronicles of Thamyris was written at the request of Greek guitarist Sotiris Athanasiou for his recording project with pieces based on Greek mythology.I chose the myth of Thamyris who was a musician of Thracian origin. In each movement I imagined an episode of this myth. The first movement is composed as a narrative. The second, as the title indicates, is the episode of the competition between Thamyris and the Muses. In the third, according to the myth, Thamyris will become blind and will break his lyre. The last movement is an imaginary dance from his native Thrace.La pièce «Chroniques de Thamyris» a été écrite à la demande du guitariste grec Sotiris Athanasiou pour son projet d’enregistrement avec des pièces basées sur la mythologie grecque.J’ai choisi le mythe de Thamyris qui était un musicien d’origine Thrace. Dans chaque mouvement j’ai imaginé un épisode de ce mythe. Le premier mouvement est composé comme un narratif. Le deuxième comme le titre l’indique, est l’épisode de la compétition entre Thamyris et les Muses. Dans le troisième, selon le mythe,Thamyris va devenir aveugle et va briser sa lyre. Le dernier mouvement est une danse imaginaire de son pays natal la Thrace.
SKU: BT.PL1895
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