SKU: GI.G-7607G
English. Text Source: Suscipe, attr. St. Ignatius of Loyola, 1491–1556, Eng. tr. unknown. Text by Ignatius of Loyola.
SKU: GI.G-9757G
UPC: 785147975779. English, Spanish, Tagalog. Text Source: Based on “The Prayer of St. Francis,†Attr. Francis of Assisi, 1181–1226, English, Spanish and Tagalog Tr. Unknown, adapt. Tony Alonso.
SKU: GI.G-9699G
English.
SKU: GI.G-10940G
Text Source: Thomas Aquinas, ca. 1225&ndash,1274, tr. Unknown. Text by Thomas Aquinas.
SKU: UT.CH-388
ISBN 9790215328242. 9 x 12 inches.
Main source of the present editions is the manuscript by Manuel M. Ponce, kept in the Manuel M. Ponce Archive, located in the Cuicamatini library of the Facultad de Música de la Universidad Nacional Autónoma de México. The preludes were composed around 1929 after the invitation of Segovia who, urged by the publishers to write a method, asked Ponce to compose some short pieces to include in this didactic project. In April 1930 Segovia published only 12 preludes with Schott publishing house. Many of Ponceâ??s manuscripts remained unknown for a long time, until 1977, when the Mexican guitarist and musicologist Miguel Alcázar, thanks to the collaboration of Carlos Vázquez, pupil and heir of Manuel Ponceâ??s manuscripts, began an important recovery of Ponceâ??s guitar music by preparing the first complete edition of the preludes.
SKU: HL.50566004
ISBN 9781705150580. UPC: 196288017639. 9.0x12.0x0.48 inches.
Mauro Giuliani's Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani's epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, “a hitherto-unknown style.†This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.
SKU: M7.GHE-917
ISBN 9783890449173. English.
Thanks to Stefano Grondona, this unknown and unedited transcription by Tárrega in G major of Albéniz' Cádiz, known widely as the Célebre Serenata Española has just been identified in a manuscript copied by Miguel Llobet, probably while he was still Tárrega's pupil. This beautiful and subtle transcription is not overcomplicated to play, Tárrega did not try to do everything, as some later transcribers have attempted to do. The melody sings and the accompaniment is subtly always there. The tuning with 5th string to G, and 6th to D, is no hindrance - on the contrary it is a boon. We are not aware of any published version of this work in G major, and this particular version has never been published until now. We are delighted to make it available for the first time in a new scholarly edition prepared from Llobet's meticulously accurate manuscript, a copy of which is reproduced in the edition.
SKU: M7.GHE-704
ISBN 9783890447049. English.
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