SKU: HL.50565878
9.0x12.0x0.067 inches.
A new edition of the 4 series of Estudios sencillos (Etudes simples) originally published by Editions Max Eschig. Music text revised by Frederic Zigante; new engravings; practical, easy-to-follow editorial lay-out. The 4 series are taken from the complete edition (Estudios 1-20) revised by Frederic Zigante and recently issued with two references: DF 16268 (with critical notes and performing instructions in French, Spanish and English) and DF 16269 (with critical notes and performing instructions in Spanish, German and Italian). The spin-off editions of series 1, 2 and 4 will be soon available. The Estudios are worldwide protected repertoire.
SKU: M7.GHE-807
ISBN 9783890448077. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: M7.GHE-808
ISBN 9783890448084. English.
SKU: M7.GHE-806
ISBN 9783890448060. English.
SKU: M7.GHE-803
ISBN 9783890448039. English.
SKU: M7.GHE-805
ISBN 9783890448053. English.
SKU: M7.GHE-701
ISBN 9783890447018. English.
We proudly present this new modern critical edition of Antoine de Lhoyer's Six Exercices Op. 27, originally published in Paris around 1812. These exercises, originally written for 5-string guitar, are remarkably advanced for their time and well worth playing; the rapid arpeggio patterns and daring harmonic shifts in some of them may bring even Villa-Lobos to mind. The Six Exercices Op. 27 were arranged by Giuliani and published some 7 years later under his name as Six Preludes Op. 83. The exercises were originally written for 5-string guitar. We have added alternative readings for using the 6th string, an often employed publishing practice of the period. The music is edited and fingered by Erik Stenstadvold, an authority on the guitar repertoire of the early 19th century. There is also an informative preface, with full biographical details and critical notes.
SKU: M7.GHE-804
ISBN 9783890448046. English.
SKU: M7.GHE-809
ISBN 9783890448091. English.
SKU: M7.GHE-810
ISBN 9783890448107. English.
SKU: HL.49046945
ISBN 9781847615305. UPC: 196288087564. 9.0x12.0x0.142 inches.
Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by Jose Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book).
SKU: HL.50602093
ISBN 9781540061843. UPC: 888680960728. 9.0x12.0x0.058 inches.
The Prelude No.5 is taken from the complete critical edition of the 5 Preludes recently revised by Frederic Zigante (reference DF 01657800, critical commentary in French, Italian and English) New engravings; practical, easy-to-follow editoria lay-out; no critical notes included. The 5 Preludes are worldwide protected repertoire.
SKU: M7.GHE-802
ISBN 9783890448022. English.
SKU: HL.50566004
ISBN 9781705150580. UPC: 196288017639. 9.0x12.0x0.48 inches.
Mauro Giuliani's Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani's epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, “a hitherto-unknown style.†This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.
SKU: M7.GHE-702-96
ISBN 9783890447056. English.
HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.
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