SKU: HL.14012744
9.0x12.0x0.153 inches.
Gitarre Spelen is a German language guitar method for children split across three books Experienced tutor, and author of this series, Andreas Schumann points out that the average age of students is getting younger, as children are starting their lessons sooner than ever before. Because of this he has designed an approach to teaching the guitar with the needs of younger players in mind. For instance, the melodies here are in small manageable chunks and it is an easy method which considers the smaller hands being used. It is also important that they play tunes they know and so international folksongs and nursery rhymes have been included here. Book One features Tom and Lena, two children who will help guide students through and enable them to have as much fun as possible! They give tips, suggestions, advice and directions throughout to ensure the student is always kept informed! This is an enjoyable and practical group learning method that encourages and adds confidence whilst covering the important basics, rudiments and techniques needed to play the guitar including fingerstyle and first chords.
SKU: BT.MUSAM1001440R
ISBN 9781783058921. English.
Hailed as the most comprehensive and complete beginner's Guitar method ever, the Justinguitar.com Beginner's Course from Justin Sandercoe will take you through everything from buying a Guitar to basic improvisation, now including two CDs full of content. If you have ever thought about picking up a Guitar, this book should be your first port of call. In renowned music teacher Justin Sandercoe 's friendly and authoritative way, he takes you through the basics of being a Guitarist from the absolute beginning to playing some impressive songs. You will learn all the essential chords, the fundamental scales and rhythm strumming and picking. giving you demonstrations of every chord, technique and exercise to help you hear exactly how everything should sound. Justinguitar.com has been world-renowned since it was initially set up in 2003. The Independent The CDs have been specially recorded by Justin newspaper has called him one of the most influential guitarists in history, and his combined total of 100 million viewers would certainly agree. His online videos have gained him huge recognition, but he is also a teacher at the Guitar Institute, and has taught thousands of students privately, including Katie Melua and Cathy Dennis. The course has been 20 years in the making, and has incorporated everything that a beginning guitarist needs to know, but that is often skipped over in less rewarding methods; things like music theory, aural training and songs specifically chosen to reinforcetechniques learned. Speaking of songs, if you want more songs to learn as a fantastic complement to this book, check out the Justinguitar.com Beginner's Songbook . Topics covered in this Beginner's Course include: Choosing equipment like a Guitar, an amplifier and accessories Open, barre and power chords as well as rhythm Guitar techniques Scorching lead playing such as the 12-bar blues and basic improvisation.
SKU: BT.RSK200111
ISBN 9781789360868. English.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We have also included the vocal melody lines in the grade books for students who sing and play at the same time.
Rockschool Acoustic Grade 1 is for students who have been learning between six months to one year and have masteredthe key basic skills.
SKU: BT.RSK200110
ISBN 9781789360851. English.
Rockschool Acoustic Debut is for candidates who have been learning a short time and have learnt the basic skills.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: DZ.DZ-4308
ISBN 9782898522253.
Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'à Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'à Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'à Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'à Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des à Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'à Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
SKU: AP.45055
ISBN 9781470632342. UPC: 038081515106. English.
Recognized for over 50 years as the best-paced and most-thorough guitar method available, Alfred's Basic Guitar Method has introduced over 5 million beginners to playing guitar. Now, Alfred's Basic Rock Guitar Method provides a new approach to learning guitar for beginners who want to play rock. Book 2 features new techniques like hammer-ons, pull-offs, slides, and teaches you barre chords, new scales, and how to improvise with pentatonic scales. There are many more licks and melodies in the styles of many of the greatest rock artists, and an authentic arrangement of the opening from Led Zeppelin's Stairway to Heaven. Companion audio tracks that can be downloaded or streamed online are included with the book, so you'll have everything you need in one place. The included DVD is newly updated and features video lessons, MP3 audio tracks, and you can also download the TNT 2 software which lets you slow down tracks, isolate and loop parts, and change tempos and keys for customized practice. Learning to play has never been easier or more fun than with the Alfred's Basic Guitar series---the best choice for beginning guitarists.
About Alfred's Basic Guitar Library
Recognized for over 50 years as the best-paced and most comprehensive guitar method available, Alfred's Basic Guitar Method has introduced over five million beginners to the joy of playing guitar. The updated and expanded edition features a new layout, making it easier than ever to read and learn. The method features blues, country, folk, jazz, and rock styles, and now includes pop songs! Companion enhanced CDs and DVDs are available, along with correlating theory, chord, and pop books, to ensure you're getting everything you need from one single, complete method. Learning to play has never been easier or more fun than with Alfred's Basic Guitar Method -- the first and best choice for today's beginning guitar students.
SKU: BT.RSK200115
ISBN 9781789360905. English.
Rockschool Acoustic Grade 5 is for students who have acquired the intermediate skills and techniques and have developed an increasing sense of stylistic conviction. This is demonstrated through instrumental techniques, increasing rhythmic complexity and convincing solo and improvisation work.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks aresession style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BT.RSK200118
ISBN 9781789360936. English.
Rockschool Acoustic Grade 8 is for students who have mastered advanced technical control and have a thorough grasp of extended stylistic techniques. At Grade 8 this is shown through mature stylistic conviction, consummate execution of rhythmic complexity, mature and creative stylistic solo and improvisation work as well as a commanding sense of communication and performance.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track,exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BT.RSK200116
ISBN 9781789360912. English.
Rockschool Acoustic Grade 6 is for students who have begun to develop advanced technical control and a competent grasp of stylistic techniques. At Grade 6 this is shown through mature stylistic conviction, execution of rhythmic complexity, creative and stylistic solo and improvisation work as well as a secure sense of communication and performance.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the soundand resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
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