With this Berklee Guide you'll learn 12 contemporary jazz Guitar solos from six of the genre's greatest artists: Jim Hall John Scofield Pat Martino Kurt Rosenwindel Biréli Lagréne and Mike Stern.A technical introduction is included for each solo featuring analytical insights and references to its classic recording. The transcribed solos include traditional notation and tablature.Michael Kaplan's Contemporary Jazz Guitar Solos includes the songs: All the Things You Are (John Scofield) Days of Wine and Roses (Biréli Lagrene) St. Thomas (Jim Hall) ThereIs No Greater Love (Mike Stern) How Deep Is the Ocean (How High Is the Sky) (Kurt Rosenwinkel) Oleo (Pat Martino) and more.

Hal Leonard Guitar Method-Learn to play sophisticated lead lines and intelligent rhythm parts with step-by-step lessons and 21 great jazz fusion songs. Hal Leonard Jazz-Rock Fusion is your complete guide to mastering fusion Guitar. You'll learn the many elements of this exciting music through real song examples by masters such as John McLaughlin Mike Stern Allan Holdsworth Scott Henderson John Scofield Pat Metheny and many more. Songs include: Birdland ? Blue in Green ? Freddie Freeloader ? My Favorite Things ? Nardis ? Oye Como Va ? She's a Woman ? Spanish Key ? and more.

Con La Chitarra-Quest?opera presenta una serie di accompagnamenti ed assoli di chitarra nello stile Modern Blues o Blues Fusion. Scoprirete quindi degli accompagnamenti che si appoggiano sul blues tradizionale per poi arricchirlo abbondantemente sia dal punto di vista armonico che ritmico. Suonerete poi gli assoli i quali arricchiscono come le ritmiche il blues tradizionale ma piuttosto dal punto di vista melodico. Essi sono costruiti sulle progressioni armoniche tipiche dello stile Modern Blues. Dal blues/jazz al blues/funk passando per il blues minore... c?è di che ampliare la propria visione del blues sulla chitarra! Da Robben Ford a John Scofield passando per Stevie Ray Vaughan Gary Moore o Larry Carlton? le fonti d'ispirazione non mancano per evocare questo stile! Per ogni accompagnamento ed assolo troverete 5 registrazioni diverse sul CD MP3 allegato distribuite nel modo seguente: la chitarra da sola a velocità normale poi ridotta la stessa parte di chitarra suonata però sulla sua base musicale ed infine la sola base musicale prima a velocità normale poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo il proprio livello e le proprie capacità. Ossia più di 4 ore di musica in tutto!

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Volume 1-This first volume in Master Anthology Of Fingerstyle Guitar Solos includes both new pieces and outstanding previously published fingerstyle tunes. Veteran performers and talented young upstarts are given aforum for their best work. Intermediate to advanced in difficulty with nearly all pieces appearing in standard notation with tablature. Includes access to extensive online audio. The contributors are: Jonathan Adams Muriel Anderson Seth Austen D.R. Auten Douglas Back Duck Baker Steve Baughman William Bay Pierre Bensusan Larry Bolles Ben Bolt Bill Brennan Thom Bresh Rolly Brown Robin Bullock Jonathan Burchfield MichaelChapdelaine Mike Christiansen William Coulter Marcel Dadi Peppino D'Agostino Craig Dobbins Pat Donohue Doyle Dykes Steven Eckels Tim Farrell Peter Finger Tommy Flint Rick Foster Stefan Grossman Ole Halen ToddHallawell Roger Hudson Jack Jezzro Buster B. Jones Laurence Juber Phil Keaggy Pat Kirtley Jean-Felix Lalanne Jay Leach Paul Lolax Woody Mann Dennis McCorkle El McMeen Dale Miller Franco Morone Stevan Pasero KenPerlman Al Petteway Bill Piburn Chris Proctor Harvey Reid John Renbourn Don Ross Vincent Sadovksy Dylan Schorer John Sherman Martin Simpson Johnny Smith Fred Sokolow Tim Sparks John Standefer David Surette Guy VanDuser Al Viola Paul Yandell Andrew York and John Zaradin.

15 Songs for Fingerstyle Guitar. Relax with your guitar with this exceptional collection of satisfying and profoundly beautiful pieces to play. These arrangements, by Grammy Award winning fingerstyle guitarist Mark Hanson, are presented in standard notation and tab. Online access to his recordings of these pieces is also included. This collection is designed for all fingerstyle guitarists wanting to unwind with these tranquil selections: All of Me (John Legend) · And I Love Her (The Beatles) · Beautiful (Gordon Lightfoot) · The Book of Love (The Magnetic Fields/Peter Gabriel) · Bridge over Troubled Water (Simon

Par SYLVESTRE FREDERIC. elevés note pour note avec tablatures par Frédéric Sylvestre 9 grands thèmes et improvisations relevés note pour note. / Pop & rock / Tablatures / Guitare Tablatures

The Gear That Made Them Famous-Music historian Dave Rubin surveys the gear tones licks and lives of 100 top Guitarists in this exclusive book/audio pack. Includes rare photos bios tablature and audio demonstrations of every lick in the book!Learn the magic behind the masters including: Duane Allman • Jeff Beck • Chuck Berry • Eric Clapton • Bo Diddley • Tommy Emmanuel • Robben Ford • Buddy Guy • Jimi Hendrix • James Hetfield • Robert Johnson • Mark Knopfler • Yngwie Malmsteen • Pat Metheny • Django Reinhardt • Randy Rhoads • Carlos Santana • Joe Satriani • Slash • Steve Vai • Stevie Ray Vaughan• Angus Young • Frank Zappa • and more.