SKU: BP.HB756
Written for 5 to 8 octave handbell choir. Level 5+.Sandra Eithun has masterfully woven together the tune Creator of the Stars of Night with Do You Hear What I Hear? in this new addition to The Legacy Series. Changing meters and driving rhythms abound as listeners and ringers are treated to various styles and moods as the piece progresses. The tune rises in intensity and complexity before coming back to the opening feeling of rest and hopeful anticipation. A glorious choice for the advanced ensemble this holiday season!
SKU: HP.2985
UPC: 763628129859.
Volume 3 in the Smaller But Mighty Series The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for socially distant ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you're missing members. All the arrangements have been written for the treble clef, F5-F6.
SKU: HP.3017
UPC: 763628130176. Martha Lynn Thompson.
Volume 2 This collection has 30 pieces arranged separately for 2 octave and 3 octave bell or chime choirs. There are familiar and not-so-familiar pieces which include secular, sacred, patriotic, Christmas, and classics. They range in level from Level 1- to 2+. The entire collection is reproducible, making it a bargain for your choirs!.
SKU: LO.20-1267L
UPC: 000308070187.
A bold and stirring original composition, perfect for festival, worship, or concert. Ringers will want to repeat this particular composition year after year to brush up on their techniques, including marts., mallet work and TDs!
SKU: LO.20-1098L
UPC: 000308034462.
Bells used: 3 oct (37) 4 oct (49) 5 oct (61).
SKU: LO.20-1229L
UPC: 000308061116.
Brilliant majestic and bold are all terms to describe this setting which will work equally well for worship, concert or large festival settings.
SKU: LO.20-2108L
ISBN 9780787765828.
This light, dance-like arrangement of the tune HYFRYDOL can be used at any time during the church year. The upbeat waltz tempo is set from the first measure of the introduction and continues throughout the piece. In the middle section, chimes are used to highlight the melody in the bass with light, running eighth notes in the treble. The dynamic ending is punctuated with shakes.
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