SKU: BP.HB460
Arranged for 3-5 octave handbell choir with optional sleigh bells or tambourine. Level 2+. James Pierpont. Fun and accessible, this arrangement of the holiday tune is sure to become a seasonal standard with your group. A slower, pensive version of the melody halfway through provides a nice contrast to the usual upbeat tempo. Be sure to add the optional sleigh bells for optimum effect.
SKU: BP.HB479
3-5 Octaves, Level 3. Bright harmonies and contrasting textures dominate this arrangement of the familiar hymn. Constant eighth note motion keeps the piece moving forward while a slower middle section gives a moment of pause. Be sure your ringers are prepared for the occasional duple eighth notes that appear from time to time! A nice choice for any time during the year.
SKU: HP.1876
UPC: 763628118761. Isaiah 6:3, Revelation 4:8-11, Revelation 5:3, Ezekiel 10:20, 1 Corinthians 2:14, 1 Samuel 2:2, Ephesians 4:18, Lamentations 2:3, Luke 1:49, Psalms 143:8, Psalms 145:10, Psalms 22:3, Psalms 5:3, Psalms 89:5, Psalms 99:3,5,9.
Seventeenth Century tune This 17th-century tune (Nicea) and text were both written in confirmation of the Trinity and, therefore, most appropriate for Trinity Sunday but has been a favorite for use in the opening of worship at anytime of the year. Lloyd Larson's 3-5 octave setting with optional trumpet presents Nicea in appropriate attire.
SKU: BP.HB610
Written for 3-5 octave handbell choir. Level 2+. This haunting original tune is full of intense emotion and is perfect for any ensemble looking to work on their musicality. Flowing eighth note accompaniments underscore the simple melody, and unexpected harmonies abound, yielding moments of hope, surprise, and lament. A perfect choice for any ensemble throughout the year, but particularly nice for something different during the Lenten season.
SKU: LO.20-1988L
ISBN 9780787757793.
With exciting rhythmic vitality, this arrangement of the contemporary Christian song Everlasting God is suitable for all worship styles. The use of handchimes in the legato middle section introduces the hymn tune ST. ANNE and nicely contrasts the syncopated rhythms in the opening and closing sections.
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