SKU: BP.HB674

Written for 3 to 5 octave handbell choir and 3 octave of handchimes. Level 3. Lee Afdhal's original work begins with a somber feeling of tension which gives way to a mournful melody of yearning. The middle section drives the piece forward before the return of the opening material, which now has a more hopeful feeling than before. A contrasting coda brings the piece around to a prayerful conclusion.

SKU: BP.HB620

Written for 3 -5 octave handbell choir or 3-5 octaves of handchimes. Level 2+. This beautiful original tune, written in honor of the composer's brother, is a perfect choice for a moment of quiet introspection. The haunting melody, underscored by lush harmonies, gives a feeling of calm and depth with a subtle hint of motion. A more chromatic, harmonically-diverse section provides a nice aural diversion midway through before the piece returns to the feeling of the opening. A fantastic choice for the group looking to work on it is musicality.

SKU: BP.HB553

For 3 to 5 octave handbell choir and optional 3 to 5 octaves of handchimes. Rated 3-. A haunting opening featuring singing bell, handchimes, and malleted bells gives way to a flowing set of verses of the hymn tune Union Seminary. Numerous key changes provide varying commentary on the tune, and delicate use of handchimes allow both the melody and counter-melodies to shine through. The piece grows in grandeur and expression before returning to the feeling of the beginning once more. UNION SEMINARY, which this arrangement is based on, is by Harold Friedell.

SKU: BP.HB751

Written for 3 to 6 octave handbell choir. Level 3-.

Sondra Tucker has combined the tunes TRURO and STUTTGART into a joyous song of praise! A straightforward opening in 4/4 times gives way to a driving section in 7/8 before moving on to a more expressive mood. The joyous feeling returns to round the piece out in grand fashion!

SKU: BP.HB747

Written for 3 to 5 octave handbell choir. Level 2 .

Anna Laura Page brings us this flowing setting of a traditional English tune. Delicate in its simplicity, the lush scoring gives a very satisfying feeling to the piece. A worthy choice for the early intermediate ensemble looking to stretch their musicality this holiday season.

SKU: BP.HB409

UPC: 748769304099.

3-6 octaves - level 3, optional 2 octaves of handchimes - At times both rhythmically- and harmonically-off-kilter, this arrangement gives voice to the feeling of loss and confusion associated with the Lenten season. Through a contemplative middle section making use of the echo technique, the piece rises to a triumphant, major iteration of the theme signaling the victory of Easter morning.

SKU: HP.2805

UPC: 763628128050.

Medley of familiar hymn tunes Using mallets to create an energetic mood, this setting is designed to reflect the celebratory atmosphere of the Thanksgiving season. While mallets are the dominating technique, care should be exercised so as not to create a heavy feeling but rather an upbeat, cheerful character expressing joyful thanks to God.

SKU: BP.HB755

Written for 3 to 6 octave handbell choir. Level 4.

This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable melody moves throughout the ensemble. Frequent interludes take the piece off in different directions before coming back to the melody once more. A slower, retrospective middle section gives a respite before the driving feeling returns once more to close the piece out in explosive, festive fashion!

SKU: BP.HB655

Written for 3-4 octave handbell choir and 3 octaves of handchimes. Level 3. This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a section with flowing accompaniment relying heavily on straight eighths set against triplet eighths. A faster section ensues featuring a soaring melody and unexpected harmonic twists before returning to the feeling of the opening. An altered statement of the theme makes a brief appearance before the piece ends as it began. A truly beautiful and very approachable piece from one of today's up-and-coming composers!

Please note, the recording is of the 5 -7 octave version.

SKU: BP.HB667

Arranged for 3 to 6 octave handbell choir and optional B-flat trumpet. Level 3 Looking for a majestic new piece for Easter Sunday? Look no further than this setting of Good Christians All, Rejoice and Sing. In addition to the solid handbell arrangement, a soaring optional trumpet adds sparkling hints of Christ the Lord is Risen Today to complete the feeling of Easter joy.

SKU: BP.HB703

Arranged for 3 to 5 octave handbell choir and optional violin (flute). Level 2+. Violin (flute) part is included in the score. This lively arrangement - subtitled Appalachian Jubilee - is sure to set toes a-tappin'! Bold open fifths underscore first a violin obligato, then the hymntune FOUNDATION. A slightly slower section with relaxed rhythms and inventive harmonies gives way to the feeling of the opening once more, driving the piece to an exciting conclusion. Perfect for a festive moment in worship or as an opener or closer at your next concert!

SKU: BP.HB608

Written for 3 - 5 octave handbell choir. Level 3. This original tune from the pen of Ron Mallory is a lighthearted romp, suitable for concert or worship use. Dedicated to the composer's son, the lilting, syncopated 6/8 imparts a playful attitude to the piece, which is replete with unexpected harmonic divergences that add to the creative, exploratory feeling. Stopped techniques abound, making the piece as fun to play as it is to hear.

SKU: JF.MLAHB1075

UPC: 765844004958.

Czech composer, Antonin Dvorak, is regarded as one of the greatest composers of the nationlist movement. Handbell transcriber, Valerie Stephenson has set dance no. 8 from opus 46 feeling that it lends itself perfectly to the handbell idiom. Performance notes are given to aid the execution of articulations and texture. 149 lively measures.

SKU: BP.HB619

Written for 3 5 octave handbell choir and 3 octaves of handchimes. Level 3. Kerry Johnston's exciting and uplifting original tune is a delightful syncopated frolic, sure to delight ringers and audiences. Driving eighth notes underscore the memorable melody, which takes several unexpected harmonic twists and turns on its way. A more laid-back middle section plays the melody in half time, casting it in a different light, before the opening feeling returns for a rousing conclusion.