SKU: MN.30-610
UPC: 688670306105.
A useful and fun double choir piece for a five octave handbell choir plus a two octave handchime choir, with optional timpani and malleted G3 and D4. After the well known J. S. Bach version from Cantata 79, third movement.
SKU: MN.30-130
Fanfare for the Faithful uses the traditional Adeste Fideles tune as an effective handbell and handchime composition for either worship or festival ringing. The arrangement is easily accessible for ringers in church, school, or community ensembles. An excellent choice for massed ringing. Written for 3-5 Octave Handbells and 3 octave Handchimes.
SKU: MN.30-756
UPC: 688670307560.
Volckmar Leisring’s well-known choral composition for double choir entitled “Ye Sons and Daughters of the King†is arranged here for organ and handbells.
SKU: MN.30-706
UPC: 688670307065.
This spirited composition on the traditional American melody The Promised Land can be used as a good teaching tool as it employs multiple ringing techniques (TD, Pl or mallets, LV, martellato and shakes). The beginning forte section, written in a minor key, is a lively contrast to the slower middle section in a major key, using bells, chimes and later adding mallets. The piece climaxes to an exciting conclusion with ponderous minor chords. Written for 3-5 Octave Handbells, with opt. 3 Octave Handchimes.
SKU: MN.30-851
UPC: 688670308512.
Repentance, an original composition for 2-3 octaves handbells, takes the listener from a sorrowful opening in C Minor to a final resolution in C Major, symbolizing the journey from confession to forgiveness. The use of optional handchimes contributes to the meditative quality of this piece.
SKU: MN.30-118
UPC: 688670301186.
Paul Manz's improvisation of W ZLOBIE LEZY transcribed for handbells. Usable and beautiful material for worship service use. 3 octaves (22 bells)-4 octaves (27 bells)-5 octaves(33 bells).
SKU: MN.30-823
UPC: 688670308239.
William Payn is recognized as one of the finest contemporary composers of handbell music. This is a classic William Payn piece and will be a welcomed addition to the handbell repertoire. The piece begins with a brisk eighth note pattern in both treble and bass bells and is followed by the introduction of a theme presented in the bass bells. The theme is developed and moves through three key changes before giving way to a peaceful middle section. Both themes are combined in the finale. A challenging piece well worth the work. For church or concert use. 5 octaves (58 bells).
SKU: MN.30-165
UPC: 688670301650.
This could function as an easy double-choir piece for a four-octave handbell choir AND a three octave handchime choir. The piece, often called How Great Our Joy (hymn tune ECHO CAROL or JÃÅNGST), uses the two choirs to echo back and forth, or it can be played with one bell choir using 4 octaves of bells and 3 octaves of handchimes.
SKU: MN.30-602
UPC: 688670306020.
An energetic original composition by one of the most widely respected composers of handbell music. The piece features minimal bell changes and is flexible enough to use with various numbers of ringers.
SKU: MN.30-707
UPC: 688670307072.
Based on the hymn tune ST. DENIO, this piece lives up to its title in terms of excitement and festivity. Textural variety, varied handbell techniques and a grand ending insure that your ringers and listeners will enjoy this music.
SKU: MN.30-800
UPC: 688670308000.
Introduction, Chorale, Prelude, Passacaglia, Hymn, Finale. Stirring setting challenges ringers. Various sections may also be played independently. Rewarding. Premiered by Handbell Ringers Japan! Three octaves (34 bells)4 octaves (42 bells).
SKU: MN.30-833
UPC: 688670308338.
The handbell setting of Mozarts Gloria from the 12th Mass incorporates both the SATB anthem material and the instrumental accompaniment. Ringers need to differentiate between notes that are part of the melodic choral material and notes that are part of accompaniment passages and interludes. Mozarts ornamentation has been written out for ease of interpretation and performance. Careful damping in scale passages is important, but broken-chord accompaniment passages may be treated as LV passages. 3, 4, 5, or 6 octaves.
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