SKU: BP.HB640
Written for 5 to 7 octave handbell choir and optional 3 octaves of handchimes. Level 4. Propulsive eighth notes underscore a primal melody of moving parallel fourths before passing on to a beautiful melody on handchimes. A short chromatic interlude then gives way to a setting of the first theme accompanied by triplet eighth notes before returning to the opening feel and a triumphal conclusion. A fantastic choice for any time you want to add a bit of mystery and intrigue to your concert or church service.
SKU: BP.HB570
Written for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 3. Patrick Meyer makes his debut in the Beckenhorst catalog with this upbeat and bouncy original work, suitable for worship or concert use. Set in a lilting six-eight time, the melody moves throughout the ensemble, giving all ringers the chance to shine. The middle section introduces a countermelody in the high treble bells, giving ensembles a chance to work on the balance of parts and musicality. The closing verse returns to the original key for its celebratory conclusion.
SKU: BP.HB653
Arranged for 3 to 6 octave handbell choir and 3 to 4 octaves of handchimes. Level 3. This stunning arrangement from Matthew Compton combines the tunes IDUMEA and KEDRON into a truly magnificent work. Frantic rising eighth notes scales open the piece, propelling it toward a more sedate, reflective middle section. The opening motif returns to drive the piece to its exciting conclusion. This selection is not to be missed!
SKU: BP.HB746
Written for 4 to 7 octave handbell choir. Level 3+.From the pen of the talented Sandra Eithun comes this engaging setting of the hymntune MELITA. A haunting, slightly dissonant opening gives way to a verse of the tune underpinned by a slightly unsettled malleted accompaniment. Further verses of the tune explore different moods and emotions before a return to the feeling of the opening. A worthy choice for the ensemble wanting something a little different.
SKU: BP.HB749
Written for 3 to 6 octave handbell choir. Level 4-.Sandra Eithun's masterful setting of VENI EMMANUEL is a perfect choice for the advanced ensemble looking to highlight their expressive playing. An opening replete with haunting harmonies and delicate scoring gives way to an upbeat, almost dance-like setting of the tune accompanied by an optional tambourine, before returning to a more emotional and expressive feeling once more. A dramatic tour-de-force that's not to be missed!
SKU: JF.MLAHB1056
UPC: 765844004699.
This original composition was commissioned by a bell ensemble and consists of two quartets with optional piccolo or flute and percussion. The sections carry the character markings of Forcefully, Flowing, Chant-like, Legato, choral-like, Bright Jig and then a return to Tempo I. 119 measures in length.
SKU: LO.30-1952L
UPC: 000308096514.
Set in a festive Baroque style, the anthem is a refreshing presentation of the angelic proclamation of Christ's birth. The contrasting middle section is a chorale-like setting of the text Peace on earth, good will from heaven before returning to the opening melody.
SKU: BP.HB543
UPC: 748769305430.
For 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Rated level 4. Ron Mallory's original piece works well not just in concert, but also as a non-traditional choice for Easter Sunday service, or any other celebratory time during the church year. A driving, syncopated melody -- at first lightly accompanied, then propelled by malleted bells -- gives way to a gentler, reflective middle section with a melody on chimes. The initial idea returns at the end to bring the piece to a final, triumphant conclusion. A fun piece both to ring and hear!
SKU: HP.2173
UPC: 763628121730.
An original composition A Time For Rejoicing is a song of joy and celebration. A Time For Rejoicing is a song of joy and celebration. It begins with a seven-measure introduction of trumpetings followed by the main theme, which is regal in nature with syncopated rhythms which give the music its continual forward impetus. There are contrasting sections in mood and temperament - including a very lyrical passage for optional handchimes in a contrasting key and mood. The main theme returns as the work comes to a triumphal conclusion.
SKU: BP.HB676
Arranged for 3 to 7 octave handbell choir, optional 3 to 5 octaves of handchimes and optional 3 octaves of auxiliary bells. Level 5. The opening of Brian Childers' arrangement of this well-known melody builds slowly in intensity and complexity to the introduction of the tune, which appears in a fantasia-like setting. The accompaniment gives the lilting feeling of being on the sea, and the harmonies keep everyone on their toes. After a playful iteration of the theme, a slower, ethereal section appears with Joy to the World played delicately on optional auxillary bells such as Whitechapels or Silver Melody Bells. The main theme returns in triumphant style at the end for a grand and glorious conclusion!
SKU: BP.HB279
Arranged for 3-5 octave handbell choir. Level 3-. Uses ST. GEORGE'S WINDSOR, KREMSER and NUN DANKET ALLE GOTT. Bold chords give way to ST. GEORGE'S WINDSOR (Come, Ye Thankful People, Come) to open this medley of Thanksgiving tunes. A softer middle section utilizing the tune KREMSER (We Gather Together) gives all ranges a chance to showcase the melody. A final verse, using NUN DANKET (Now Thank We All Our God) returns to the same triumphant feel of the opening. A rousing choice for a Thanksgiving service.
SKU: HP.2907
UPC: 763628129071.
Classic hymn This festive Easter celebration opens with a fanfare and a triumphant statement of the hymn tune, LLANFAIR, commonly paired the the hymn texts, 'Jesus Christ Is Risen Today' and 'Hail the Day that Sees Him Rise.' The middle section gives ringers a unique opportunity for expression through a subdued moment, combining handbells and handchimes with vibrato technique. Momentum returns for a grand restatement of the opening with a herald-like closing reflecting our joy in the risen Savior!.
SKU: BP.HB690
Arranged for 3 to 6 octave handbell choir, optional 3 to 6 octaves of handchimes and optional bodhran and shaker, Level 2+. A driving rhythm, established by malleted bells and optional bodhran and shaker, sets up this haunting tune. The stark harmonic opening gradually becomes more complex before a slower, more ethereal section on chimes sets the tune in a drawn-out 4/4. The opening rhythm returns to propel the piece to its explosive conclusion. A show-stopping choice for your next service or concert!
SKU: BP.HB659
Written for 3 to 5 octave handbell choir and optional 3 to 4 octaves of handchimes. Level 4. Rhythmic, fresh, and joyous describe this original work by Patrick Meyer. Crisp, driving rhythms and frequent syncopations give ample thrust, and the bold, exciting harmonies add interest that provides for something new around every bend. A freely wandering middle section slowly builds in intensity before a return to the opening feel and a forceful and satisfying conclusion. Perfect for the advanced church or community group looking for something showstopping.Please note the recording is the 5 to 7 octave version.
SKU: BP.HB655
Written for 3-4 octave handbell choir and 3 octaves of handchimes. Level 3. This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a section with flowing accompaniment relying heavily on straight eighths set against triplet eighths. A faster section ensues featuring a soaring melody and unexpected harmonic twists before returning to the feeling of the opening. An altered statement of the theme makes a brief appearance before the piece ends as it began. A truly beautiful and very approachable piece from one of today's up-and-coming composers!Please note, the recording is of the 5 -7 octave version.
SKU: BP.HB675
Written for 5 to 7 octave handbell choir and optional 4 to 6 octaves of handchimes. Level 4 . Rhythmic, fresh, and joyous describe this original work by Patrick Meyer. Crisp, driving rhythms and frequent syncopations give ample thrust, and the bold, exciting harmonies add interest that provides for something new around every bend. A freely wandering middle section slowly builds in intensity before a return to the opening feel and a forceful and satisfying conclusion. Perfect for the advanced church or community group looking for something showstopping.
SKU: BP.HB624
Arranged for 3 to 5 octave handbell choir. Level 3-. Lloyd Larson's pairing of God Rest Ye Merry, Gentlemen and Pat-a-Pan is a delight to listen to or play. Driving malleted rhythms underpin the melody until a brief echo section which gives way to the malleted rhythms once more. A key change introduces the Pat-a-Pan melody before a return to the original key brings the piece in to its exciting conclusion. A must-have for this Christmas season!
SKU: BP.HB668
Arranged for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 2-. This quiet, reflective arrangement by Patricia Hurlbutt is ideal for any calm, meditative moment in worship. A simple delicate opening underscored with haunting chords gives way to a verse with the melody on bass chimes overtopped with delicate treble bell chords. An unexpected key change adds intensity and a sense of urgency before returning to the opening key and fading prayerfully away.
SKU: HP.2928
UPC: 763628129286.
Holiday Classic A joyous bell peal leads to the first iteration of the theme before moving into a more flowing verse accompanied by delicate mallets on treble handbells. An optional dark and dissonant verse (which portrays one of the lesser-known stanzas of the Longfellow poem) gives way to a verse in minor before a triumphant return to major to depict the lyrics, Then pealed the bells more loud and deep/God is not dead, nor doth he sleep... An exciting and beautiful addition to your holiday worship or concert.
SKU: HL.35021059
UPC: 747510029045. 8.5x11.0x0.039 inches.
6/8 time,energy, and major-minor melody are all a part of this original composition for 3, 4 or 5 octaves. Cluster chords, resembling bell tower tolls introduce the work and are used throughout. After a happy, major key section the parallel minor key is invoked for a passage of malleting bells on tables. A peaceful section ensues before returning to Tempo I.
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