SKU: BP.HB777
UPC: 748769307779. 8.5 x 11 inches.
Fanfare and Intrada is a bold and original 3-5 octave handbell composition by Jason W. Krug. The piece opens with a grand fanfare, with the bells ringing out in triumphant bursts of sound that build in intensity. A more reflective middle section offers a respite before the return of the driving rhythm of the opening. This exciting original is not to be missed!
SKU: BP.HB620
Written for 3 -5 octave handbell choir or 3-5 octaves of handchimes. Level 2+. This beautiful original tune, written in honor of the composer's brother, is a perfect choice for a moment of quiet introspection. The haunting melody, underscored by lush harmonies, gives a feeling of calm and depth with a subtle hint of motion. A more chromatic, harmonically-diverse section provides a nice aural diversion midway through before the piece returns to the feeling of the opening. A fantastic choice for the group looking to work on it is musicality.
SKU: LO.20-2069L
ISBN 9780787763114.
This exciting original work is perfect for festivals, concert, and worship. The upbeat and rhythmic opening section is followed by a lyrical and expressive middle section, and ends with a return of the opening material. Techniques include malleting, shakes, and martellato. A guaranteed favorite for ringers and audiences alike!
SKU: BP.HB674
Written for 3 to 5 octave handbell choir and 3 octave of handchimes. Level 3. Lee Afdhal's original work begins with a somber feeling of tension which gives way to a mournful melody of yearning. The middle section drives the piece forward before the return of the opening material, which now has a more hopeful feeling than before. A contrasting coda brings the piece around to a prayerful conclusion.
SKU: BP.HB553
For 3 to 5 octave handbell choir and optional 3 to 5 octaves of handchimes. Rated 3-. A haunting opening featuring singing bell, handchimes, and malleted bells gives way to a flowing set of verses of the hymn tune Union Seminary. Numerous key changes provide varying commentary on the tune, and delicate use of handchimes allow both the melody and counter-melodies to shine through. The piece grows in grandeur and expression before returning to the feeling of the beginning once more. UNION SEMINARY, which this arrangement is based on, is by Harold Friedell.
SKU: BP.HB656
Written for 4 to 7 octave handbell choir. Level 5. Karen Lakey Buckwalter's masterful original composition is infused with lush, chromatic chords throughout. A yearning and haunting melody passes on to moving eighth note triplet arpeggios which propel the piece forward. The original melody then returns in a more complex and fleshed-out form, before more triplets once more push the piece ahead. A final section marked With Fire! drives the piece to its final, resounding conclusion. A true tour de force suitable for any ensemble looking for a musical challenge.
SKU: HP.2269
UPC: 763628122690.
An original composition This original composition, subtitled Song of Victory, captures a joyous mood from the opening dotted rhythm and continues to build in energy up to a middle section, which introduces a more melodic and flowing feel. The fanfare returns for a marvelous ending, making this an ideal celebratory piece for worship services or concerts.
SKU: MN.30-915
UPC: 688670309151. Scripture: Psalms 145.
Full sounding piece using bell peal type pattern throughout. Fast, exciting beginning with shakes, plucking, and idiomatic LV contrasts slower middle section of lush harmonies and optional use of mallets on suspended bells. Beginning theme returns and builds to big finish. Two to six octaves (23, 34, 44, 49, 53 bells).
SKU: LO.20-1950L
ISBN 9780787754648.
Perfect for any worship service, this hymn of praise received an upbeat and energetic treatment by Terry Osman. The syncopated introduction returns as a transition between each statement of the hymn tune, and all ringers get to share in the melodic material!
SKU: BP.HB641
Arranged for 3 to 5 octave handbell choir. Level 3 . Fun and energetic are the perfect words to describe this upbeat arrangement from Karen Lakey Buckwalter. With a forceful malleted bass - set in a 3 3 2 rhythm - the beloved melody gets cast in a new and exciting light before a slower iteration comes in, set to interesting, intricate, and unexpected harmonies. The rhythmic feel of the opening returns to close out the piece in grand fashion. Be sure to add this to your next concert or worship service!
SKU: BP.HB690
Arranged for 3 to 6 octave handbell choir, optional 3 to 6 octaves of handchimes and optional bodhran and shaker, Level 2+. A driving rhythm, established by malleted bells and optional bodhran and shaker, sets up this haunting tune. The stark harmonic opening gradually becomes more complex before a slower, more ethereal section on chimes sets the tune in a drawn-out 4/4. The opening rhythm returns to propel the piece to its explosive conclusion. A show-stopping choice for your next service or concert!
SKU: BP.HB634
Arranged for 3 -6 octave handbell choir and optional 3 - 4 octaves of handchimes. Level 2+. This arrangement of two different hymntunes associated with the same text moves through various moods and textures, giving each part of the ensemble the chance to shine. From an opening on suspended bells and handchimes, the tune DOMINUS REGIT ME is set over a simple eighth note accompaniment with occasional unexpected harmonies before the ST. COLUMBA tune is introduced with a countermelody in the bass. A final triumphant verse with bold, sometimes chromatic harmonies, rounds out the piece before returning to the gentle feeling of the opening. A perfect choice for worship throughout the church year.
SKU: BP.HB668
Arranged for 3 to 5 octave handbell choir and optional 3 octaves of handchimes. Level 2-. This quiet, reflective arrangement by Patricia Hurlbutt is ideal for any calm, meditative moment in worship. A simple delicate opening underscored with haunting chords gives way to a verse with the melody on bass chimes overtopped with delicate treble bell chords. An unexpected key change adds intensity and a sense of urgency before returning to the opening key and fading prayerfully away.
SKU: HP.2411
UPC: 763628124113.
Original Composition This festive, original composition from Hart Morris is a celebrative piece that makes extensive use of mart-lift and mallets throughout. Though the middle section calms somewhat, the tempo does not change as the more mellow sounds of handchimes enter, surrounded by brief mallet and thumb damp passages. This segment ends with a return of the opening theme (in a different key), played in one clef, answered in the other, building to a big finish.
SKU: BP.HB512
UPC: 748769305126.
An original composition by Michael Helman. 3-5 octave handbell choir with optional 3-5 octaves of handchimes. Level 3. Full of syncopation and energy, this original composition is destined to be a hit with ringers and audiences alike. A slower, flowing middle section allows ringers a chance to showcase their musicality, before the original theme and feel return for a final drive to the finish. Appropriate for church or concert at any time of year, this selection would make a particularly good choice for worship during Eastertide.
SKU: BP.HB655
Written for 3-4 octave handbell choir and 3 octaves of handchimes. Level 3. This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a section with flowing accompaniment relying heavily on straight eighths set against triplet eighths. A faster section ensues featuring a soaring melody and unexpected harmonic twists before returning to the feeling of the opening. An altered statement of the theme makes a brief appearance before the piece ends as it began. A truly beautiful and very approachable piece from one of today's up-and-coming composers!Please note, the recording is of the 5 -7 octave version.
SKU: BP.HB534
Arranged for 3 to 5 octave handbell choir, optional 2 octaves of handchimes, optional piano and optional flute or English horn. Level 2. THE FIRST NOEL. This sweet, heartwarming work makes a perfect addition to any Advent or Christmas service, especially on Christmas Eve. An original tune gives way to a grandiose statement of The First Noel before returning to the opening theme once again. The optional flute or English horn add interesting countermelodies, most notably snippets of Silent Night that interweave with the handbell tune. An optional piano part is also available to further augment the sonorities.
SKU: BP.HB543
UPC: 748769305430.
For 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Rated level 4. Ron Mallory's original piece works well not just in concert, but also as a non-traditional choice for Easter Sunday service, or any other celebratory time during the church year. A driving, syncopated melody -- at first lightly accompanied, then propelled by malleted bells -- gives way to a gentler, reflective middle section with a melody on chimes. The initial idea returns at the end to bring the piece to a final, triumphant conclusion. A fun piece both to ring and hear!
SKU: BP.HB653
Arranged for 3 to 6 octave handbell choir and 3 to 4 octaves of handchimes. Level 3. This stunning arrangement from Matthew Compton combines the tunes IDUMEA and KEDRON into a truly magnificent work. Frantic rising eighth notes scales open the piece, propelling it toward a more sedate, reflective middle section. The opening motif returns to drive the piece to its exciting conclusion. This selection is not to be missed!
SKU: HP.2347
UPC: 763628123475. Psalms 28:2, Psalms 41:4, Psalms 51:1, Psalms 86:3, Psalms 95:6, Psalms 138:2, Luke 22:14-20, Acts 2:42, 1 Corinthians 11:26-28.
Traditional Spiritual This arrangement of the traditional spiritual begins with the optional handchimes playing quietly, as befits a communion hymn. The second stanza on handbells has more movement, leading to the triumphant third stanza, Let us praise God together . . . Following this, the piece settles back into a peaceful ending with a return to the handchimes, accompanied by suspended malleted bells.
SKU: BP.HB606
Written for 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Level 4. A haunting, lyrical section opens this original tune from Brenda Austin before giving way to an energetic and driving motif which once more returns to the lyricism of the opening. Though scored entirely in five-four time, the middle section is conducted in an uneven four, giving ringers the chance to practice asymmetric meters. A great choice for advanced choirs in either worship or concert.
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