SKU: UT.LB-4
ISBN 9788881094479. 6.5 x 9.5 inches.
â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.However, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven ProvinÂces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..
SKU: CA.1630200
ISBN 9790007099695. Language: all languages.
The viola solo courbe 2 is based on an excerpt from the viola part in the Trio for flute, viola and harp << courbes >> - sequences. In the densest time curve of this piece the viola plays the leading role for a span of almost three minutes. This material is taken from the Trio, presented and divided into separate parts. courbe 2 is three times longer in duration than the Trio excerpt from which it is derived. The musical text of the individual fragments remains as it is in the original, but, pulsating, demarcated in seconds. Fissures emerge between the fragments, windows open: - to harmonic fields, central sounds, taken over from the reverberations, from which new tone material is derived; the fields in turn are distorted and spacialised by the electronics - to metrical structures and pulses freed from the individual motives of the original musical text, which forms new variants in interaction with these fields. Thus in courbe 2 which, as already indicated, is three times longer in duration than the original, three musical levels are interpenetrated, whereby all three are derived from one tone, which plays an absolutely central role in most of my works. It is a reference to the French writer Anne-Marie Albiach (and to her great text << H II >> lineaires), and it remains as the only tone at the end of the piece, definitively, determining everything, b = 247 Hertz. Walter Feldmann.
SKU: HL.121110
ISBN 9780936661339. UPC: 669619661332. 8.5x11.0x0.042 inches.
Wondrous Love is a modal hymn from the shape note (also called Sacred Harp) singing popular in churches of Colonial New England. Sylvia's arragement includes three variations and is for advanced beginners and intermediate harp players. 3 pages, with fingerings and no lever changes in a C tuning. Playable on lever harps and pedal harps.
SKU: OU.9780193588769
ISBN 9780193588769. 12 x 8 inches.
For oboe, clarinet, viola, harp The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarinet, and viola, the third and fourth movements are formal and chorale-like whilst, the last is a sprightly, rather quirky march.
SKU: OU.9780193588790
ISBN 9780193588790. 12 x 8 inches.
For oboe and harp The piece is a suite of six contrasting miniatures built around fragments of melodies which are repeated, each time with subtle variations. Particularly striking is the simple, folk-like melody of the fifth movement and the dissonant, almost grotesque march that precedes it.
SKU: UT.MAG-290
ISBN 9790215328310. 9 x 12 inches.
SKU: HL.48186683
UPC: 888680885847. 9.0x12.0x0.105 inches.
1.Induline; 2.Chrysaniline; 3.Smaragdine; 4.Zinzoline; 5.Alizarine.
SKU: UT.LB-3
ISBN 9788881094462. 6.5 x 9.5 inches.
«Sono stata un?arpista attiva per mezzo secolo. Come tutti i miei colleghi, ho dovuto affrontare le difficoltà create dalla leggenda che l?arpa non abbia né musica, né storia. Fortunatamente, nel corso della mia carriera, ho potuto constatare che questa diceria è infondata e ho cercato di mettere in risalto almeno una piccola parte dell?immenso repertorio antico e moderno di questo strumento considerato un Paria della musica.Il lavoro è stato piano e diretto per i libri che ho scritto sulla musica d?arpa italiana e svizzera, perché basato su precisi titoli e frontespizi; la ricerca sarebbe stata ugualmente scorrevole per i libri che non scriverò sulla musica d?arpa francese, tedesca, austriaca, britannica, boema, spagnola, portoghese e scandinava.Per la musica olandese il cammino è un po? diverso: i pittori, i trattatisti e gli storici sono i testimoni e le guide che aiutano a ritrovare gli usi e i costumi musicali nei quali l?arpa aveva una parte importante.Il concertista in cerca di pezzi potrà utilizzare così questo libro: dopo i trattati (capitolo II), i dipinti (capitolo III), la storia e la cronaca (capitoli IV-VII), autori e musiche (capitoli VIII e IX), biblioteche ed editori (capitoli X e XI), arriverà all?indice secondo le formazioni strumentali (capitolo XII).Potrà cominciare dal cercare, in quest?ultimo capitolo, gli Autori adatti al suo gruppo e al suo programma; ritroverà i relativi dettagli nei capitoli VIII e IX; otterrà i pezzi seguendo le indicazioni dei capitoli X, XI e XII; e buona caccia, buono studio, buone prove!Nel cercare di stabilire che cosa sia olandese o non-olandese nella musica antica è stata seguita l?abitudine corrente di considerare patrimonio comune dei Paesi Bassi l?arte e la storia anteriori alla separazione delle "Sette Province" nel secolo XVI; e specificamente olandese tutto ciò che accadde in quei coraggiosi territori da allora in poi.»
SKU: HF.FH-1063
ISBN 9790203410638. 8.3 x 11.7 inches.
Notenbeispiele aus: 1. Orfeo (Monteverdi); 2. Kantate (Zachow); 3. Julius Caesar (Handel); 4. Orpheus (Gluck); 5. Die Geschopfe des Prometheus (Beethoven); 6. Die weisse Dame (Boieldieu); 7. Der Nordstern (Meyerbeer); 8. Otello (Rossini); 9. Don Pasquale (Donizetti); 10. Norma (Bellini); 11. Wenn ich Konig war (Adam); 12. Fausts Verdammnis (Berlioz); 13. Symphonie phantastique (Berlioz); 14. Aufforderung zum Tanz (Berlioz); 15. Jota aragonesa (Glinka); 16. Athalia (Mendelssohn-Bartholdy); 17. Die lustigen Weiber von Windsor (Nicolai); 18. Das Paradies und die Peri (Schumann); 19. Des Sangers Fluch (Schumann); 20. Szenen aus Faus (Schumann); 21. Orpheus (Liszt); 22. Die Legende von der heiligen Elisabeth (Liszt); 23. Des Preludes (Liszt); 24. Dante-Symphonie (Liszt); 25. Mignon (Thomas); 26. Martha (Flotow); 27. Rienzi, der Letzte der Tribunen (Wagner); 28. Der fliegende Hollander (Wagner); 29. Tannhauser oder Der Sangerkrieg auf Wartburg (Wagner); 30. Lohengrin (Wagner); 31. Tristan und Isolde (Wagner); 32. Das Rheingold (Wagner); 33. Die Walkure (Wagner); 34. Siegfried (Wagner); 35. Gotterdammerung (Wagner); 36. Ein Maskenball (Verdi); 37. Stabat mater (Verdi); 38. Der Troubadour (Verdi); 39. Aida (Verdi); 40. Die Macht des Schicksals (Verdi); 41. Don Carlos (Verdi); 42. Margarethe (Gounod); 43. Ballettmusik (Gounod); 44. Hoffmanns Erzahlungen (Offenbach); 45. Symphonie Nr. I (Franck); 46. Namouna (Lalo); 47. Vysehrad (Smetana); 48. Symphonie Nr. VIII (Bruckner); 49. An der schonen blauen Donau (Strauss); 50. Fruhlingsstimmen-Walzer (Strauss); 51. Kaiserwalzer (Strauss); 52. Gesange fur Frauenchor (Brahms); 53. Ein deutsches Requiem (Brahms); 54. Nanie (Brahms); 55. Furst Igor (Borodin); 56. Coppelia-Suite (Delibes); 57. L'Arlesienne-Suite I (Bizet); 58. Carmen (Bizet); 59. L'Arlesienne-Suite II (Bizet); 60. Die Perlenfischer (Bizet); 61. Schwanensee (Tschaikowski); 62. Nussknacker-Suite (Tschaikowski); 63. Dornroschen (Tschaikowski); 64. Manfred-Symphonie (Tschaikowski); 65. Eugen Onegin (Tschaikowski); 66. Espana (Chabrier); 67. Boris Godunow (Mussorgski / Rimski-Korssakow); 68. Sonnenwendnacht (Rimski-Korssakow); 69. Russische Ostern (Rimski-Korssakow); 70. Mlada (Rimski-Korssakow); 71. Scheherezade (Rimski-Korssakow); 72. Zar Saltan (Rimski-Korssakow).
SKU: BT.DMP116013
SKU: CU.EC7233
SKU: PR.574004610
UPC: 680160398065.
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