SKU: CF.H82
ISBN 9781491160183. UPC: 680160918782.
Maurice Ravel's Mother Goose is arguably one of the most well-known and well-loved of Ravel's works. Whether one encounters it first in its original iteration for piano, four hands, or in the sweeping orchestra transcription, Mother Goose leaves an impression that isn't soon forgotten. The pieces are short, simple, and descriptive, but are nonetheless ravishing, and beautifully showcase Ravel’s genius and compositional skills. Now for the first time, the entire work has been transcribed for solo harp by harpist Carl Swanson. Each of the original five movements has been carefully edited, making the pieces playable on solo harp, while keeping the spirit that Ravel intended. Here is a valuable addition to the harp repertoire by one of the greatest composers of the twentieth century, Maurice Ravel.
SKU: MB.95472
ISBN 9780786604951. UPC: 796279025461. 8.75 x 11.75 inches.
The book, musician, entertainer, teacher, and recording artist Carol Stober provides melody lines, lyrics, chord symbols, and melody tablature for 35 tunes she learned in Appalachia. The stories woven through the music portray a mixture of life situations that were ever-present in the difficult struggle for survival of our ancestors. The lyrics of many of these songs, although sometimes harsh, give insight into the values of the Appalachian people. The autoharp tablature provides detailed indications for different types of thumb and finger strokes, plucking, and string pinching.
SKU: PR.114418920
ISBN 9781491114575. UPC: 680160669158. 9 x 12 inches.
Volume 3 in Gary Schocker’s treasure-trove of carols, this collection includes many beautiful lesser-known carols, along with familiar favorites heard in a new way — sure to engage harpists, and audiences as well.
SKU: UT.HS-284
ISBN 9790215326460. 9 x 12 inches.
Melodia for Solo Harp/ Alleluja Modo II - Wachet auf for Harp and OrganThis publication gathers together in these three pieces the only compositions by Santucci devoted to the harp, both as a solo instrument and in dialogue with the organ, his favourite instrument.The little Melodia per arpa, a simple piece having an apparently didactic purpose, does not show the date of composition but, judging by the handwriting of the manuscript, it probably dates back to the period between 1980 and 1990. No other information has reached us as to why the piece was composed.The two pieces Alleluja Modo II and Wachet auf, both dated 20 March 1993, composed for the unusual duo of harp and organ, are dedicated to Anna Maria Restani, first harp in the orchestra of the Teatro Comunale of Bologna from 1965 to 2002, and to her son Wladimir Matesic, organist and now teacher at the Conservatoire in Trieste. Gregorian chant is the protagonist of the first piece, evoking a Gothic and rarefied atmosphere. The second is instead a blatant tribute to Johann Sebastian Bach (right from the first bars the reference to Prelude no. 1 of the Well-Tempered Clavier is clear), through one of his most famous chorales (Wachet auf, ruft uns die stimme), also used by Santucci for numerous other compositions, including Il corteo dei Magi [for trumpet, organ, orchestra and choir, 1986, ms.], still performed in the Christmas concerts in Bologna. (Giuseppe Monari).
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