SKU: BT.ALHE32022

French.

As a student of famous harpist Lily Laskine, Denise Mégevand (1917-2004) received high quality musical education and was significantly instrumental in the revival of the Celtic Harp. She compiled numerous, prolific books for theinstrument, Play and Learn the Celtic Harp being no exception. The Celtic Harp characteristically has metal strings, and is notoriously challenging to play. However, Mégevand's Play and Learn the Celtic Harp provides excellentand clear instruction to progression on the instrument. The book addresses general principles of the Celtic Harp, intervals, arpeggios, chords and scales, as well as including 13 pieces. For all aspiring players of the CelticHarp, Mégevand's Play and Learn the Celtic Harp provides excellent insight and instruction for beginners.

SKU: UT.MAG-265

ISBN 9790215326422. 9 x 12 inches.

Posse’s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.