SKU: HL.50605490
ISBN 9781705190548. UPC: 196288126577.
Come un meccanismo di precisione (like a precision machine) - as Gyorgy Ligeti wrote above one of his works. The two harp pieces by Gergely Vajda (*1973) also approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. Contents: 1. Idle Time 2. Minute Machinery.
SKU: SU.50024460
Copyright 1977. Published by: Seesaw Music.
SKU: HL.48181025
UPC: 888680878580. 9x12 inches.
From 6 Pièces – Suite No. 1
SKU: UT.MAG-160
ISBN 9790215309814. 8.26 x 11.69 inches. Transcribed by Robert Nicolas Charles Bochsa.
Tempesta; Il vecchiotto cerca moglie; Freddo ed immobile come una statua; Di sà felice innesto
SKU: UT.MAG-254
ISBN 9790215323421. 9 x 12 inches.
SKU: HL.14041121
9.0x12.0x0.183 inches. French.
1.Condé - Presque rien, des Nuages?; 2.Andrès - Danse sorcière; 3.Silvestrini - L'Eau qui dort; 4.Bosseur - Quarante quatre; 5.Hakim - Jeu (for harp solo).
SKU: UT.MAG-270
ISBN 9790215326811. 9 x 12 inches.
SKU: LM.JJ10074
ISBN 9790230810074.
SKU: LM.29642
ISBN 9790230996426. 9 x 12 inches. Francais.
Instrumental Music.
SKU: HF.FH-2071
ISBN 9790203420712. 9 x 12 inches.
SKU: FG.55011-885-0
Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.This product is the solo part.The orchestral material is available for hire from the publisher.Duration: 19'Instrumentation:Harp solo – equipped with paint brush, tuning key and a plastic hair clip2 Flutes (2nd doubling piccolo)2 Oboes2 Clarinets in Bb2 Bassoons2 Horns in F2 Trumpets in C – trumpets and trombone doubling an egg slicerBass trombone attached to a piece of wood or a flat cardboard boxPercussion (2 players)Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushesPercussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stickPiano – equipped with a plectrum, wire brushes and 2 soft percussion beatersStrings.
SKU: HL.50606509
ISBN 9781705190722. UPC: 196288126850.
The two harp pieces by Gergely VAJDA (*1973) approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to the Ars Nova Ensemble and Collegium21, respectively. Contents: 1. Idle Time 2. Minute Machinery.
SKU: UT.MAG-102
ISBN 9790215306820. 8.26 x 11.69 inches.
SKU: FG.55011-820-1
ISBN 9790550118201.
Lotta Wennäkoski composed her harp concerto Sigla in 2022. In Segla (2022) for solo harp the concerto’s material is reorganized and developed further. The title means “to sail in Swedish. At the times, the music gently sways on the waves – one might hear some spindrifts as well.Duration: 4'. This product is a B4 sized folder with loose pages.Segla was written for the Royal Academy of Music as a part of the bicentenary project. Premiere by Huw Boucher 17th November 2022, Royal Academy of Music, London.
SKU: UT.HS-284
ISBN 9790215326460. 9 x 12 inches.
Melodia for Solo Harp/ Alleluja Modo II - Wachet auf for Harp and OrganThis publication gathers together in these three pieces the only compositions by Santucci devoted to the harp, both as a solo instrument and in dialogue with the organ, his favourite instrument.The little Melodia per arpa, a simple piece having an apparently didactic purpose, does not show the date of composition but, judging by the handwriting of the manuscript, it probably dates back to the period between 1980 and 1990. No other information has reached us as to why the piece was composed.The two pieces Alleluja Modo II and Wachet auf, both dated 20 March 1993, composed for the unusual duo of harp and organ, are dedicated to Anna Maria Restani, first harp in the orchestra of the Teatro Comunale of Bologna from 1965 to 2002, and to her son Wladimir Matesic, organist and now teacher at the Conservatoire in Trieste. Gregorian chant is the protagonist of the first piece, evoking a Gothic and rarefied atmosphere. The second is instead a blatant tribute to Johann Sebastian Bach (right from the first bars the reference to Prelude no. 1 of the Well-Tempered Clavier is clear), through one of his most famous chorales (Wachet auf, ruft uns die stimme), also used by Santucci for numerous other compositions, including Il corteo dei Magi [for trumpet, organ, orchestra and choir, 1986, ms.], still performed in the Christmas concerts in Bologna. (Giuseppe Monari).
SKU: FG.55011-912-3
ISBN 9790550119123.
Luonnonjumala (God of Nature) is Tauno Marttinen’s adaption for harp of his piano suite Taara op. 34. The manuscript for harp was found in January 2024 by Rauno Marttinen, composer’s son.Duration: c. 15’Movements:1. Virran ääniä | The Voices of the Stream2. Luonnonjumalan lähde | The Spring of God of Nature3. Metsässä tuulee |The Wind Blows through the ForestTauno Marttinen (1912–2008) studied in Viipuri and later in Helsinki at the Helsinki Conservatoire. His piano teachers were Ilmari Hannikainen and Selim Palmgren, but he soon became increasingly interested in composing. Marttinen was also the conductor of the Hämeenlinna City Orchestra in 1949−1958 and the founder and principal of the Hämeenlinna Music Institute.Marttinen started his composing career in late Romantic vein. However, his first concerts in the 1940s met with criticism since the winds of Modernism had already landed in Finland. He then became interested in Dodecaphony and studied under Vladimir Vogel in Ascona but later abandoned strict dodecaphony and found his own, personal style incorporating elements from Neo-classicism and free-tonality with a hint of mysticism – he was called the Shaman of Hämeenlinna (his hometown).Tauno Marttinen was an incredibly productive composer; he wrote around four hundred works with opus numbers as well as a wealth of other pieces. His oeuvre includes 10 symphonies, concertos for various solo instruments, operas as well as vocal, chamber and instrumental works. Many of Marttinen’s pieces have become popular standard repertoire, such as the piano piece Kimalluksia (Gleams).
SKU: HL.48188652
UPC: 888680883928. 9.5x12.5x0.026 inches.
3 Pieces (for harp without pedal).
SKU: HL.14007563
ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.
Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .
SKU: BT.DHP-1226329-401
ISBN 9789043164634. English-German-French-Dutch.
SKU: BT.DV-12217
SKU: HL.50495500
PER ARPA.
SKU: CA.1630200
ISBN 9790007099695. Language: all languages.
The viola solo courbe 2 is based on an excerpt from the viola part in the Trio for flute, viola and harp << courbes >> - sequences. In the densest time curve of this piece the viola plays the leading role for a span of almost three minutes. This material is taken from the Trio, presented and divided into separate parts. courbe 2 is three times longer in duration than the Trio excerpt from which it is derived. The musical text of the individual fragments remains as it is in the original, but, pulsating, demarcated in seconds. Fissures emerge between the fragments, windows open: - to harmonic fields, central sounds, taken over from the reverberations, from which new tone material is derived; the fields in turn are distorted and spacialised by the electronics - to metrical structures and pulses freed from the individual motives of the original musical text, which forms new variants in interaction with these fields. Thus in courbe 2 which, as already indicated, is three times longer in duration than the original, three musical levels are interpenetrated, whereby all three are derived from one tone, which plays an absolutely central role in most of my works. It is a reference to the French writer Anne-Marie Albiach (and to her great text << H II >> lineaires), and it remains as the only tone at the end of the piece, definitively, determining everything, b = 247 Hertz. Walter Feldmann.
SKU: HL.50581959
UPC: 888680032760. 10.75x13.75x0.021 inches.
SKU: BT.DV-12040
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