SKU: HL.48184010
UPC: 888680852795. 0.042 inches.
Annie Challan: Danse de l'Eventail et du Parapluie (Harp solo).
SKU: HL.48186694
UPC: 888680886059. 9.0x12.0x0.104 inches.
Bernard Andres: Contes vagues (Harp solo).
SKU: HL.48186711
UPC: 888680886400. 9.0x12.0x0.061 inches.
Bernard Andrès: Tanka (Harp solo).
SKU: HL.48186708
UPC: 888680886318. 9.0x12.0x0.094 inches.
Bernard Andres: Preludes Vol.1: No.1 - No.5 (Harp Solo).
SKU: HL.48183449
UPC: 888680865559. 9x12 inches.
Annie Desangles: Souvenir à Montcalm (Harp solo).
SKU: HL.48183498
UPC: 888680948177. 9x12 inches.
Eugène Bozza: Improvisation sur le Nom de Marcel Tournier (Harp solo).
SKU: HL.48184847
UPC: 888680796471. 8x12.25 inches.
Eugène Bozza: Rondino et Menuet (Harp solo).
SKU: HL.48187774
UPC: 888680872960. 9.25x12.25x0.03 inches.
Albert Périlhou: Chanson de Guillot Martin (Harp solo).
SKU: HL.48184012
UPC: 888680852849. 9x12 inches.
Annie Challan: Romance pour Cendrillon (Harp solo).
SKU: HL.48183772
UPC: 888680859626. 9.0x12.0x0.045 inches.
Perig Herbert: An Dorgenn (Harp solo).
SKU: HL.48184868
UPC: 888680796884. 9.0x12.25x0.059 inches.
Peteris Plakidis: Meditation (Harp solo).
SKU: HL.48184050
UPC: 888680853075. 9x12 inches.
Johann Sebastian Bach: Suite No.1 BWV996 pour le Luth (Harp solo).
SKU: HL.48181679
UPC: 888680848712. 9.5x12.5 inches.
Eugène Bozza: Evocations 'Au Bords du Fleuve sacré' (Harp solo).
SKU: HL.48182697
UPC: 888680870591. 11x14 inches.
Henri Tomasi: Invocation et Danse (Harp solo).
SKU: HL.48184029
UPC: 888680852153. 9x12 inches.
Annie Challan: Grand Huit & Insomnie (Harp solo).
SKU: HL.48186697
UPC: 888680886103. 9.0x12.0x0.072 inches.
Bernard Andrès: Elégie pour la Mort d'un Berger (Harp solo).
SKU: HL.48186686
UPC: 888680885915. 9.0x12.0x0.075 inches.
Bernard Andres: Acalephes (Harp solo).
SKU: HL.48182635
UPC: 888680834517. 10.5x13.5x0.053 inches.
Charles Jay: Divertissement (Harp solo).
SKU: MB.97226M
ISBN 9780786695225. 8.75 x 11.75 inches.
Kim Robertson is one of Americas premier Celtic harp soloists. Her technique and range of expression are extraordinary as illustrated in this book containing the selections from her highly acclaimed CD Treasures of the Celtic Harp. The book contains all of the selections from Kim Robertsons Treasures of the Celtic Harp video except Sailors Hornpipe. Includes access to the online performance video.
SKU: HL.14007563
ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.
Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella. In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .
SKU: UT.MAG-274
ISBN 9790215326859. 9 x 12 inches.
Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner's work intrigues for its extraordinary simplicity, for its regularity and harmony; the ordered balance of the parts, symmetry and sense of proportion are essential elements for the author, and give character and unity to his work. The harp repertoire has long been overshadowed by the keyboard one, which boasts extensive solo and chamber literature, and consolidated for over two centuries. The rediscovery of the history of our instrument, however, is still recent and the research work in the field of harp music is still long.Hinner, with the apparent simplicity of his opus 10, can thus regain his role in the harp repertoire of the eighteenth century, as well as covering a considerable didactic value today. The part of the first harp undoubtedly presents characteristics of greater rhythmic and virtuosic complexity than that of the second, which consists of a continuous accompaniment interspersed with simple thematic imitated episodes. Furthermore in the composition are included arias such as O ma tendre Musette, a French popular melody of the 18th century (previously set to music by Pierre-Alexandre Monsigny), and <>, taken from the opera-comique L'erreur d'un moment ou la Suite de Julie by Nicolas Dezede, as well as themes from Gluck's Iphigenie en Aulide, which had been all used also by Hinner's first harp master, Francesco Petrini (1744-1819).Hinner's opus 10, originally written in separate parts for two harps, or harp and fortepiano, is presented here updated and completed with its score, for a thorough perception of the work.
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