SKU: HL.48182043
1.Hommage a Scarlatti; 2.Bransle de Touraine; 3.Tempo di Gavotta (for harpsichord or piano).
SKU: KU.GM-785
SKU: HL.51481381
UPC: 196288019442. 9.25x12.25x0.16 inches.
Johannes Umbreit (piano reduction); Michael Schneidt (fingering) Two copies needed for performance It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. The outer movements of the second concerto, in E major, probably written around 1738, sparkle with joy, while the expressive melodic lines of the middle movement, the Siciliano in C-sharp minor, transport the listener to the realm of his Passion music. G. Henle Publishers presents this repertoire standard in an Urtext edition with an extensive commentary. The study edition (HN 7381) features the complete orchestral score; the piano reduction (HN 1381) contains the solo part as well as a very playable piano reduction of the score prepared by Johannes Umbreit for practical use.
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SKU: SU.80101495
Suite in Three Movements (2021) for harpsichord was commissioned by Scott Hyslop. The three movements take their inspiration and forms from early models. They combine allusions to common practice harmony with later harmonic and rhythmic elements. The first movement, Concerto, is in a bright, Italianate manner (not without a bit of humor). The animating contrast is between ripieno (ritornello) sections and filigree-driven solo episodes. The second movement, Arioso, is a lyric aria in which the baroque-like principal material is integrated with more varied harmonic excursions. The third movement, Sonata, is a vibrant binary movement in the manner of Domenico Scarlatti.Harpsichord Duration: 13’ Composed: 2021 Published by: Zimbel Press.
SKU: OT.21125
ISBN 9789655051117. 8.27 x 11.69 inches.
The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication. As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument. The piece was composed at the request of Hagai Yodan, who performs it with great skill. Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school. Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.
SKU: M7.SAE-1-05
ISBN 9790707651513.
This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: CA.1700303
ISBN 9790007086787. Key: F major. Language: all languages.
Score available separately - see item CA.1700300.
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