SKU: BT.ALHE31970
French.
The third volume of Couperin's Pieces for Harpsichord does not contain a date of publication, however it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichordcompositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works havepicturesque titles. Examples of this in his third volume of Pieces for Harpsichord include, La Langueur (Languor), Le Petit-Rien (The Little-Nothing) and L'Artiste (The Artist). Couperin's moods are expressed through choices ofkeys, adventurous harmonies and discords. With a significant amount of variation and inspiration, these Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.
SKU: HL.14023645
ISBN 9780711983281. 9.0x12.0x0.162 inches.
These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.
SKU: HL.48188867
UPC: 888680872946. 9.0x12.0x0.264 inches. French.
Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger, this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features eighteen suites numbered from Suite XIII to Suite XXX, as well as seven other works, including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among his peers and influenced many of them..
SKU: BT.EMBZ20018
Hungarian-English-German-French.
This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials. Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables. Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica. L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.
SKU: HL.49008078
ISBN 9790001114790. 9.0x12.0x0.102 inches.
Though technically not too difficult, these 3 pieces by Hans-Martin Linde demand an acute awareness of their rhythmical complexities from the player. The title also contains programmatic allusions: the tonal and rhythmical structural subtleties require a heightened perception from the listener. The pieces are suitable for competition as well as concert performance.
SKU: HL.14016902
ISBN 9788759854532. 12.0x8.0x0.438 inches. English.
This is the Harpsichord Part for Kaija Saariaho's Jardin Secret II for Saariaho's 1986 work for Harpsicord and Electronics. This hair raising and spatially aware piece from 1986 also contains detailed performance instructions and tape guides. Also available is a CD and CD-Rom package, with accompaniments and all the patches and files required for a real time performance (KP00291).
SKU: FZ.5834
ISBN 9790230658348. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.
SKU: FZ.5835
ISBN 9790230658355. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.
SKU: BA.BA05259-68
ISBN 9790006568468. 32.5 x 25.5 cm inches. Key: A minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerââ¬â¢s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: FZ.5849
ISBN 9790230658492. 22.00 x 31.00 cm inches.
These original publications of Couperin, Corrette, Boismortier, Duphly and Bach are in facsimile on Fac-similes et Enseignement collection. Couperin Francois : L'art de toucher le clavecin. Paris, 1717. Allemande. Couperin Francois : Quatrieme livre de pieces de clavecin. Paris, 1730. Menuets croises. Corrette Michel : Premier livre de pieces de clavecin. Paris, 1734. - Manuscrit, s. d. Les Giboulees de Mars. Boismortier Joseph Bodin de : Quatre suites de pieces de clavecin. Paris, 1736. La Rustique. Duphly Jacques : Pieces de clavecin, quatrieme livre. Paris, 1768. La Du Buq. Bach Carl Philipp Emmanuel : Kurze und leichte clavierstucke. Berlin, c. 1766. Allegro. Fantasia. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Emer buckley for harpsichord. Facsimile of copies from: - National Library of Paris (France). - Inguimbertine Library of Carpentras (France). - Zentralbibliothek of Zurich (Switzerland). - osterreichische Nationalbibliothek of Wien (Austria). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.49008182
ISBN 9790001123495. 8.25x11.75x0.093 inches.
In an idiom far removed from the melodic, harmonic and structural approach usually associated with the harpsichord these pieces are particularly individual and intriguing.
SKU: BA.BA05090-41
ISBN 9790006494699. 24.7 x 17.8 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49003712
ISBN 9790001037037. UPC: 073999265491. 9.0x12.0x0.129 inches.
SKU: HL.14012557
Danish.
Per Norgard GEMINI RISING for harpsichord soloFirst there is a mountain, then there is no mountain, then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers, purely musically, to two essential circumnstances in the work: A constant duplicity in the melodic basis, as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear, the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Norgard.
SKU: M7.DOHR-94179
ISBN 9790202001790.
SKU: FG.55011-499-9
ISBN 9790550114999.
Sonata da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy. From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones. Duration c. 12'.
SKU: FZ.50528
12.5 x 14 cm inches.
Anne Fuzeau Classique propose to discover our facsimiles' music in CD. The Bauyn manuscript is to Louis Couperin what the Andreas Bach Buch (Hortus045) is to young Bach: a collection of mixed compositions: his own and those of teachers, close friends and acquaintances. In Paris, 1652, a curtain pulls back to show us Couperin and Froberger at a harpsichord in animated conversation. The young organist from Saint Gervais improvises in his host's style the famous globe trotter in turn plays several Italian pieces and improvises.
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