SKU: HL.383303
ISBN 9781705154137. UPC: 196288021421. 9.0x12.0x0.666 inches.
Do you need a perfect contemporary song for a vocal audition or performance? The Singer's Anthology of Pop/Rock Ballads gives you over 30 pop/rock classics to choose from––all transposed into appropriate keys and based on the original recorded hits. These songs fall into the new wave of standards that you are hearing more often at cabaret, concerts, and special occasions. These songs are most often identified with singer-songwriters, so this collection features the work of Billy Joel, Carole King, Adele, and others. These arrangements were custom made for this collection as authentic performing editions, friendly to both the singer and accompanist. Keys were carefully chosen, either preserving the original recorded key or transposing as near the original as possible to increase accessibility. This volume is presented in separate editions for Soprano/Alto and Tenor/Baritone, with some songs shared between the two, and others specific to the voice type. The Soprano/Alto edition features 31 songs, including: All by Myself • At Last • Don't Know Why • Hallelujah • Hello • I Can't Make You Love Me • I Will Always Love You • Killing Me Softly with His Song • Landslide • Million Reasons • (You Make Me Feel Like) A Natural Woman • New York State of Mind • She Used to Be Mine • Someone like You • A Thousand Years • Time After Time • When We Were Young • Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) • and more.
SKU: SU.28040140
Settings of four Psalms that are appropriate for use in concert in a religious service. The movements are: I lift up mine eyes (Psalm 121), The Lord is my shepherd (Psalm 23), Sing, oh my soul (selected from various Psalms) and I thank thee, God (text by the composer).Audio and score previews are available at: johnnewellmusic.com/works/vocal-solo/ High Voice & Piano Duration: 11' Composed: 1994-95 Published by: Abierto Music.
SKU: HL.14023745
SKU: BA.BA09109
ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51480551
ISBN 9790201805511. UPC: 888680950781. 8.25x11.75x0.295 inches.
1840 was Schumann's famous “year of song†that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride,†Clara Wieck-Schumann. Besides famous songs such as “Widmung,†“Lotosblume†and “Nussbaum†to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs†of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann's song cycles.
About Henle Urtext
What I can expect from Henle Urtext editions:
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