SKU: BA.BA09109
ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.50602069
ISBN 9781540060297. UPC: 888680956271. 8.0x11.25x0.32 inches. English-French-German-Hungarian-Russian-Spanish. Katalin Gonczy Hegedus.
A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and repetiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs. The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices (a volumes for high voices, b volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included. The printed music is accompanied by additional useful material to help the learning process, available online at www.emb.hu/downloads. The website contains the piano accompaniments of all of the songs, as well as all the original texts recited by native speakers.
SKU: HL.50566026
ISBN 9790044095360. UPC: 196288159407. 9.0x12.0x0.664 inches.
This edition belongs to “Musique vocale françaiseâ€, a series devoted to French vocal repertoire – both in original and transposed key – designed for students and teachers as well as professionals; it includes 35 songs for high voice, with original poems and English translations, that Camille Saint-Saëns composed throughout his entire career. The texts he chose for his music are proof of his excellent literary taste. It is not always easy to see a clear logic when looking at the entire corpus of the composer's melodies, coming to a total of around one-hundred and twenty works. Camille Saint-Saëns was one of the composers responsible for bringing nobility to French melody, thus paving the way for the generation, that of Gabriel Fauré and Henri Duparc, which would elevate it to its highest level.
SKU: HL.383303
ISBN 9781705154137. UPC: 196288021421. 9.0x12.0x0.666 inches.
Do you need a perfect contemporary song for a vocal audition or performance? The Singer's Anthology of Pop/Rock Ballads gives you over 30 pop/rock classics to choose fromââall transposed into appropriate keys and based on the original recorded hits. These songs fall into the new wave of standards that you are hearing more often at cabaret, concerts, and special occasions. These songs are most often identified with singer-songwriters, so this collection features the work of Billy Joel, Carole King, Adele, and others. These arrangements were custom made for this collection as authentic performing editions, friendly to both the singer and accompanist. Keys were carefully chosen, either preserving the original recorded key or transposing as near the original as possible to increase accessibility. This volume is presented in separate editions for Soprano/Alto and Tenor/Baritone, with some songs shared between the two, and others specific to the voice type. The Soprano/Alto edition features 31 songs, including: All by Myself ⢠At Last ⢠Don't Know Why ⢠Hallelujah ⢠Hello ⢠I Can't Make You Love Me ⢠I Will Always Love You ⢠Killing Me Softly with His Song ⢠Landslide ⢠Million Reasons ⢠(You Make Me Feel Like) A Natural Woman ⢠New York State of Mind ⢠She Used to Be Mine ⢠Someone like You ⢠A Thousand Years ⢠Time After Time ⢠When We Were Young ⢠Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) ⢠and more.
SKU: SU.26180010
These sixteen songs are a selection of those I've composed over the course of several decades. The texts are primarily by Americans, including William Carlos Williams, James Wright, and Elizabeth Bishop, though three are by British poets. The subject of most of the songs is the natural world and, often, humans' interaction with it. There are also several that merely celebrate love. —William McClellandHigh Voice & Piano Composed: 2005-2014 Published by: WMC Music (BMI).
SKU: SU.28040140
Settings of four Psalms that are appropriate for use in concert in a religious service. The movements are: I lift up mine eyes (Psalm 121), The Lord is my shepherd (Psalm 23), Sing, oh my soul (selected from various Psalms) and I thank thee, God (text by the composer).Audio and score previews are available at: johnnewellmusic.com/works/vocal-solo/ High Voice & Piano Duration: 11' Composed: 1994-95 Published by: Abierto Music.
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