op. 7 Hol. 81B / Six Melodies-Original version. BA 5784-90: Vocal score (original keys with alternatives of 2) and 3) in higher keys). 1: Villanelle A major (mezzo-soprano or tenor voice). 2: Le spectre de la rose B major (contralto voice; alternative provided in D major for high voice). 3: Sur les lagunes F minor (baritone or contralto or soprano voice; alternative provided in G minor for high voice). 4: Absence F sharp minor (mezzo-soprano or tenor voice). 5: Au cimetiﾃｨre D major (tenor voice). 6: L’ﾃｮsle inconnue D major (tenor voice). Full scores and parts available for hire contain both versions of2) and 3) enabling the complete song cycle to be performed in concert by a single vocalist.

Cette publication est sur le programme d'examen chanter ABRSM (6e). / Voix Elevﾃｩe(s) Et Piano

Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dﾃｼrr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dﾃｼrr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermﾃｶrder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengrﾃ､berlied D 44 / Die Schatten D 50 / Verklﾃ､rung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternﾃ､he D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

Schubert's Lieder provide a wealth of German songs which are regularly performed by many vocalists across the world. Volume one of Schubert's Lieder contains Die Schone Mullerin D.795 Die Winterreise D.911 and Schwanengesang D.957.This highly authoritative Urtext edition of Schubert's Lieder has been edited by Dietrich Fischer-Dieskau and revised by Elmar Budde. For High Voice with Piano accompaniment.

Description Songs Of Claude Debussy Volume I: High Voice This edition presents 62 of Debussy's songs in two volumes. Songlist [Unknown] Aimons-nous Et Dormons Apparition Ariettes Oubilees: Beau Soir C'est L'extase Langoureuse Chevaux De Bois Cinq Poemes De Charles Baudelaire: Clair De Lune En Sourdine Fantoches Fete Galante Fetes Galantes Pour Madame Vasnier: Fleur Des Bles Green Harmonie Du Soir Il Pleure Dans Mon Coeur Jane La Belle Au Bois Dormant La Mort Des Amants Le Balcon Le Jet D'eau L'ombre Des Arbres Mandoline Nuit D'etoiles Pantomine Paysage Sentimental Pierrot Recit Et Air De Lia (From L'enfant Prodique) Recueillement Rondeau Spleen Trois Melodies: Voici Que Le Printemps Zephyr

33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Faurﾃｩ's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Faurﾃｩ;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Faurﾃｩ's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.

Instrumentation: High voiceﾂ猶f Format: Sheet Music Details: (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to themusic lover. Nichols now turns his attentionsto the mﾃｩlodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Faurﾃｩ and Duparc, but sets them alongside music ﾂ� almost impossible to find elsewhere in print ﾂ� by such under-estimated figures asReber, Viardot, Massﾃｩ and Paladilhe. Even themore celebrated songs are often not easily found in practical editions, which makes thisselection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mﾃｩlodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to thepoets who were of crucial importance in the development of the mﾃｩlodie tradition. Graham Johnson Contents: Reber: Guitare; Gounod: Le soir; Gounod: Le premier jour de mai; Viardot: Les deux roses;Viardot: La mﾃｩsange; Franck: Nocturne; Massﾃｩ:Souvenirs; Lalo: Chant breton; Saint-Saﾃｫns: Chanson triste; Bizet: Vieille chanson; Massenet: Madrigal; Massenet: Ouvre tes yeux bleus; Chabrier: Les cigales; Paladilhe: Sonnet de Pﾃｩtrarque; Faurﾃｩ: Automne; Faurﾃｩ: Le secret; Duparc: La vie antﾃｩrieure; Chausson: Nocturne; Debussy: Le jet d'eau; Satie: Sylvie; Sﾃｩverac: Philis; Honegger: Automne; Poulenc: Fleurs

La revue de cafﾃｩ-concert (ou caf?conc?) ﾃｩtait l?une des formes de divertissement populaire ﾃ� Paris depuis la moitiﾃｩ du XIXe siﾃｨcle et au dﾃｩbut du XXe. Les programmes ﾃｩtaient composﾃｩs de piﾃｩcettes en un acte, d?airs d?opﾃｩra, de tours de chant, de danse, de numﾃｩros de cirque, etc. Dans le rﾃｩpertoire d?une soirﾃｩe de cafﾃｩ-concert, il y avait la valse chantﾃｩe, sentimentale et trﾃｨs mﾃｩlodique, sur des paroles racﾃｩes ; Je te veux en constitue un exemple. Dans cette ﾃｩdition, la version originale pour voix ﾃｩlevﾃｩe de cette cﾃｩlﾃｨbre valse. / Partitions classique / Vocale - chorale / Voix solo - piano / SALABERT