SKU: KN.02070S
UPC: 822795020700.
As recorded by Buddy Rich on the album of the same name, this 'fat-back' rock classic begins with a repeated vamp featuring solo guitar and/or piano before a horn trio -- alto, tenor, trumpet -- paves the way for the full ensemble entrance. This is high-intensity writing for all, and solo space is reserved for tenor and guitar. A sudden switch to swing in the final bars provides a perfect ending. Rhythm section parts are partially notated with chords cued. Duration 5:15.
SKU: KN.SN70178
UPC: 822795701784.
Recorded on the Quincy Jones-Sammy Sammy Nestico CD Basie And Beyond, this medium-tempo swing journey covers every aspect of the big band jazz experience: a brass section chorus, two sax choruses, room for any number of soloists to stretch out, and rich full-ensemble writing to drive the message home.
SKU: HL.7014203
UPC: 196288178118. 9.0x12.0 inches.
Miley Cyrus is back on top of the pop world with her huge hit â??Flowers.â? Featuring an appealing moderate dance groove and tuneful melodic lines, this easy arrangement will sound terrific with limited rehearsal time.
SKU: KN.SN70178S
SKU: KN.52600
Recorded by The Vanguard Jazz Orchestra on the album Thad Jones Legacy, this blazing chart, meant to be played as fast as possible, opens with a repeating vamp featuring horn players on Latin percussion instruments. Then excitement builds as horns enter a few at a time until the whole ensemble reaches the first tutti chorus. Solos for tenor and drums (with horns playing percussion again) are included, and the finale is swift and powerful. Duration 5:00.
SKU: CL.032-4429-01
This chart is straight out of the Basie shuffle/swing tradition. Influenced by Quincy Jones's early big band arrangements, this chart requires a laid-back swing feel and features a strong saxophone section in both the melody statement and an extended soli. Interesting dynamics and a cool style shift makes this one an attention grabber. Impressive!
SKU: CL.032-4429-00
SKU: KN.SN70148S
UPC: 822795701487.
First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their Basie-cally Sammy CD, this popular blues tune was originally written for Sweets Edison and features solo trumpet throughout. Some very soft and very big ensemble sections create striking dynamic contrasts and generate plenty of excitement.
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