SKU: AP.48218

UPC: 038081559278. English.

Okay, it's chicken time! Party Peeps by Kris Berg is a funky rock groove played around 130 BPM. Solos provided for tenor 1 and trumpet 2, lead trumpet range is to written G-sharp on top of the staff and a sweet bari part. Easy to rehearse with a rock-infused guitar for an effective contemporary sound. The usual optional parts plus flute and vibes. (3:57).

SKU: AP.48218S

UPC: 038081559285. English.

Okay, it's chicken time! Party Peeps by Kris Berg is a funky rock groove played around 130 BPM. Solos provided for tenor 1 and trumpet 2, lead trumpet range is to written G-sharp on top of the staff and a sweet bari part. Easy to rehearse with a rock-infused guitar for an effective contemporary sound. The usual optional parts plus flute and vibes. (3:57).

SKU: CL.032-4362-00

A creative combination of Go Tell It On The Mountain and Beethoven's Ode To Joy that's guaranteed to impress your listeners, Opening with a beautiful chorale, it switches to driving rock and steamrolls through the keys of Bb, Eb & F to a big finish. No improv, but lots of solis and solid ensemble sections. It won't take a lot of rehearsal time to work up this truly awesome addition to your holiday concerts.

SKU: AP.43675S

UPC: 038081496719. English.

Originally done by the Big Phat Band, La Almeja Pequena arranged by Paul Baker is a samba played around 90 BPM in cut time. It's a very exciting Latin chart with solos for alto 1 and trumpet 2, and the trumpet 1 range is to written G on top of the staff. There are two auxiliary percussion parts, plus the usual optional parts to include flute, clarinet, and vibes. (4:27).

SKU: AP.30625

UPC: 038081341743. English.

A medium swing arrangement for the 'bone section, this chart begins with unison trombones, then 'bones in harmony followed by exchanges with the other sections to include a stop-time section. It's easy to put together, has no individual solos, is effective to perform and a kick for your 'bone section. Also includes all the usual optional parts. (3:38).

SKU: CL.032-4657-00

Time to dial back the metronome a bit with this relaxed slow swing with a dreamy disposition. This brilliant chart is the perfect showcase for the entire ensemble, and includes a brief piano introduction, velvety bucket‐muted brass, and a very pretty solo spot for your lead alto saxophone. A gradual crescendo after the alto solo leads to a four bar shout before returning to the volume and tone set at the beginning. Colorful textures and voicings abound, and the optional flute part will add an extra glow of color, but the chart plays just a beautifully without. A superb change of pace for concert or contest!

SKU: CL.030-2138-00

Starts out as a very effective ballad that features a short written trumpet solo and then segues into a light rock section featuring another short solo, this time by the Tenor Sax. Then it's back to the ballad feel for the very beautiful ending. Ranges are mod est and the rewards are great with this quality chart that will make a wonderful concert or contest num ber for a young developing stage band.

SKU: KN.52350

As recorded by the Thad Jones-Mel Lewis Orchestra on their 1972 album Suite For Pops, soprano sax gets the lion's share of solo action in this bright swinger, with additional solos for tenor, trumpet and drums added for good measure. Plenty of bold tutti writing keeps the overall energy (and volume) level high, making this a great program opener or closer. Duration 5:30.

SKU: CL.SCM-1121-01

This chart features the sound of a New Orleans funeral marching band historically known as the Second Line which follows behind the family and casket. It’s a time for celebration coming after the initial mourning period. Lots of fun to play in the style of a funky, marching Dixieland band. The harmonic form is the Blues and there is room made for soloing both inside the ensemble and for featured soloists. Includes an optional flute part.