SKU: AP.41133S
UPC: 038081479750. English.
Gordon Goodwin wrote this funky chart for Grade 3 to showcase trumpet 1 and trombone 1. Everything is written out to include the melody duet, the solos, and the trades. The tempo is very accessible at 160 BPM. Don't Steal My Stuff by Gordon Goodwin is fun and easy to assemble. (5:08) This title is available in MakeMusic Cloud.
SKU: KN.63780
UPC: 822795637809.
Based on the chord changes to It Don't Mean A Thing by Duke Ellington, this chart is the perfect chart to introduce beginning jazz groups to the swing style. The solo section is playable by any instrument, with solo sheets provided in all keys along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 2:10.
SKU: KN.63780S
SKU: CL.032-4135-00
Warning: Don’t try this tune anywhere unless you are ready to rock! This hard driving rock tune kicks in the afterburners in the first measure and doesn’t let up. Written solidly at the medium easy level, this tune features repetitive rhythms and patterns that guarantee you will be performance ready with the absolute minimum of rehearsal time. Scored for limited instrumentation with careful attention to instrument ranges, and written out solos over super easy changes, Don’t Try This at Home will be accessible to the smallest and youngest ensembles. Loaded with student and audience appeal, this tune is a great contest/concert selection. Go on, try it, we dare you!
SKU: CL.032-4789-00
This playful medium-tempo swinger features a smooth, self-assured melody that glides along a cool, slightly altered blues progression. Trumpet and alto sax carry the melody at first before passing it off to the brass section; saxophones cleverly punctuate the brass section with heavily accented chords. The saxophones take the melody the third time around, while the brass offers incisive interjections here and there. A solo section follows that features just the right amount of background writing that enhances the proceedings without ever getting in the way; the solo section may be repeated as desired to feature additional soloists. A swinging ensemble follows the solos, starting off at a simmer and gradually heating up to the exciting full-ensemble shout chorus. Don’t Let These Blues Fool You is sure to be a favorite for concert and contest!
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
