SKU: TM.03431SET
Com' e Gentil. Sung by Norina and Ernesto.
SKU: TM.03430SC
Voice line in score. Starts with just voice & strings.
SKU: CA.3116803
ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.
The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.
SKU: TM.14403SC
Act IV (Part I). This is the Original opera edition (with Eboli and Elsabetta). See #02089 for arrangement for Eboli (Mezzo) only. First words: Pieta! Perdon! per la rea che si pente.
SKU: CA.3116809
ISBN 9790007209254. Language: German/English. Text: Franck, Salomo.
The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.
SKU: CA.3116805
ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo.
SKU: TM.03426SET
Tenor solo - 24 measures of La La La at end.
SKU: TM.02426SET
..Duft. Available in keys of *D (Medium voice), F (High voice), or C (Low voice) - All three keys come together in score and set of parts. Horns = I, II, IV.
SKU: TM.03426SC
Sc pages 77-129.
SKU: TM.14567SET
Act I No. 2. Sung by Ernesto and Don Pasquale. Includes: Sogno soave e casto mi fa il destin mendico.
SKU: TM.03430SET
SKU: TM.14567SC
SKU: TM.03431SC
SKU: TM.14403SET
SKU: TM.03429SC
Act III. Also contains: E finito Don Pasquale. Duet with Norina and Don Pasquale.
SKU: CA.3116807
ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.
SKU: TM.02426SC
SKU: CA.3116819
ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.
SKU: TM.03429SET
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