SKU: KN.62785S

UPC: 822795627855.

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpoint, leads to an energetic exchange between the sections, followed by the tenor sax solo over contemporary harmonies. After exciting exchanges between soloist and ensemble, the band takes over with an intense interlude leading to a piano solo over more traditional changes. The final shout chorus brings the band to its peak, leading to a final vamp that slowly builds to a powerful finish. Rhythm section parts are partially notated with chords cued. Duration 9:15.

SKU: KN.64010

UPC: 822795640106.

Recorded by the Thad Jones-Mel Lewis Orchestra on the album New Life, this fast swing original opens with a full-band statement and a short piano solo before the trumpet soloist steps into the spotlight. Then tenor carries a solo chorus, followed by a powerful ensemble shout, an incredible sax soli, a 16-bar piano solo, a short band recap of the main theme, and closing coda. Written for SSTTB saxophones. Duration 6:00.

SKU: KN.52800

Recorded in 1968 by the Thad Jones-Mel Lewis Jazz Orchestra on their Monday Night album, this swingin' blues at a moderate tempo opens with an ad lib piano solo, then shifts immediately to a solo chorus for Harmon-muted trumpet. Tenor sax also serves as a soloist later on, with plenty of great section and ensemble passages providing essential power and balance. Duration 6:15.

SKU: CL.SCM-1071-00

This classic Clarence Williams composition was written at the very beginning of the Jazz Age and speaks in the Count Basie language. An 8 measure written piano solo feeds into a quiet full ensemble melody with brass in bucket mutes. (Open in stand will do) Well placed unisons and ensemble writing leads to a 16 bar tenor sax solo (suggested written solo is provided) then builds to a final full ensemble shout chorus a minor third higher. Includes an optional flute part. The unique surprise ending will treat the audience and band to a few happy moments. Hint: (Opt. one bar vocal ending).

SKU: CL.032-3898-01

A Basie style swing chart that opens up with a written piano solo, and features a duet by trumpet and tenor sax or trombone before getting the whole band in on the action. An impressive sax soli section leads into solos by tenor sax and trumpet, and suggested solos are provided. Ends with a powerful shout chorus that is sure to impress. Also includes an optional flute part. Will make your bands sound like the big guys!

SKU: CL.SCM-1071-01

This classic Clarence Williams composition was written at the very beginning of the Jazz Age and speaks in the Count Basie language. An 8 measure written piano solo feeds into a quiet full ensemble melody with brass in bucket mutes. (Open in stand will do) Well placed unisons and ensemble writing leads to a 16 bar tenor sax solo (suggested written solo is provided) then builds to a final full ensemble shout chorus a minor third higher. Includes an optional flute part. The unique surprise ending will treat the audience and band to a few happy moments. Hint: (Opt. one bar vocal ending).

SKU: CL.032-2235-01

Feature your pianist with this very hip rock ballad. Contemporary in style, ala Bob James, it will sound great when performed on a Rhodes’’ or Synthesizer. Most of the piano solo is written, but does have a nice little ad lib’’ section over simple chord changes near the middle. The band parts really compliment the soloist and make this a very worthwhile selection.

SKU: HL.49047270

The names of George Gershwin (1898-1937) and Ira Gershwin (1896-1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the University of Michigan have joined forces to produce The George and Ira Gershwin Critical EditionÂ?the first-ever scholarly edition of the Gershwins' music and lyrics. This all-new practical edition facilitates both study and performance, giving a wide audience of musicians, scholars, students, and enthusiasts alike greater insight into the Gershwins' art. The goal is to create clear and definitive publications that achieve the most accurate representations possible of the Gershwin brothers' unique and pioneering creativity. This all-new critical edition of the original 1924 arrangement of George Gershwin's Rhapsody in Blue presents an authoritative transcription of arranger Ferde Grofé's handwritten holograph score preserved in the collection of the United States Library of Congress in Washington, DC. The edition represents as best as possible the piece as premiered by the Paul Whiteman Orchestra at his â??Experiment in Modern Musicâ? concert on February 12, 1924. Grofé prepared the score for the specific talents and timbres of the Whiteman Orchestra, largely from an ink fair copy of Gershwin's two-piano short-score manuscript. Gershwin continued to modify the piano solo portion of this short score during rehearsals and, most likely, even after the premiere of the piece.