SKU: KJ.ZB394F
UPC: 8402702311.
In The Mode is a beginning level chart that was inspired by the great modal jazz of the 1950s. The block writing and unison rhythms make it a perfect selection for beginning jazz ensemble. - Beginning Level Jazz Charts - Flexibly orchestrated so that they can be played with as few as 9 players. - Everyone in the ensemble has an opportunity to improvise in the open solo section. - Includes two suggested solos and a CD with a solo practice track, to facilitate successful improvisation.
About Standard of Excellence Jazz Ensemble Method
The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!
SKU: KJ.ZB394
In The Mode is a beginning level chart that was inspired by the.
SKU: AP.JEM03007C
UPC: 654979050827. English.
Here's a great opportunity to discuss and teach balance, expression, phrasing, and dynamics to your very beginning jazz students. You can hear it for yourself in this superb chart by master arranger Victor López. No improvised solos, but a haunting written solo by trumpet or optional flute starts things off and it gets even more lyrical with simple and easy-to-play moving lines. Fast preparation, minimal technical demands, and plenty of optional parts make this the ideal ballad chart for any performance setting. This melody will stick with you for weeks - the title says it all.
SKU: KN.GJK2307FS
12 x 9 inches.
This unique set of 17 warm-up pieces for the young Jazz Ensemble covers the essential rhythmic and harmonic elements found in two styles of Jazz: even eighth note (such as Latin Rock) and Swing music. After the initial two legato warm-ups, the music is divided into four sections: Even eighth note examples in B flat, Swing examples in B flat, even eighth note examples in F and Swing examples in F. Each exercise builds on the previous example so younger jazz students will be introduced to essential rhythms and phrases in a well-sequenced method. The rhythm section parts are carefully crafted to allow maximum flexibility for each player. All the Warm-ups are designed to work at a variety of tempos and with various dynamic shadings, so each one can be used in a multitude of ways.
SKU: KN.GJK2307
SKU: AP.40348S
UPC: 038081451664. English.
This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in MakeMusic Cloud.
SKU: KN.63780
UPC: 822795637809.
Based on the chord changes to It Don't Mean A Thing by Duke Ellington, this chart is the perfect chart to introduce beginning jazz groups to the swing style. The solo section is playable by any instrument, with solo sheets provided in all keys along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 2:10.
SKU: KN.63780S
SKU: KN.60752S
UPC: 822795607529.
If you need a solid, accessible moderate swing chart for your developing jazz band, look no further. This one has lots of variety and developmental material that will strengthen the skill set of all players. The beginning features a trumpet and alto sax soli reminiscent of the bebop sound pioneered by Dizzy Gillespie and Charlie Parker in the mid-1940s. Written or ad lib solos are offered for all winds, and a guitar chord chart by Jim Greeson is included. Duration ca. 4:45. Available in SmartMusic.
SKU: LO.60-1019H
UPC: 000308076394.
If you have a beginning jazz ensemble, this work deserves your serious consideration. Based upon a traditional Native American song, this composition is a theme and variations tour de force! The simple theme is stated by all the winds with some Stravinsky-like punctuation in the rhythm section. This theme is then transformed through four key centers and a contrapuntal treatment before arriving at the shout chorus, in this case a beautiful reharmonization of the melody.
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