SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
SKU: GI.G-7280
ISBN 9781579998561. English, Spanish.
GIA Publications, Inc., the publisher of numerous single-author and single-composer collections of hymn texts and tunes, has put together its first-ever anthology of hymns. While insufficient in number for single-author or single-composer editions, these new texts and tunes by a diverse group of creative people are worthy of having the opportunity to “find their vocation.†Encompassing a variety of styles, this collection of 50 hymns includes new texts by John Dalles, Jacque Jones, Joy Patterson, John Thornburg, and new tunes by John Karl Hirten, Ron Krisman, and Leo Nestor. Also included are texts and tunes by John L. Bell, Mary Louise Bringle, Ruth Duck, Delores Dufner OSB, Sylvia Dunstan, Marty Haugen, Sally Ann Morris, Carl Schalk, and Adam Tice.
SKU: ST.K49
ISBN 9790220224461.
All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on', possibly by Thomas Tomkins, are a fascinating example of music contemporary to the time, written with the didactic purpose of instructing musicians in the techniques of counterpoint. CONTENTS Prelude in d: Edward Gibbons Gaudent in caelis: Anon. Miserere: Anon. Upon a plainsong: Attrib. Orlando Gibbons Verse in G: Anon. Fantasia in a: John (or Thomas) Holmes Fantasia in G: Attrib. Orlando Gibbons Fantasia in G: Anon. Pavan in e: Anon. Galliard in C: Anon. Galliard in F: Anon. Fortune my foe: Anon. Alman in F: Thomas Tomkins Ballet in G: James Harding, arr. Anon. Coranto in C: Anon. Jig in G: Anon. Tomboy: Anon. Pretty ways for young beginners to look on: Anon. (Thomas Tomkins?).
SKU: HH.HH463-SOL
ISBN 9790708146728.
Sheeles has a distinct gift for melody and for developing musical motives intensively and inventively, while always treating the keyboard in a highly varied and idiomatic manner. Each of his thirteen suites, all containing between three and five movements, follows an individual plan, mixing lengthy and sometimes ambitious movements with shorter, simpler ones. This is their first modern edition, and one that promises to win his music many admirers.
SKU: HH.HH459-SOL
ISBN 9790708146674.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version