Keyboard

SKU: GI.G-006003

Sacred. 2082 pages. GIA Publications #006003. Published by GIA Publications (GI.G-006003).

This is the keyboard edition of One in Faith. It is 8.5 x 11 (portrait) and comes in 3 seven-ring binders. A service binder is also available (006003SB). This convenient binder holds your music selections for individual celebrations. One in Faith is a beautiful hardbound hymnal with a broad spectrum of music for your singing assembly: chant, classic hymnody, gospel hymns, spirituals, contemporary and bilingual pieces, and a generous selection of the best service music. Permanence One in Faith is a permanent resource. With more than 900 hymns, songs, psalms, and acclamations and fourteen Mass settings, One in Faith provides you with a repertoire that will stand the test of time. Flexibility One in Faith provides a wide range of accompaniment options to fit your needs: Keyboard Accompaniments in portrait and landscape editions, a spiral-bound Guitar Accompaniment, and B♭ and C Instrument Books. We also offer a helpful planning index book and coordinating portrait and landscape service music binders. Craftsmanship One in Faith is a magnificently designed book, created with the best book-manufacturing techniques and processes. One in Faith will enhance the beauty of your worship space.  .

Keyboard

SKU: ST.K48

Composed by Various. Edited by Alan Brown. Piano & keyboard music. By Nicholas Carleton, John Amner and John Tomkins.. Six pieces from Musica Britannica Volume 96. Edited by Alan Brown. Keyboard collection. Stainer & Bell Ltd. #K48. Published by Stainer & Bell Ltd. (ST.K48).

ISBN 9790220224454.

Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes.

CONTENTS
Prelude (for two to play): Nicholas Carleton?
A verse (In nomine) for two to play: Nicholas Carleton
A verse of 4 parts: Nicholas Carleton
Upon the sharp: Nicholas Carleton
O Lord, in thee is all my trust: John Amner
John come kiss me now: John Tomkins.