SKU: LO.9780834176010
ISBN 9780834176010.
Fully written-out keyboard part, designed specifically for the choir accompanist. Choral parts included on separate stave(s). Page size: 8½ x 11.
SKU: ST.MB102
ISBN 9790220225123.
Complementary to MB96, the 85 items in MB102 complete the coverage of the Fitzwilliam Virginal Book in Musica Britannica. With the exception of four pieces by Sweelinck available elsewhere, MB102 contains all the Fitzwilliam content not otherwise already published in individual MB virginalist-composer collections or in the three anthology volumes, MB1, MB55 and MB66. In addition, there are ten pieces from another important keyboard source in the collection of Cambridge's Fitzwilliam Museum, the Tisdale Virginal Book. The volume was a long-time project of the late Christopher Hogwood, and has been brought to completion by his co-editor Alan Brown.
SKU: HH.HH481-SOL
ISBN 9790708146926.
This set of six short two-movement keyboard sonatinas, or ‘lessons’ (in the traditional English manner), come from a hitherto overlooked 1755 publication by a composer already well known and appreciated for his slightly earlier oboe sonatas. Vincent’s melodic gifts and skill in musical construction, clearly evident in the wind sonatas, are here complemented by an obvious flair for effective keyboard writing and an ability to spring welcome musical surprises.
SKU: GI.G-6723A
ISBN 9781579995430.
Beyond its beautiful cover, the Oramos Cantando/We Pray in Songsong book contains 86 of the most glorious hymns, psalms, and songs translated from Spanish to English and English to Spanish. Virtually everything has been translated. The Oramos Cantando/We Pray in Song songbook provides a satisfying sampling of liturgical music, including 17 bilingual psalms and Donna Peña’s bilingual Lenten Mass, intended to encompass the repertoire demands of the entire church year. This affordable softcover edition makes the perfect supplement for multicultural parishes (Latino/Anglo) in need of a bilingual resource to complement their already existing hymnals. It is a tool that will help such parishes explore the richness in the music of each other’s culture and potentially begin a trend of worship where all present can fully participate together and celebrate their diversity.
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