SKU: GI.G-9590
UPC: 785147959038. English.
Ephrem Feeley’s second published collection Our Hearts Are Restless mirrors the flexibility and variety of his first, Here in Christ We Gather. The music is flexible to accompany the ritual action it accompanies, and the scoring allows for performance by cantor or choir. Above all, this is elegant liturgical music at the service of the liturgy. Ephrem’s musical style sits comfortably between classical and contemporary, allowing for immediate engagement by all.  CONTENTS: I Will Go Up to the Altar of God • A Blessing on the Young • Christ Has No Body Now but Yours • Be Near at Either Hand • God’s Love for Us • Our Hearts Are Restless, O God • Song of Farewell • Sing a New Song to the Lord • Call to Your Table • Our Eyes Are Fixed on the Lord •For You, My Soul Is Thirsting • When in Our Music God Is Glorified.
SKU: GI.G-9777
UPC: 785147977704. English, Spanish.
In conjunction with the Calvin Institute for Christian Worship, GIA is pleased to offer Cantos para el pueblo de Dios / Songs for the People of God This bilingual collection contains 24 songs for worship in a variety of tempos and styles. Originally conceived with Spanish-language texts, these songs are sometimes known as “scripture songs†or “teaching songs,†and will be a welcome addition to congregations looking to develop a bilingual repertoire. This edition contains the keyboard, guitar, and choral parts.
SKU: GI.G-8589
UPC: 785147858935. English. Text by Adam M. L. Tice.
Sally Ann Morris and Adam Tice began working together in 2008, when Sally was asked to compose a few tunes for Adam’s first collection, Woven into Harmony. This initial collaboration was the beginning of what has become a dynamic partnership. In this symbiotic pairing new inspiration emerged, generating contemporary but timeless music where text and tune seamlessly unite.     The a cappella choral writing on “Will You Hold Me in the Light†and “This Is My Body†is so lush and intricate that accompaniment is not necessary, while the poetry of “God Give Me Faith like a Child†and “Breath of God, Breath of Peace†illustrates the innocence and fearlessness essential in our love and trust of God. Stylistically ranging from a cappella choral to Latin jazz, each piece offers a musical and textual sophistication that powerfully conveys themes of journey and longing for God’s guidance.
SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
SKU: HH.HH570-SOL
ISBN 9790708185857.
Rigel’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.
SKU: HH.HH569-SOL
ISBN 9790708185840.
SKU: GI.G-012568
Spanish.
A complete Lectionary Psalter for Spanish-speaking communities for each Sunday and feast day for Years A, B, and C. Additional settings for special rites are included. Seventeen composers bring a variety of musical styles from Mexico, Cuba, Puerto Rico, Central America, and South America to this collection. With equal and mixed voices, cantor, assembly, guitar, and various instruments.
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