SKU: HL.50513578
A thorough and comprehensive exploration of the disciplines of improvisation for confident Keyboard players looking to develop their skills in playing 'by ear'. Beginning with simple progressions and basic chorale-style melodies, Kenneth Simpson's step-by-step tutorial introduces more keys, cadences and approches. Suspensions, inversions, figures and moving basslines are also covered, leading to a full understanding of the construction of Keyboard works in the early Classical canon.
SKU: TL.TCL013651
ISBN 9780857363954.
This CD contains recordings of all pieces and exercises featured on Trinity College London's Electronic Keyboard syllabus for Grades 4 and 5, valid from 2015–2018. The syllabus features a wide variety of musical genres and makes use of a wide range of keyboard functions, voices and styles.Improvisation pieces contain ad-lib passages to encourage inventiveness, originality and style. These have not been recorded, so students can use the CD as a backing track to practise for these sections.
SKU: M7.VOGG-417
ISBN 9783802404177. English.
Tutor, Reference book, Songbook & dictionary all in one! It's fun and easy to understand with plenty of informative tips, therefore well suited to beginners and novices who wish to get the most out of their keyboards. Split into 12 progressive sections it covers practically everything you need to know about keyboards, such as intervals, dominant and subdominant chains, all scales, riffs, licks, phrases, patterns, intros and endings. Moreover, you'll learn everything about improvisation, arranging and composing in Blues, Rock, Pop and Jazz styles. Finally, various special keyboard voicings, programming drum computers and MIDI make this book an invaluable encyclopedia. The accompanying CD includes many examples and songs to listen or play along to.
SKU: HL.49015474
ISBN 9790001084864. German.
Von Anfang an geht es ganz spielerisch fur den jungen Schuler ab 6 Jahren zu, wobei er eine umfassende musikalische Grundausbildung erhalt. Beide Hande werden spieltechnisch gleichmassig ausgebildet. Musikalisches Gestalten wird durch den bewussten Einsatz von Dynamik und Artikulation gefordert. Daneben erhalten der kreative Umgang mit Musik, die Anleitung zur Improvisation und das Singen und Spielen im Ensemble einen hohen Stellenwert. Sowohl Keyboard- als auch Klavierlehrer werden sehr schnell das ausgefeilte didaktische Konzept erkennen, das sich gleichermassen fur den Einzel- und Gruppenunterricht eignet.
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