SKU: HH.HH564-SOL
ISBN 9790708185796.
“When we reached the gates of Linz [...] we found a servant waiting there to drive us to old Count Thun’s, at whose house we are now staying. I really can’t tell you what kindnesses the family are showering on us. On Tuesday, November 4th, I am giving a concert in the theatre here and, as I have not a single symphony with me, I am writing a new one at breakneck speed, which must be finished by that time. Well, I must close, because I really must set to work.
SKU: GI.G-8836
UPC: 785147883630. English.
Sing for Peace is Marty Haugen’s first collection of liturgical music (apart from mass settings and The Lyric Psalter) in seven years. Sing for Peace is a wide-ranging and eclectic collection, including two settings of texts by Adam M. L. Tice, a setting of a text by Shirley Erena Murray, and a number of original texts and Scripture adaptations. Like much of Marty’s previous music the texts largely focus on Christian peace-making and issues of social justice, including hunger, immigration, and earth-keeping. There is music for baptism, for intercessory prayer, choral music and two children’s choir pieces. The styles range from classical to gospel to pop, with singers of all ages involved.  Contents: I Will Rise, Down in the River to Pray/Baptized into the Death of Christ, For Every Child, Sing with All the Children of Earth, The Steadfast Love of the Lord, Look and See the Face of Christ, An Open Hand, a Willing Heart, Bring Peace, Live Jesus, The Reign of God Is at Hand, Sing for Peace, Bread for the World, I Am a Child of This Planet, Rejoice in God! Again, Rejoice!
SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
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